- MC/A/4
- Item
- 1894
Bound in the November 1894 edition of 'The Magazine'. It was designs such as this that earned the Mackintosh group the nickname of 'Spook School'.
Mackintosh, Margaret Macdonald
1164 results with digital objects Show results with digital objects
Bound in the November 1894 edition of 'The Magazine'. It was designs such as this that earned the Mackintosh group the nickname of 'Spook School'.
Mackintosh, Margaret Macdonald
Bound in the Spring 1896 edition of 'The Magazine'. It was designs such as this that earned the Mackintosh group the nickname of 'Spook School'.
Mackintosh, Margaret Macdonald
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Artwork on paper created during Fraser Taylor's time as a student at the RCA.
*Not available / given
Poster for 'Berlin - Kulturstadt Europas 1988', Germany
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Poster for 'Berlin - Kulturstadt Europas 1988' [Berlin European City of Culture], Berlin, Germany. Artwork featured is 'Schwitteis-fragment' by Laszlo Lakner.
Not available / given
Design for Blackie Books - The Eye of the God (Version 1)
Design for Blackie Books - The Eye of the God (Version 2)
Design for Paterson Sons & Co Books - Bagpiper
Miller, Archibald E Haswell
Illustration for Glasgow Chamber of Commerce Monthly Journal
Illustration of a ship and coat of arms.
Miller, Archibald E Haswell
Proposed layout of mural decorations, Livingstone Museum Memorial
Miller, Archibald E Haswell
Proposed layout for Livingston Museum Memorial Adventure Room
Miller, Archibald E Haswell
Design for Livingstone Museum Memorial - The Harvest of Liberation
Miller, Archibald E Haswell
Design for Livingstone Museum Memorial - The Harvest of Liberation
Miller, Archibald E Haswell
Design for Livingstone Museum Memorial - Livingstone the Liberator
Miller, Archibald E Haswell
Ethereal composition of central tree and four female nudes (Version 1)
Ethereal composition of central tree and four female nudes (Version 2)
Sketchbook/scrapbook featuring drawings and paintings by a variety of artists, some of whom are believed to have been students at The Glasgow School of Art in the early 1900s. The sketchbook belonged to Isa and May McKerrow.
Watt, Elizabeth Mary
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
An abstract composition with outline of two figures. Small pieces of paper collaged to surface and shaded in a cream coloured gouache, and black crayon. Pale blue paint in background.
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Taylor, Fraser
Three abstract pattern designs
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Three abstract compositions of organic like shapes. Painted in ink, gouache and metallic ink on white paper. Similar in design and application of media to DC 089/1/2/4/10.
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Abstract drawing in brown ink rendered with purple and cream coloured gouache.
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Taylor, Fraser
One print from 'Abstract Language' (The Philadelphia Series) (Version 3)
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Red and white figures on blue and white background. Colour polaroid.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
*Not available / given
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
*Not available / given
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
*Not available / given
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
*Not available / given
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
*Not available / given
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
*Not available / given
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
*Not available / given
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
*Not available / given
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
*Not available / given
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
*Not available / given
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Study of Catterline shoreline, looking northwards over the bay and showing the pier, boat shed, and salmon bothie, with 'the Watchie' building above.
Eardley, Joan Kathleen Harding
Blind Window, Certosa di Pavia
Painted on Mackintosh's tour of Italy in 1891 with Alexander 'Greek' Thomson travelling scholarship.
Mackintosh, Charles Rennie
Mackintosh's style here is the closest he came to that of Margaret and Frances Macdonald, but his figures are always more substantial and the subject matter less whimsical than theirs.
Mackintosh, Charles Rennie
Mackintosh, Charles Rennie
In July Mackintosh and Margaret Macdonald spent a holiday in Dorset re-visiting many of the place he had visited in 1895. 'In 'The Village' and 'The Downs' Mackintosh makes his first conscious moves towards his mature style of the Port Vendres period. He is obviously concerned with the pattern of the landscape, picking out features like the stepped hillside, the stone walls, paths and roofs of village houses. These ordinary motifs are given an eerie emphasis by being painted in an equally detailed manner whether they are in the foreground of the the distance... it was probably at this time... that he decided to concentrate more and more on painting. By 1923 he had decided to forsake architecture and design and devote the rest of his life to producing watercolours.' (Roger Billcliffe).
Mackintosh, Charles Rennie