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This poster advertised The Glasgow School Of Art's annual degree show. The exhibition was held on The Glasgow School Of Art campus as well as in the Centre for Contemporary Arts and Tramway which are local arts centres. The 2003 degree show was sponsored by McGrigor Donald, Hoegaarden Beer, the MacFarlane Group and the Gordon Yuill Company. The image used in the poster is by Raul Ortega and the poster was designed by Inlapland.

This poster advertised an exhibition showcasing work by graduating postgraduate fine art students from The Glasgow School Of Art in 1990. The exhibition took place between the 23rd and the 29th of June and was held in the Mackintosh Building. It included work by Alexander Dempster, James Hamlyn, Rachael Harris, Peter McCaughey, Donna Rae, Craig Richardson, Julie Roberts, Andrew Sneddon, Edward Stewart and Catherine Whippey. The photograph on the poster was taken by John Shankie and shows the exhibiting students posing inside the elevator in the Mackintosh Building. The poster was designed at The Glasgow School Of Art and printed by David J. Clark Limited.

Two multicolour-printed pieces of teaching examples for printmaking, attached to backing paper. These prints illustrate the heroic myth of Saint George slaying a dragon. Also used as teaching materials in schools in Scotland, as marked with the level of students "Sixth year."

This poster advertised an exhibition of work by postgraduate fine art students in 1985. The exhibition was held in the Mackintosh Building at The Glasgow School Of Art and included work by students studying drawing and painting, photography, printmaking, sculpture and stained glass. The exhibition ran from the 14th to the 20th of June and the image on the poster shows the exhibiting students. The photograph was taken by H. Kerr and was printed at David J. Clark Limited.

This poster advertised the work of graduating fine art students included in The Glasgow School Of Art degree show in 1986. The exhibition included work by students of painting, photography, printmaking and sculpture and environmental art. The undergraduate work was exhibited in the Mackintosh Building on The Glasgow School Of Art campus while the postgraduate students exhibited in the McLellan Galleries on Sauchiehall street. The image used on the poster shows the students standing in front of the Mackintosh Building and was taken by Vaughan Judge who was a previous lecturer at the school. The poster was designed by The Glasgow School Of Art and printed by David J Clark Limited.

Poster for exhibition 'Joan Eardley R.S.A. 1921-1963 Paintings Watercolours Pastels Drawings', at Cyril Gerber Fine Art, West Regent Street, Glasgow, 16 Mar 1985-13 Apr 1985.

Poster for GSA Fine Art Degree Show, 17 Jun 1989-22 Jun 1989

This poster advertised The Glasgow School Of Art's annual degree show in 1984. The exhibition showcased work by graduating students in drawing and painting, photography, printmaking, murals, stained glass and sculpture. The degree show was held in the Mackintosh Building at The Glasgow School Of Art and ran from the 15th to the 21st of June. The photograph used on the poster shows exhibiting students sitting on the steps of the Mackintosh Building and was taken by Vaughan Judge who previously worked as a lecturer at the school. The poster was designed at The Glasgow School Of Art and printed by David J Clark Limited.

Poster for 'Royal Glasgow Institute of the Fine Art Arts 127th Annual Exhibition', McLellan Galleries, Glasgow, 09 Oct 1988-06 Nov 1988. Artwork featured is 'Still Life' by James D. Robertson, poster design by Michael Healey.

This poster advertised an exhibition of work by students graduating from the Master of Fine Art course as part of The Glasgow School Of Art's 1984 degree show. The image used on the poster was photographed by Jim Oakes and shows the exhibiting students standing on the fire escape steps of the JD Kelly building at The Glasgow School Of Art. The poster was designed at The Glasgow School Of Art and printed by David J Clark Limited. The exhibition ran from the 15th to the 21st of June.

Farmyard scene. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.

Part of Kenilworth Castle with sheep grazing to foreground. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.

Study of river with rowing boat. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.

Two studies of trees; beech and ash. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.

Study of three cottages. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.

Two landscapes. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.

Heath scene. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.

A view in Surrey. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.

Four studies; three of cottages, one of river with cathedral in background. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.

View on the Thames near Chertsey. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.

