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The library was destroyed by fire on 23 May 2014, though many metal and glass fragments from the lights were subsequently salvaged. Originally, and according to Mackintosh’s preparatory sketches, there were thought to be 53 individual lights in the library, each with punched holes in the inner reflectors which allowed light to pass through blue and purple glass. The central array was made up of 12 small canisters attached to the light frame on the ceiling, with eight medium pendants and five large pendants hanging below. There were an additional twelve medium canisters attached to the coffered ceiling both above and below the library balcony, making 24. Originally there were also four additional medium hanging pendants in each of the south and western window bays, though these four lights, and the medium canister in the librarians office, had all been removed before the fire in 2014, meaning there were 48 in the library. This complete light, constructed from multiple, original parts salvaged from the library was made by Rodney French of Lonsdale and Dutch, Edinburgh. This was the first light reconstructed as part of the restoration of the Library and provided valuable evidence as to how the original lights had been manufactured between 1907-09.

This collection includes works by a number of artists, designers and architects associated with Charles Rennie Mackintosh, including his wife Margaret Macdonald Mackintosh, his sister-in-law Frances Macdonald MacNair and his sister-in-law's husband Herbert MacNair. These works include textiles, designs, and four volumes of a Glasgow School of Art student publication called The Magazine, as well as several individual watercolours now separated from the publication. The collection also includes a number of models for proposed architectural schemes by Mackintosh.

Includes:

• graphic designs
• watercolours
• architectural drawings
• sketches.

Designed as individual lights within the Library at Glasgow School of Art. Very similar in design to the thirteen lampshades which make up the central light fitting in the Library.

The original position of the fifth lamp is not known. In 1985 it was cleaned and placed above the School outer front doors, at the same time as these were repainted white.

One of three ceiling light clusters designed for the new Board Room at Glasgow School of Art. Each fitting consists of nine lampshades suspended from a decorative iron frame.

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Designed as individual lights within the Library at Glasgow School of Art. Very similar in design to the thirteen lampshades which make up the central light fitting in the Library.

The original position of the fifth lamp is not known. In 1985 it was cleaned and placed above the School outer front doors, at the same time as these were repainted white.

The original position of the fifth lamp is not known. In 1985 it was cleaned and placed above the School outer front doors, at the same time as these were repainted white.

The original position of the fifth lamp is not known. In 1985 it was cleaned and placed above the School outer front doors, at the same time as these were repainted white.

One of three ceiling light clusters designed for the new Board Room at Glasgow School of Art. Each fitting consists of nine lampshades suspended from a decorative iron frame.

One of three ceiling light clusters designed for the new Board Room at Glasgow School of Art. Each fitting consists of nine lampshades suspended from a decorative iron frame.

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Designed as individual lights within the Library at Glasgow School of Art. Very similar in design to the thirteen lampshades which make up the central light fitting in the Library.

Designed to hang in front of the lecture theatre screen.

The original position of the fifth lamp is not known. In 1985 it was cleaned and placed above the School outer front doors, at the same time as these were repainted white.

One of a number of shades designed for Mackintosh's flat at 78 Southpark Avenue, Glasgow. Mackintosh used a number of these lampshades in his flat at Southpark Avenue which he bought in 1906 and photos of the interiors show them hanging in the dining room and the drawing room and studio. They are just slightly different versions of the fittings used at Mains Street (originally made for gas) which can be seen hanging in clusters of four in the Annan photos of the drawing room and studio and the bedroom.  About 1919 William Davidson bought the Southpark Avenue flat and some of its furniture from the Mackintoshes, on his death Glasgow University bought it from his sons Hamish and Cameron who presented much of the furniture that had been used in it.

One of a series of electric slave clocks located through the Glasgow School of Art and run from a central 'master' clock. Installed in the new Mackintosh Furniture Gallery following restoration in 2013. This item was assessed for conversation in 2010 as part of the Mackintosh Conservation and Access project (2006-2010), and then again in 2018 following the fire in the Mackintosh Building in June 2018.

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. One of a series of electric slave clocks located through the Glasgow School of Art and run from a central 'master' clock. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Installed into the Mackintosh Library following restoration in 2013.

One of a series of electric slave clocks located through the Glasgow School of Art and run from a central 'master' clock. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Installed into Studio 45 following restoration in 2013. Following the fire in the Mackintosh Building in May 2014 it was assessed and conserved in 2019.

One of a series of electric slave clocks located through the Glasgow School of Art and run from a central 'master' clock. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Installed into Studio 31 following restoration in 2013. Following the fire in the Mackintosh Building in May 2014 it was assessed and conserved in 2019.