- EWTC/13
- Item
- Late 19th century-early 20th century
Part of Embroidered and Woven Textile Collection, Glasgow School of Art
*Not available / given
Part of Embroidered and Woven Textile Collection, Glasgow School of Art
*Not available / given
Part of Embroidered and Woven Textile Collection, Glasgow School of Art
Cream lace tablecloth. Floral lace on machine net ground. Large central flower with 8 petals. Circle of flowers around central floral motif with heart shaped petals. Scalloped edging.
*Not available / given
Part of Embroidered and Woven Textile Collection, Glasgow School of Art
Possibly a chalice veil. Cream coloured needlelace square. Almost square in fine needlelace with floral border which is more detailed at corners. Small floral sprigs scattered across fabric.
*Not available / given
Part of Records and textiles of the Needlework Development Scheme
British. Made in sections of cut-work embroidered linen and fillet lace, in a wide variety of designs. The monograph of the maker and her husband are included on the centre section. By Mrs. Peiniger, Southsea.
*Not available / given
Part of Records and textiles of the Needlework Development Scheme
British. Applique curtain in shades of yellow shading to dark brown at the bottom. Art Deco design with pink and silver stripes. Patched together from irregular jigsaw shaped pieces.
*Not available / given
Embroidered bed cover. White cotton with pink and cream embroidery decorative design with roses.
*Not available / given
Decorative repeating flower and blue vine design. White, blue, yellow, pink and dark red needlework on cream-ochre fabric.
*Not available / given
Bedspread of heavy-weight beige fabric with rust coloured applique borders with green and cream needlework. Symmetrical geometrical design with decorative stitching and panels with zigzag and flower designs. Blue, pink, green and brown needlework. Small stain. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Textile conservation was completed in 2019.
*Not available / given
Typeset poster, lettering reads, 'I'm having a crisis...'
*Not available / given
Typeset poster, lettering reads, '18 line grotesque'
*Not available / given
Typeset poster designed by typochondriacs, lettering reads, 'Redpath...'
*Not available / given
Typeset poster, lettering reads, 'Communication can be old fashioned..'
*Not available / given
Typeset poster, lettering reads, 'Communication can be stinging...'
*Not available / given
Typeset poster, lettering reads, 'Communication can be deep, clumsy...'
*Not available / given
Typeset poster, lettering reads, 'Communication can be emotional...'
*Not available / given
Typeset poster, lettering reads, 'Communication can be brief...'
*Not available / given
Typeset poster, lettering reads, 'Communication can be overbearing...'
*Not available / given
Typeset poster, lettering reads, 'GSA interior Design Dept Big Show'
*Not available / given
Part of Plaster Casts
Plaster cast Archbishop holding Staff, gothic style.
*Not available / given
Portrait of Margaret Macdonald Mackintosh
Portrait of Margaret Macdonald sitting in high back (dating from 1899). Creator unkown, though possible Annan.
*Not available / given
Portrait of James Herbert MacNair
Portrait of Herbert MacNair wearing floppy tie. Unknown creator, possibly Annan.
*Not available / given
A litho stone with three separate plates of a steam train, an elephant and hippopotamus, and one of two unidentified animals. Beneath the steam train picture is a black marker pen label reading '3d HMO Painting Book Blue Sept 1938'.
*Not available / given
Sandstone plaque - The Glasgow School of Art Common Room
Sandstone name plaque for the GSA Common Room, which was part of the building on the opposite side of Renfrew Street aquired ca. 1920 to allow the School to expand. This building housed the Assembly Hall which was opened in 1929, so other facillities are assumed to date from around the same time. (Plaque was formerly wrongly identified as that for the Assembly Hall).
*Not available / given
Sandstone plaque - The Glasgow School of Art Staff Refectory
Sandstone name plaque for the GSA Staff Refectory, which was part of the building on the opposite side of Renfrew Street aquired ca. 1920 to allow the School to expand. This building housed the Assembly Hall which was opened in 1929, so other facillities are assumed to date from around the same time.
*Not available / given
Banner from The Glasgow School of Art Textile Department
Charles Rennie Mackintosh banner. Larger version of scaled replica of banner that the Hunterian owns, featuring a tall standing female figure with pink rose and green leaves details.
*Not available / given
Embroidered Sample, 'Tree Garden' (Version 2)
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
*Not available / given
Big Fat Sampler, large wall hanging with square design (Version 1)
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
*Not available / given
Early Canvas Work Seat (Version 1)
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
*Not available / given
Embroidered Sample, 'Tree Garden' (Version 1)
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
*Not available / given
Early Canvas Work Seat (Version 2)
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Black fabric cushion with abstract design.
*Not available / given
Big Fat Sampler, large wall hanging with square design (Version 2)
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
*Not available / given
Green Embroidered Square Cushion with pad
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Stylised tree design on front contained within circle. Satin and stem stitches in purple, pink, orange, white and brown. One edge over sewn in red thread. Label: purchased Scandinavian cushion sewn by Kath Whyte.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Depicts buildings, sand and sea. Made from pieces of coloured linen stitched together and embroidered in thick cotton. (Paper label attached: 'Auchmithie' student piece 1932 no 3 Kath Whyte).
*Not available / given
Embroidered Piece 'Fishwife' (Version 2)
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
*Not available / given
Embroidered Piece 'Fishwife' (Version 1)
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Blue and white threads on blue background. Label identifies this as "Pattern building with up and down buttonhole stitch", illustration number 20 in "Design & Embroidery" by Kath Whyte, published by Bratsford, 1969.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Mixed coloured threads on orange background. Label identifies this as "Free pattern up and down blanket stitch", illustration 111, page 135, in "Design & Embroidery" by Kath Whyte, published by Bratsford, 1969.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Black and white threads on cream background.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Black, grey and white threads on natural hessian background. Label identifies this as "Proportion", illustration 129, page 158, in "Design & Embroidery" by Kath Whyte, published by Bratsford, 1969.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Cut magazine paper collage on brown woven raffia backing. Previously stored with KW23 and KW24 in binder.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Three woven cotton, and cotton mix, samples fixed to cream card backing; two cream, one black and white.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Five woven cotton samples illustrating different weave types, fixed to cream card backing.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Weave samples fixed to grey card backing.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Five woven cotton samples illustrating different weave types, fixed to cream card backing.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Two woven samples, one with a red thread, fixed to grey card backing.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Five woven cotton samples fixed to cream card backing. Card titled , 'Use of slub, gymp, snarl, knop yarns etc.'
*Not available / given