- DC 111/2/24
- Item
- c2011
Part of Papers of James Cosgrove
Sketchbook started in Paris, includes sketches of 'One Minute Sculptures' by Erwin Wurm. Also, landscape sketches of Wester Ross.
Cosgrove, James
260 results with digital objects Show results with digital objects
Part of Papers of James Cosgrove
Sketchbook started in Paris, includes sketches of 'One Minute Sculptures' by Erwin Wurm. Also, landscape sketches of Wester Ross.
Cosgrove, James
Part of Papers of James Cosgrove
Sketches, drawings, paintings, collage, poems and notes. Includes entries relating to visit to Rijksmuesum, Amsterdam.
Cosgrove, James
Part of Papers of James Cosgrove
Mixed media collage. Reverse includes fragment of poster saying "feature film".
Cosgrove, James
Part of Papers of James Cosgrove
Abstract landscape. Signed "Cosgrove '72".
Cosgrove, James
Part of Papers of James Cosgrove
Colour drawing of bust of a woman and a pair of hands, on a grid background. Signed "Cosgrove '77" bottom right.
Cosgrove, James
Part of Papers of James Cosgrove
25 small paintings mounted on card. Landscapes, portraits, and abstracts.
Cosgrove, James
Part of Papers of James Cosgrove
25 small paintings mounted on card. Landscapes, still life, portraits and abstracts.
Cosgrove, James
Part of Papers of James Cosgrove
15 small paintings mounted on card. Landscapes, portraits and abstracts.
Cosgrove, James
Part of Papers of James Cosgrove
Painting depicting two human heads, and various floating objects on a background of abstract shapes.
Cosgrove, James
Collection includes artworks and sketchbooks made by Jimmy Cosgrove as a student at the Glasgow School of Art; while working as a Tutor and the Director of the Glasgow School of Art; and afterwards, including work relating to the House for an Art Lover, and documenting travels across Europe, North America, and Mexico.
Cosgrove, James
Part of Papers of James Cosgrove
Sketchbook, inside cover reads 'EGYPT Luxor - October 12 1990 via London October 11. Sketches, text and tickets. Original copy.
Cosgrove, James
Part of Papers of James Cosgrove
Sketchbook containing c. 100 paintings. Includes reproductions and over-paintings, collages, and poems.
Cosgrove, James
Part of Papers of James Cosgrove
Sketches of landscapes, figures and still lives. Some portraits and representations of astrological symbols. Includes design for and exhibition of the Estate House Buildings of Govan, possibly to be shown at the Centre for Art and Heritage at the HOuse for an Art Lover.
Cosgrove, James
Part of Papers of James Cosgrove
Sketches, drawings, paintings, and poetry from travels around Mexico City.
Cosgrove, James
Welcome [sic] Trust Visit, 2014 (and other places, Malaga, Faro)
Part of Papers of James Cosgrove
Sketches, drawings, and notes, including cityscapes and landscapes.
Cosgrove, James
Drawing, gouache and gold enamel
Part of Papers of James Cosgrove
Gold pencil, gouache and gold enamel on paper. On reverse signed "Cosgrove 1968".
Cosgrove, James
Part of Papers of James Cosgrove
Colour drawing of acrobatic scene. Seven figures depicted performing various acrobatic and circus related activities, including unicycling, dancing and acrobatics.
Cosgrove, James
Early Computer Works (Head of First Year Studies) Jimmy Cosgrove
Part of Papers of James Cosgrove
Book of collated printed digital drawings:
Untitled-1
Untitled-2
drawing room
Untitled-2
Untitled-2
birdman
standard grade expressive critical
drawing room
Letterhead
standard grade expressive critical
abstract landscape
abstract landscape
Cosgrove, James
Part of Papers of James Cosgrove
25 small paintings mounted on card. Landscapes, one portrait.
Cosgrove, James
Part of Papers of James Cosgrove
25 small paintings mounted on card. Landscapes, still life, portraits and abstracts.
Cosgrove, James
Arizona Series Letter from America
Part of Papers of James Cosgrove
Collaged painting of the head and shoulders of a man with animal.