View of Caernarvon, North Wales. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.

Two landscapes with cottages. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.

Two landscapes. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.

Landscape with farmhouse. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.

Study of farm buildings with church tower in background. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.

This poster advertised the work of graduating students from the fine art department who were exhibiting as part of The Glasgow School Of Art's annual degree show in 1990. The exhibition included work by students studying environmental art, painting, photography, printmaking and scupture. The poster features a photograph taken by Andrew Stark which shows the exhibitors sitting on the steps of the Mackintosh Building. Martin Boyce winner of the Turner Prize in 2011 can be seen sitting in the front row fifth from the left. The poster was designed at The Glasgow School Of Art and printed by David J Clark Limited. Students in the photograph include: - Martin Boyce - Alan Bullas - Alison Chisholm - Michelle Davies - Alex Dempster - Laura Donnelly - Barry Fielder - Alan Frame - Jim Hamlen - Moray Hillary - Richard Leroyd - Christina McBride - Jackie Munro-McGoldrick - Calum Angus McKay - Gregory Patterson - Alan Pike - Leslie Pontin - Mark Sadler - Ross Sinclair - Andrew Sneddon This list was compiled with the help of Eddie Stewart who tutors in the school's painting and printmaking department. Stewart previously studied fine art at The Glasgow School Of Art at both undergraduate and postgraduate level and is pictured in the degree show posters from 1988 and 1990. A key naming each student can be found alongside this poster.

A small print featuring the scenery in front of the courtyard of a Scottish manse. Annotated as "The Manse, Kilmore" on the upper left side, but not dated.

A sepia-toned photograph of a watercolour painting depicting Gourock Bay, as annotated "Gourock at the Clyde" on the reverse. Signed "W. Meldrum," but not dated.

A monochrome photograph of a watercolour landscape painting featuring a mansion in the country. Signed "W. Meldrum,"and dated "1920" assumed to be the date of creation of the painting.

A monochrome photograph of a watercolour landscape painting depicting two people near the river Tweed in Melrose, Scotland. One person is standing towards the river, while another is on a floating boat in the painting. Signed "W. Meldrum," but not dated. Includes the annotation "The Tweed near Melrose" on the reverse of backing paper.

Castle in landscape with figures. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.

Llanilted Vale, North Wales. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.

Two studies of trees; pollard willow and oak. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.

Two studies of castle towers. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.

Windmill with labourers in foreground. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.

Wood scene near Sevenoaks, Kent. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.

Midday, view of a cornfield. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.

View of Battle Abbey with sheep grazing in foreground. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.

Shepherd and sheep. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.

This poster advertised the Master of Fine Art exhibition of 1986. The exhibition was held in the McLellan Galleries on Sauchiehall Street from the 14th to the 19th of June and included work by a number of artists including Rosemary Beaton, Steven Elliott, Deran Fenwick, Gerard Ferris, Thomas Hegarty, Henry Kerr, Lorraine A. Lamond, Richard Levan, Tracy Mackenna, Craig Peacock and David Watt.

A monochrome photograph of a watercolour painting depicting the view of the Cuillin Hills on the Isle of Skye, Scotland. Annotated "Loch Scavaig, The Cuillin Hills from the south" on the reverse, but not dated.

This poster advertised The Glasgow School Of Art's annual degree show in 1985. The degree show included work by graduating students studying drawing and painting, photography, printmaking, murals, stained glass and sculpture. The image on the poster shows the exhibitors standing in the Mackintosh Museum and in the mezzanine space in the centre of the Mackintosh Building. The photograph was taken by Vaughan Judge who was a previous lecturer at The Glasgow School Of Art. The poster was designed at the school and printed by David J Clark Limited.

Mounted print of a design for 'A Midsummer Night's Dream' by William Shakespeare. Quote above image says 'The fairyland buys not the child of me.'

Located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies

Two cottages; near Knowle, Warwickshire and Bromley, Kent. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.

Study of mills at Bromley, Kent and Dulwich Common, Surrey. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.

Snowdon seen across Fraeth Mawr, North Wales. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.

Study of two water mills near Llanfair, North Wales. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.

Hastings fishing boats. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.