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Greece Portraits
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Plaster cast of chimera in relief

  • PC/209
  • Item
  • Mid 19th century-early 20th century

    • Part of Plaster Casts

Chimera in relief, architectural fragment, probably part of larger scene or collection of panels due to lack of formal border. Annotated ""Chimere", "Hove" (or similar), and "PH-1"(in red).

*Not available / given

Plaster cast of Medici Venus

  • PC/196
  • Item
  • Mid 19th century-early 20th century

    • Part of Plaster Casts

Venus with missing arm, supported by dolphin and cherub. Original: Roman copy of Greek statue c2 BC, of Hellenistic style. Listed in the first catalogue of casts as Greek, located in the 'Florence Gallery' and was purchased from D. Brucciani.

*Not available / given

Plaster cast of Hebe

Plaster cast of Hebe

Original: Hebe was the Greek goddess of youth and a cup-bearer for the gods. Original currently in the collection of the Uffizi, Florence, Italy.

Plaster cast of Titan

  • PC/022
  • Item
  • Mid 19th century-early 20th century

    • Part of Plaster Casts

Original: Greek sculpture from 184 BC. Original currently in the collection of the Staaliche Museum, Berlin, Germany.

Plaster cast of Mercury

  • PC/014
  • Item
  • Mid 19th century-early 20th century

    • Part of Plaster Casts

Original: Greco-Roman attribution, shows Mercury God of merchandise and merchants, commonly identified with the Greek Hermes, fleet-footed messenger of the gods.

This item was damaged in the fire in the Mackintosh Building on 23rd May 2014. It underwent conservation and consolidation work in 2016.

Plaster cast of Aristotle

Plaster cast of Aristotle

  • PC/200
  • Item
  • Mid 19th century-early 20th century

    • Part of Plaster Casts

Original: Roman copy (2nd century bc) of a Greek original (c325 bc); currently in the collection of the Museo Nazionale Romano, Rome.

*Not available / given

Plaster cast of Standing Discobolus (Discophoros)

Original: Discovered in 1781 on Esquiline Hill. Considered to be a copy of an earlier Greek original. The popularity of the sculpture in antiquity was no doubt due to its representation of the athletic ideal. Discus-throwing was the first element in the pentathlon, and while pentathletes were in some ways considered inferior to those athletes who excelled at a particular sport, their physical appearance was much admired. This was because no one particular set of muscles was over-developed, with the result that their proportions were harmonious. Listed in the first catalogue of casts as Greek, located in Vatican and bought from Brucciani. Original currently in the collection of the Louvre, Paris, France.
Photographed in GSA 1915.

Plaster cast of Laocoon and his Sons

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018. All that remains is a fragment of a hand.

Original: This statue group was found in 1506 on the Esquiline Hill in Rome and immediately identified as the Laocoon described by Pliny the Elder as a masterpiece of the sculptors of Rhodes: Agesander, Athenodoros and Polydorus around 40-30 BC. It shows the Trojan priest Laocoon and his sons Antiphantes and Thymbraeus being strangled by sea serpents. In 1587 Giovanni Battista Armenini's treatise on painting and recommended all students to draw from the casts of the finest statues in Rome- 'the Laocoon, the Hercules, the Apollo, the Great Torso....' of the Belvedere. Listed in first catalogue as Greco-Roman and that the original is located in the Vatican. Original currently in the collection of the Vatican Museums, Rome, Italy.

This item was damaged in the fire in the Mackintosh Building on 23rd May 2014. It underwent conservation and consolidation work in 2016.

Plaster cast of Crouching Discobolos

Plaster cast of Crouching Discobolos

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.

Original: The Discobolus of Myron is a famous lost Greek bronze original that was completed towards the end of the Severe period, c460-450 BC. It is known through numerous Roman copies, both full-scale ones in marble, such as the first to be recovered, the Palombara Discobolus, or smaller scaled versions in bronze. Bought from Brucciani. Original currently in the collection of the British Museum, London, UK.

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