Cosgrove, James
Part of Papers of James Cosgrove
Collaged painting of street scene.
Cosgrove, James
Part of Papers of James Cosgrove
Small-scale painting of the head of a man surrounded by flying birds. With the words "Tambien de Borricas ay mascaras literatos".
Cosgrove, James
Part of Papers of James Cosgrove
Small scale painting of man and child.
Cosgrove, James
Part of Papers of James Cosgrove
Small scale painting of head and shoulders of a person in front of hills and buildings.
Cosgrove, James
Part of Papers of James Cosgrove
Poem sent from Mexico to Janet Cosgrove.
Cosgrove, James
Articles, reviews and features
Articles written for Glasgow Herald unless otherwise stated.
Hand written and typed draft copies of around 275 articles of 500-1500 word length, by Clare Henry for The Glasgow Herald January-December 1995, with Monday weekly articles and a weekend feature art guide feature, including a continuing series ‘My First Picture’ and ‘Collectors’ and a new ‘Studio’ feature and several book reviews. Articles also written for Art Newspaper and Galleries Magazine covering visual art exhibitions in Glasgow, Edinburgh, Kirkcudbright, Aberdeen, Stirling, Aberfoyle and Castlemilk.
A number of the Scottish reviews are for exhibitions at former galleries: Main Fine Arts, Gatehouse Gallery Glasgow. The reviews also cover galleries; Edinburgh Printmakers Workshop, Fruitmarket Edinburgh, Talbot Rice, Billcliffe Fine Art, Nancy Smillie Gallery, Streetlevel Glasgow, Compass Gallery, McLellan Galleries, Tramway, Kelvingrove (also known as Glasgow Art Gallery), Burrell Collection Glasgow, National Gallery of Modern Art Edinburgh, Royal Scottish Academy and artist led galleries Collective Edinburgh and Transmission.
During this period Henry gives more context and opinion on: Jock McFadyen purchase by Glasgow Museum of Modern Art under Julian Spalding, Winner of Lord Provost prize is Jenny Saville and Jacqueline Donachie is Young Artist Winner of American Fulbright Award, Visual Arts Forum and Glasgow´s £100,000 Visual Art Fund, Tramway Glasgow, Concert Hall Glasgow Murals by Steven Campbell, Peter Howson, Ken Currie and Adrian Wiszniewski, Peter Howson’s designs for Don Giovanni by Scottish Opera, Glasgow Festival of Visual Arts 1996 launch and Deyan Sudjic appointed director of Glasgow 1999 year of design.
The exhibitions covered are solo shows by Callum Innes, Douglas Gordon, Janine Antoni, Jack Vettriano, Stuart Duffin and Marina Abramovic. Group shows reviews include Decade, Street Level Glasgow, In Stereo, Transmission Gallery Glasgow and Persistence of Painting, CCA Glasgow. Mayfest and Edinburgh Festival are also covered in detail as well as Celtic Connections and Fotofeis. Degree shows at Glasgow, Aberdeen and Dundee are covered. Catalogue essay for Bet Low and other paper work includes notes on pictures used and correspondence to Keith Bruce, Jackie McGlone and Ron Anderson at The Herald.
[i]Articles written in this year which are not present in the archive:
Henry, Clare
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written draft copies of around 170 articles of 350-1100 word length, by Clare Henry for The Glasgow Herald, January-December 1986, Art Review, and her first for The Guardian from August 1986 for visual art exhibitions in Glasgow, Edinburgh, Aberdeen, Milngavie, Peeblesshire and St Andrews. The Guardian listings focus on reviews of exhibitions in London at The Royal Academy and Serpentine.
A number of the Scottish reviews are for exhibitions at former galleries: Main Fine Arts Studio Gallery Gibson Street, New 57 Gallery, 369 Gallery, Artspace Aberdeen, Compass Gallery and JD Kelly Gallery as well as a review for the closing of Corners Gallery Glasgow and the 70th Birthday of Cyril Gerber. The reviews also cover private galleries: The Third Eye Centre, Edinburgh Printmakers Workshop, Fruitmarket Edinburgh (also referred to as Scottish Arts Council Gallery), Mercury Gallery and Talbot Rice, as well as publicly funded galleries: Kelvingrove (also known as Glasgow Art Gallery), National Gallery of Modern Art Edinburgh, Royal Scottish Academy, Aberdeen Art Gallery and Hunterian Gallery Glasgow.
