A watercolour painting depicting three brightly coloured anemone flowers with distinctive leaves, marked the probable creation date '17/10/34' on the back.
Female figure lying on a couch in a living room with window and curtains to the left and a picture of a house on the wall on the right. Small side table with a vase to the right of the couch. "152" on the top left. Two figures walking verso.
Female figure lying on a couch in a living room with window and curtains to the left and a picture of a house on the wall on the right. Small side table with a vase to the right of the couch. "152" on the top left. Two figures walking verso.
Woman reading with hair tied in two buns sitting with crossed legs and an open book in her lap. Wearing a dress shirt and tie and a skirt that ends around her knees. Arm and shoulder verso.
Female figure lying on a couch in a living room with window and curtains to the left and a picture of a house on the wall on the right. Small side table with a vase to the right of the couch. "152" on the top left. Two figures walking verso.
A small drawing of a woman seated on the floor, hugging her knees, with her head down. This work features shading of the entire background using pencil. Undated.
A small drawing featuring a stream under a bridge next to a house in a village. This work is not dated, but has some texts on the reverse, presumed to be Meldrum's diary.
An anatomical sketch depicting the bones of the sagittal plane of a head. Including annotations of student registration no. ("No. 71") and signed "G. Murphy".
A watercolour painting featuring a monocot plant with crimson stems, leaves, and buds. Includes annotations of student registration no. ("No. 71") and signed "G. Murphy".
A watercolour plant study illustrating the buds, stems, and leaves, accompanied by the description "Bud" and "General shape of leaf". Includes annotations of student registration no. ("No. 71") and signed "G. Murphy".
A small print featuring the scenery in front of the courtyard of a Scottish manse. Annotated as "The Manse, Kilmore" on the upper left side, but not dated.
A full-length figure drawing depicting a man holding a bucket, viewed from the back. The sheet is cut to fit the figure size and attached to backing paper.
A study of male model potentially from a drawing class at Glasgow School of Art. Includes annotations of student registration no. ("No. 71") signed "G. Murphy" and dated 1935.
Male figure with short hair holding what seems to be a bomb on white paper, pasted on to black construction paper. Words written below read "Russia's fight is our fight / stand by the Soviets". "134" in bottom left corner.
A full-length life drawing featuring a standing man. The sheet is attached to backing paper. Includes an annotation of student registration no. ("No. 192.")
An anatomical study from the tendons to the feet illustrating the structure of bones, muscles and flesh. Includes annotations of student registration no. ("No. 71") and signed "G. Murphy".
A coloured anatomical study, featuring the muscle placement in a head. Includes annotations of student registration no. ("No. 71") and signed "G. Murphy." Another left profile sketch on verso.
Female figure with short to medium length hair on white paper, pasted on to black construction paper. There appears to be a window in the background. Signed and dated by Helen Biggar. "151" in the bottom right corner.
Drawing of a city from above with a figured monument in the centre and two individuals sitting below it. Includes churches and various houses surrounding the monument with hills in the background. "148" in the top left corner.
Various buildings drawn on both sides and the middle. Includes a small fenced park with cherry blossom style trees reaching up to the middle of the paper starting near the bottom.
A small landscape drawing featuring the outskirts of the countryside with a castle in the distance. This work is signed "W. M." and presumably dated "9.5," but with no exact year of creation.
Pencil drawing of a body from behind wearing a plain-sleeved short dress. Includes a face partially drawn and other small drawings that seem to be parts of the face verso.
Study of various doors and windows. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
