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Ceramic tile fragment

Polychrome (blue, green, yellow, white) glazed ceramic tile fragment with hand-painted floral and plant designs. 'Shah Isfahan' handwritten on verso. Label on verso - 'Shah - 17th mosque Isfahan.' The Shah Mosque (Persian), also known as Imam Mosque (Persian), is a mosque in Isfahan, Iran. It is regarded as one of the masterpieces of Irania/Persian architecture and an example of Islamic era architecture of Iran. It employed the haft rangi (seven-colour) style of tile mosaic.

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Ceramic tile fragment

Polychrome (blue, brown, gold) glazed ceramic tile fragment with what might be hand-painted or transfer printing design of a seated human figure. Border along the left side on recto could possibly be script. Left edge has a pointed, triangular shape. The fragment appears to have been broken into 3 parts and then was glued back together. Label on verso - 'Persia 13th C.'

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Section of a poster advertising a series of film screenings at The Glasgow School Of Art

Section of a poster advertising a series of film screenings at The Glasgow School Of Art

One third section of a poster advertising a series of films that were shown in The Mackintosh Lecture Theatre at The Glasgow School Of Art. Screening were documentaries about artists including Mackintosh, Rousseau, Klee, McLaren, Giacometti, Hamilton, Paolozzi, Jones, Kitaj, Bosch and Spencer as well as a film entitled 'A Short Vision'. This section screenprinted in CMYK inks using both drawn elements and half dot images.

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Poster for a Charles Rennie Mackintosh exhibition in Norway entitled '20 chairs - 100 years'

This poster features white images of twenty chairs with grey text to advertise an exhibition held in Jugendstilsenteret, Ålesund, Norway, from 6th June to the 12th Oct 2003. The exhibition of twenty Mackintosh chairs from the Glasgow School of Art's collection formed part of the opening celebrations at Norway’s newest cultural attraction, the Jugenstilsenteret (Art Nouveau Centre), in Ålesund. Similar to Glasgow, this city is one of the founding partners of the EU-funded Réseau Art Nouveau Network. The School’s contribution was hoped to inspire further cultural and artistic ties between the two countries.

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Pottery fragment

1st piece of rim fragment with cream glaze and band of blue, light turquoise, and red/brown paint on recto. Small band of blue paint on verso.

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Pottery fragment

Slightly curved fragment with blue glaze and dark green hand-painted design and bands on recto. Blue glaze with dark green hand-painted Arabic writing and a green band on verso.

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Pottery fragment

Rim fragment with cream glaze and blue, turquoise, red, and dark brown hand-painted patterns on recto. '15 SAVEH' and '15' handwritten on verso. Saveh is a city in Iran.

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Photograph of two women

Small photograph depicting two smiling women from the shins up wearing dresses. Appear to be standing in an art studio as there is a framed image and another image of a naked female body. "Grace Chisholm, Everilde In a painting studio in the Glasgow School of Art / About 1935?" verso. "141" on the right side.

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Photograph of Sadie McLellan

Photograph of Sadie McLellan

Portrait of Sadie McLellan from the chest up with her head tilted to her left. Hair is in an up do and she wears an embroidered patterned traditional ethnic top with puffy white long sleeves and a metal button up wool waistcoat over top. "Sadie McLellan / about 1938" verso.

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Plaster cast of Parthenon Frieze

Plaster cast of Parthenon Frieze

Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.

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Plaster cast of Parthenon Frieze (Block XL from the North frieze)

Plaster cast of Parthenon Frieze (Block XL from the North frieze)

Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.

*Not available / given

Plaster cast of Parthenon Frieze

Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.

*Not available / given

Plaster cast of Cantorie Panels

  • PC/050D
  • Item
  • Mid 19th century-early 20th century

    • Part of Plaster Casts

Original: Lucca della Robbia (1400-1482). Part of the two 'Cantorie' made for Florence Cathedral. Original currently in the collection of the Museo dell'Opera del Duomo, Florence, Italy.

This item was damaged in the fire in the Mackintosh Building on 23rd May 2014. It underwent conservation and consolidation work in 2016.

*Not available / given

Plaster cast of Bishop

Plaster cast of Bishop

  • PC/057
  • Item
  • Mid 19th century-early 20th century

    • Part of Plaster Casts

Plaster cast Archbishop holding Staff, gothic style.

*Not available / given

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