There are also reviews for offsite projects at Cramond Sculpture Park Edinburgh and Saltire House Edinburgh. The exhibitions covered are solo shows, by artists such as Alfred Loos, John Bellany and Peter Wilson. The Glasgow School of Art Postgraduate and Masters Degree shows are also reviewed alongside several reviews for Mayfest Festival Glasgow and the Edinburgh Festival.
This file also includes longer feature and perspective articles for Art Review and her research for STV when she visited Canada at the invite of Canada Council to Vancouver to Calgary/Ottawa/Toronto/Montreal and New York. Some personal correspondence in also included from Bet Low.
[i]Articles written in this year which are not present in the archive:
Aug Edinburgh Festival, Artists at Work
Henry, Clare
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written and typed draft copies of around 140 articles of 500-1500 word length, by Clare Henry for The Glasgow Herald, January-December 1992, with weekly Monday, Friday and some weekend features including a new feature ‘Herald Weekend Out’. Articles also written for Art Review, Conservation Management, Harpers & Queen and Galleries Magazine covering visual art exhibitions in Glasgow, Edinburgh, Kilmarnock, St Andrews, Kirkcudbright, Ayr, Aberdeen, Wick and Kinross. During the year Henry also covers art in Cambridge, Egypt, Amsterdam.
Some reviews focus on exhibitions in London at, for example, Flying Colours Gallery, Anderson O’Day Gallery, Mercury Gallery London, ICA London, Victoria Miro London, Jackson Gallery London, Duncan Miller Fine Arts London. A number of the Scottish reviews are for exhibitions at former galleries: Main Fine Arts Studio Gallery Gibson Street, New 57 Gallery, 369 Gallery, Aquarium Glasgow, JD Kelly Gallery, Gatehouse Gallery Glasgow. The reviews also cover galleries: The Third Eye Centre, Edinburgh Printmakers Workshop, Fruitmarket Edinburgh, Compass Gallery, Mercury Gallery and Talbot Rice, Graeme Murray Fine Art, Shore Gallery Leith, Nancy Smillie Gallery, Streetlevel Glasgow, McLellan Galleries, Tramway, Kelvingrove (also known as Glasgow Art Gallery), National Gallery of Modern Art Edinburgh, Royal Scottish Academy, People’s Palace Glasgow and Hunterian Gallery Glasgow and artist led galleries WASPS, Collective Edinburgh, Project Ability and Transmission. During this period Henry gives more context and opinion on the failed Glasgow bid for Capital of Art 1996, restructure of Glasgow Museums under Julian Spalding, Scottish Art Schools, Pavel Buchler appointment as Head of Fine Art at The Glasgow School of Art, a series on Scottish Art in Private Collections.
Other feature and perspective pieces include: Allan Davie, Richard Demarco appointment as Professor at Kingston Polytechnic London, the theft of Lowry V.E Day painting from Kelvingrove, Tony Jones former director of The Glasgow School of Art appointment at Royal College London, The Burrell Collection Glasgow opening, British American Arts Association conference, Jenny Geddes Memorial by Merlyn Smith at St Giles Edinburgh, a profile on William Hardie, House for an Art Lover by Charles Rennie Mackintosh opening. Obituaries on Francis Bacon, Jon Schueler and Alastair Smart. The exhibitions covered are solo shows, by artists Derek Jarman, Mario Rossi, Joan Eardley, Ian Hamilton Finlay, Elspeth Lamb, William Barns Graham, Ken Currie, Narelle Jubelin, Callum Innes, Alan Ramsay, Anne Redpath, Tony Cragg, Maud Sulter and group shows for The Glasgow School of Art Textiles with Barbara Santos Shaw and Lux Europa by Isabelle Vasseur. Mayfest and the Edinburgh Festival are covered in detail.
