- NMC/0425
- Item
- c1900-1905
Cream armchair cover. Thought to be by Ann Macbeth.
*Not available / given
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Cream armchair cover. Thought to be by Ann Macbeth.
*Not available / given
Possibly by Ann Macbeth.
*Not available / given
Silk evening dress. Possibly made by Ann Macbeth.
*Not available / given
Embroidered velvet in mauve and pink silks. Thought to be by Ann Macbeth.
*Not available / given
Thought to have been made by Ann Macbeth.
*Not available / given
Horizontal banner depicting symbolism of Glasgow/St Mungo.
Macbeth, Ann
Embroidered fire screen depicting a young girl flanked by roses, with three rabbits at her feet.
Attributed to Ann Macbeth.
Macbeth, Ann
Rectangular yellow armchair cover. Thought to be by Ann Macbeth. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Textile conservation was completed in 2019.
*Not available / given
Dull blue/green corded silk embroidered at each end. Thought to be by Ann Macbeth (the use of these particular strong shades of magenta and turquoise are distinctive of Macbeth's work at this time).
*Not available / given
Orange silk velvet yoke/collar featuring a number of needlework techniques in silk thread worked by a student of The Glasgow School of Art, possibly under Ann Macbeth.
Blue and white linen with applique. Stitched inscription: "A McG". Possibly a student of Ann Macbeth. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Textile conservation was completed in 2019.
*Not available / given
Poster for an exhibition of embroidery work from 1894 to 1920
Part of Records of The Glasgow School of Art, Glasgow, Scotland
This poster, designed by Pat MacKenzie, advertised an exhibition of embroidery examples from 1894 to 1920. The exhibition was held between The Glasgow School Of Art's Mackintosh Museum and Kelvingrove Museum from the 6th of June to the 17th of August 1980. The image used on the front of the poster is an embroidery piece by Ann Macbeth who became the head of needlework and embroidery at The Glasgow School of Art in 1909, and is heavily associated with the "Glasgow Style".
Mackenzie, Pat
Embroidered fire screen (Version 1)
Embroidered fire screen (Version 2)
Embroidered panel on silk, framed
McCormick, Catherine McGregor
Pink and black embroidery display
Framed display of pink and black embroidery with beading, with engraved title "Samples and Examples by Anne Knox Arthur, The Glasgow School of Art". Includes label "Embroidery C_Black and Pink" and instruction on back of frame. Due to information in archival documentation, display case can be dated pre-1943.
Arthur, Anne Knox
Wooden and glass display case containing examples of embroidery. Labelled on reverse "Embroidery C - black and pink"
Arthur, Anne Knox
Navy and green embroidery display
Framed display of navy and green embroidery with beading, with engraved title "Samples and Examples by Anne Knox Arthur, The Glasgow School of Art". Includes label "Embroidery A_Navy and Green" and instruction on back of frame. Due to information in archival documentation, display case can be dated pre-1943.
Arthur, Anne Knox
Place mat
Arthur, Anne Knox
Place mat
Arthur, Anne Knox
Place mat
Arthur, Anne Knox
Table centre mat
Arthur, Anne Knox
Place mat
Arthur, Anne Knox
Place mat
Arthur, Anne Knox
Place mat
Arthur, Anne Knox
Art and design work by Rose Valentine
Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers.
Valentine, Rose
Part of The Grace Melvin Textile Collection, Glasgow School of Art, Glasgow, Scotland
Melvin, Grace
Part of The Grace Melvin Textile Collection, Glasgow School of Art, Glasgow, Scotland
Melvin, Grace
Part of The Grace Melvin Textile Collection, Glasgow School of Art, Glasgow, Scotland
Melvin, Grace
Part of The Grace Melvin Textile Collection, Glasgow School of Art, Glasgow, Scotland
Melvin, Grace
The Grace Melvin Textile Collection, Glasgow School of Art, Glasgow, Scotland
14 textile items, thought to have been designed as part of Grace Melvin's diploma show c1918.
Melvin, Grace
Part of The Grace Melvin Textile Collection, Glasgow School of Art, Glasgow, Scotland
Melvin, Grace
Part of The Grace Melvin Textile Collection, Glasgow School of Art, Glasgow, Scotland
Melvin, Grace
Part of The Grace Melvin Textile Collection, Glasgow School of Art, Glasgow, Scotland
Melvin, Grace
Part of The Grace Melvin Textile Collection, Glasgow School of Art, Glasgow, Scotland
Melvin, Grace
Part of The Grace Melvin Textile Collection, Glasgow School of Art, Glasgow, Scotland
Melvin, Grace
Part of The Grace Melvin Textile Collection, Glasgow School of Art, Glasgow, Scotland
Melvin, Grace
Part of The Grace Melvin Textile Collection, Glasgow School of Art, Glasgow, Scotland
Melvin, Grace
Part of The Grace Melvin Textile Collection, Glasgow School of Art, Glasgow, Scotland
Melvin, Grace
Part of The Grace Melvin Textile Collection, Glasgow School of Art, Glasgow, Scotland
Melvin, Grace
Part of The Grace Melvin Textile Collection, Glasgow School of Art, Glasgow, Scotland
Melvin, Grace
Records relating to Glasgow School of Art Exhibition of Ancient and Modern Needlecraft, 1916
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Material includes: typescript list of 1012 items exhibited with descriptions and their purchasers when appropriate, 1916; photographs of individual items exhibited, 1916; financial records relating to the opening ceremony, 1916; printed stationery made for the exhibition, 1916; minutes of the Needlework Exhibition Committee, Oct 1915-Apr 1916; folder of papers relating to the organisation of the Exhibition including stationery, correspondence and a speech/forwarding address by Fra Newbery, 1915-1916.
The Glasgow School of Art
This collection includes works by a number of artists, designers and architects associated with Charles Rennie Mackintosh, including his wife Margaret Macdonald Mackintosh, his sister-in-law Frances Macdonald MacNair and his sister-in-law's husband Herbert MacNair. These works include textiles, designs, and four volumes of a Glasgow School of Art student publication called The Magazine, as well as several individual watercolours now separated from the publication. The collection also includes a number of models for proposed architectural schemes by Mackintosh.
Mackintosh, Charles Rennie