- NMC/0763
- Item
- c1918-1919
Nude male child, full length standing, with separate head and feet studies.
Gray, William
3467 results with digital objects Show results with digital objects
Nude male child, full length standing, with separate head and feet studies.
Gray, William
Leaning female figure.
McAvoy, Joseph
Seated female figure.
McAvoy, Joseph
Full length male nude. Additional study of feet on same sheet of paper.
Hegarty, John MacGowan
Seated male nude.
Palmer, Joan
Life study, seated female figure.
*Not available / given
Tonal drawing of a male figure, facing away from the page.
Cameron, Dugald
Tonal drawing of a female figure with her foot on a box, side profile. Drawing created by memory.
Cameron, Dugald
Life drawing of a male figure with hands behind his back facing to the left, left side view.
Cameron, Dugald
Tonal drawing of a man sitting on a plinth/box on a stage, left/back view. Technical sketches and measurements/notes are on the back of the page.
Cameron, Dugald
Tonal drawing; torso of a man sitting, twisting to left side. Face on view. A faint sketch of the outline of a face is to the left of the drawing. 3 boxes forming a frame have been drawn around the image.
Cameron, Dugald
Drawing in red chalk and pencil of a lady seated, forward facing view.
Cameron, Dugald
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
An abstract composition with outline of two figures. Small pieces of paper collaged to surface and shaded in a cream coloured gouache, and black crayon. Pale blue paint in background.
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Taylor, Fraser
Female nude with raised arms, side view.
*Not available / given
Seated, side view female study.
McAvoy, Joseph
Crouched figure.
McAvoy, Joseph
Seated figure.
McAvoy, Joseph
Standing female figure, back view.
McAvoy, Joseph
Full length made nude, front view.
Greiffenhagen, Maurice
Study of seated male model (possibly from Glasgow School of Art life class).
Eardley, Joan Kathleen Harding
Full-length, standing female figure.
Campbell-Colquhoun, Mhora Agnes
Female model kneeling, left arm outstretched.
Selby, Frederick
Female model kneeling, left arm outstretched.
Selby, Frederick
Female model, arms around knees.
Selby, Frederick
Female model sitting, three-quarter view; double sided.
Selby, Frederick
Full-length male model, standing. Unfinished drawing, chiefly head and shoulders, verso.
Gray, William
Full-length male model; three-quarter view, with head detail.
Gray, William
Female nude, full length, standing, back view.
Gray, William
Life study, standing female figure.
Johnston, Janet
Life study, seated female figure.
*Not available / given
Life study, seated female figure.
*Not available / given
Life study, standing male figure.
*Not available / given
Life study, seated female figure.
*Not available / given
Life study, standing female figure.
*Not available / given
Life study, standing female figure (2 x studies).
*Not available / given
Female model on a chair.
Palmer, Joan
Male model seated on a chair.
Palmer, Joan
Male model; three-quarter length standing, back view.
Gray, William
Study of male model (possibly from Glasgow School of Art life class).
Eardley, Joan Kathleen Harding
Study of male model (possibly from Glasgow School of Art life class).
Eardley, Joan Kathleen Harding
Male model, head and upper torso.
Patrick, James McIntosh
Cubed/geometric figures.
Bone, William Drummond
Seated female, back view.
McAvoy, Joseph
Seated female in chair.
McAvoy, Joseph
Lying female figure, back view.
McAvoy, Joseph
Full length male nude. Additional, unfinished sketch of torso on same sheet of paper.
Hegarty, John MacGowan
Annotated (in pen), bottom left.
Miller, Josephine Haswell
In 1896 McNair held his first one-man show, an exhibition of pastels at the Gutekunst Gallery, London. Twenty-one works, including this, were displayed in distinctive dark-stained wood frames. McNair had clearly drawn inspiration from Whistler’s exhibition installations, even down to the typesetting of the catalogue. The entry for this work explained, ‘The Fairy is guarding the Leaf of Love from the Witch of Evil who has robbed the Tree of Life of all its other leaves.’
MacNair, James Herbert
Mackintosh, Charles Rennie