Notes on Royal College of Art Degree show. are included, as well as correspondence regarding Herald Art Collection to Harry Reid, correspondence with Caroline Ross, a research questionnaire on art criticism by Goldsmiths undergraduate student, correspondence regarding interview with Jack Lang in Paris, business card collection correspondence. Includes an invitation to Clare Henry’s Birthday, news cuttings of letters to paper on Clare Henry's reviews and copies of Clare Henry’s entry in Debrett’s People of Today and review of her selections in A Critics Choice at Cooling Gallery London. Also included are catalogue essay commissions for RAAB Gallery London Phil Braham, Robbie Duff-Scott, Tony Jones for Chelsea Arts Club.
[i]Articles written in this year which are not present in the archive:
Henry, Clare
A variety of photographs of different artworks completed by Georges-Marie Baltus. Some of these items are dated to his time as a lecturer in Belgium, several years after he left Glasgow.
Baltus, Georges-Marie
Material related to Georges-Marie Baltus
A variety of photographs comprising artworks completed by Georges-Marie Baltus and images of his Italian and European tours from his personal memories. Some of these items are dated to his time as a lecturer at The Glasgow School of Art.
Baltus, Georges-Marie
The Magazine: Volume 3 (Page 30)
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written and typed draft copies of around 150 articles of 500-1500 word length, by Clare Henry for The Glasgow Herald, January-December 1997, with Monday weekly articles and a weekend feature art guide feature, including regular book reviews and a new ‘Picture of the week’ feature. Articles also written for Galleries Magazine, International Magazine, Chelsea Arts Club magazine, AN Newsletter, Financial Times and Interiors Magazine covering visual art exhibitions in Glasgow, Edinburgh, and increasingly in other places in Scotland such as St Andrews, Aberdeen, Stirling, Dumfries and Aberfoyle. Exhibitions in London, Venice and Berlin also feature including Art Fair 97 London.
A number of the Scottish reviews are for exhibitions at former galleries: Compass Gallery, Gatehouse Gallery Glasgow, Fly, Duke Street Glasgow. The reviews also cover private galleries: Edinburgh Printmakers Workshop, Fruitmarket Edinburgh, Talbot Rice, Billcliffe Fine Art, Nancy Smillie Gallery, Fiction Gallery Glasgow, Art Exposure Glasgow and Streetlevel Glasgow, as well as publicly funded galleries: McLellan Galleries, Tramway, Kelvingrove (also known as Glasgow Art Gallery), Burrell Collection Glasgow, National Gallery of Modern Art Edinburgh, Royal Scottish Academy and artist led galleries Collective Edinburgh and Transmission.
During this period Henry gives more context and opinion on Sir William Burrell's will, Glasgow City Council, Norway Art & Architecture, Kelvingrove redevelopment, Julian Spalding, Arran Ross, Fergusson Award Winner Perth, Christine Borland nominated for Tate Turner Prize, Baltic Flour Mill Gateshead and Princes Diana's death. The exhibitions covered are solo shows, David Nash, Margot Sandeman, Calum Colvin, Roman Singer, Sophie Macpherson, Bill Viola, Jacqueline Donachie, John Houston, Sunil Gawde, Barbara Rae and Simon Starling.
Group shows include Animal The Lost Ark, CCA, Rolling Devolution, Crawford Centre St Andrews, the Vigorous Imagination Ten Years On, New Contemporaries, CCA Glasgow and Sensation, Royal Academy London, Saatchi Collection. Edinburgh Festival is covered in detail as well as Mayfest and The Glasgow School of Art Degree Show.
Profiles on Julie Roberts, Alan Davie, Bruce McLean, Johnny Dumfries, Joan Sommerville and Tim Mara Obituary. Also included are catalogue essays for Philip Hughes, Francis Kyle Gallery, Marj Bond, Thackary Gallery London, Contemporary Scottish Art, Albermarle Gallery London, Graham Hillier, Francis Kyle London, George Devlin, Billcliffe Fine Art Glasgow and other paper work includes correspondence to Harry Reid, Keith Bruce, Donald Dewar and The Glasgow School of Art, press releases and invoices for work.
[i]Articles written in this year which are not present in the archive:
Henry, Clare
Francis H. Newbery's application to be Head Master of The Glasgow School of Art
Francis H. Newbery's application to the Committee of Management of The Glasgow School of Art and Haldane Academy to be Head Master of the School.
Newbery, Francis Henry
Photograph of a mural by Francis H. Newbery
The photograph features a religious mural. The carboard displays an inscription by Francis H. Newbery dedicating the photograph to Archibald Haswell Miller. The backside of the carboard shows the original measurements of the mural and additional notes.
Newbery, Francis Henry
Accession of Papers related to Francis Newbery
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Later accessions of material relating to Francis Newbery. Material was not deposited as part of his working papers as Director of the School, but includes some working papers and correspondence from during his time as Director in addition to papers dating to after his retirement, family records and photographs, and written materials regarding Newbery.
Includes:
See this blog-post for more information about the discovery of these materials: http://www.gsaarchives.net/2018/03/cataloguing-gsa-famous-friends-fra-newbery-discovered/
Newbery, Francis Henry
Pamphlet from the Glasgow Art Club Jubilee Dinner, Glasgow, Scotland
A Retrospective read at the Jubilee Dinner in the Club House, 151 Bath Street, 30 November 1917.
The Glasgow Art Club
Records of the Scottish Society of Art Workers
This collections contains:
Keppie, John
Papers of Archibald Haswell Miller
A variety of loose artworks, cover designs, correspondence, ephemera, and photographs completed by and belonging to Archibald Haswell Miller. The collections includes proofs for book covers and pamphlets, personal correspondence relating to his studies and subsequent career, different ephemera relating to Haswell Miller's student days and photographs of artworks and students and staff members of The Glasgow School of Art.
This collection also includes material relating to Georges-Marie Baltus (DC 098/2) , including photographs of his artworks and his Italian and European trips, and Francis H. Newbery (DC 098/3).
Miller, Archibald E Haswell
Design for a Bookplate for Lucy Raeburn
Bound in the November 1893 edition of 'The Magazine'.
MacNair, Frances Macdonald
Materials relating to Francis Newbery
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Various papers and documents relating to Francis Newbery, including articles written by and about him, possibly related to the exhibition 'Fra H Newbery, Artist and Art Educationist, 1855-1946', held at The Glasgow School of Art, 29 Jul 1996-30 Aug 1996, curated by George Rawson. File includes: postcard of ‘The Paisley Shawl’, a painting by Francis Newbery c1910; printed image with description hand-written on back which reads ‘caricature of F H Newbery by Hugh Munro – in “St Mungo” 1897’; photocopy of article by Francis Newbery titled ‘Art Education’ and labelled ‘article by Fra Newbery, BA meeting Glasgow 1901’, about art education in Glasgow with particular focus on The Glasgow School of Art; typed copies of song titled ‘Dumble-Dum-Dearie or How Fra Newbery Got His Cloak and Hat; The School of Art Song’, unauthored, likely related to Newbery’s retirement [1916] (3 copies); typed page with biographical information regarding Francis Newbery’s artistic and educational career titled ‘Who’s Who In Glasgow In 1909’, unauthored and undated; typed page titled ‘Francis Henry Newbery 1853-1946’ with a biography of Newbery’s life and career from birth to death, focused on Newbery’s connection to Bridport in Dorset, unauthored and undated but likely related to and written by someone associated with Bridport; typed copy of a text titled ‘Francis Henry Newbery (1853-1946)’, possibly a draft of a catalogue published to accompany the exhibition 'Fra H Newbery, Artist and Art Educationist, 1855-1946', The Glasgow School of Art, 29 Jul-30 Aug 1996, written by George Rawson (2 copies); photocopy of article titled ‘Francis Newbery and the Glasgow Style’ by Isobel Spencer (now Isobel Johnstone) for Apollo Magazine, Oct 1973.
Newbery, Francis Henry
Material related to Francis H. Newbery
A variety of items relating to Francis H. Newbery, including his application to become Head Master of The Glasgow School of Art, a photograph of a mural, and a portrait photograph.
Newbery, Francis Henry
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written draft copies of around 190 articles of 250-1000 word length, by Clare Henry for The Glasgow Herald, January-December 1985, relating to visual art exhibitions in Glasgow, Edinburgh, Aberdeen, Milngavie, Peeblesshire and St Andrews. Also including some reviews of exhibitions in London at The Royal Academy and Serpentine.
A number of the Scottish reviews are for exhibitions at former galleries: Main Fine Arts Studio Gallery Gibson Street, Corners Gallery Glasgow, New 57 Gallery, 369 Gallery, Artspace Aberdeen and JD Kelly Gallery, and organisations: Fine Art Society Glasgow, Fine Art Society Edinburgh and Group 81. The reviews cover private galleries: The Third Eye Centre, Compass Gallery, Edinburgh Printmakers Workshop, Fruitmarket Edinburgh (also referred to as Scottish Arts Council Gallery), Mercury Gallery and Talbot Rice, as well as publicly funded galleries: Kelvingrove (also known as Glasgow Art Gallery), National Gallery of Modern Art Edinburgh, Royal Scottish Academy, Paisley Museum and Hunterian Gallery Glasgow.
There are also reviews for offsite projects at Cramond Sculpture Park Edinburgh and Saltire House Edinburgh. The exhibitions covered are solo shows, by artists such as June Redfern, Annie Leibovitz and Jacki Parry. Key group exhibitions include New Image Glasgow at The Third Eye Centre featuring Steven Campbell, Ken Currie, Peter Howson, Mario Rossi, Stephen Barclay and others as part of the Hungarian Arts in Glasgow Season and annual exhibitions of painting and printmaking at Royal Scottish Academy. The Glasgow School of Art Postgraduate and Masters Degree shows are also reviewed alongside several reviews for Mayfest Festival Glasgow.
This file also includes longer feature and perspective articles on: Renoir Retrospective, Bruce McLean in London, Scottish Arts Council Collection on Sale and the Turner Prize win by Howard Hodgkin. Also includes copies of essays by Gerald Laing on Siaka Stevens.
[i]Articles written in this year which are not present in the archive:
Henry, Clare
Papers of Francis H Newbery, Director of Glasgow School of Art, 1885-1918
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Includes:
Newbery, Francis Henry
Material related to Archibald Haswell Miller
A variety of designs, correspondence, ephemera and photographs related to Archibald Haswell Miller. A large amount of items are dated to his time as either a student or a lecturer at The Glasgow School of Art.
Miller, Archibald E Haswell
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written draft copies of around 110 articles of 500-1100 word length, by Clare Henry for The Glasgow Herald, January-December 1989 with weekly Monday and Friday features, Art Review, Time Out, World of Interiors, ALBA, Galleries Magazine and Ikebana Ryussei Magazine Japan covering visual art exhibitions in Glasgow, Edinburgh, Aberdeen, Dundee and Scottish regions.
During the year Henry also covers art in Los Angeles, Amsterdam and Madrid. Some reviews focus on exhibitions in London at Serpentine Gallery and Tate London. A number of the Scottish reviews are for exhibitions at former galleries: Main Fine Arts Studio Gallery Gibson Street, New 57 Gallery, 369 Gallery, Scotrail Exhibition Centre and JD Kelly Gallery, including a feature on the opening of Barbizon Gallery Glasgow.
The reviews also cover galleries: The Third Eye Centre, Compass Gallery Edinburgh Printmakers Workshop, Fruitmarket Edinburgh (also referred to as Scottish Arts Council Gallery), Mercury Gallery and Talbot Rice, Graeme Murray Fine Art and the opening of Streetlevel Glasgow, Kelvingrove (also known as Glasgow Art Gallery), National Gallery of Modern Art Edinburgh, Royal Scottish Academy, People’s Palace Glasgow and Hunterian Gallery Glasgow and artist led galleries WASPS, Collective Edinburgh and Transmission.
During this period Henry gives more context and opinion on the condition of funding, marketing, government policy and Glasgow’s Galleries in the lead up to Glasgow Capital of Culture 1990. Other feature and perspective pieces include, the cancellation of the Vienna 1960 exhibition by National Galleries of Scotland, the takeover row, funding and leadership of the National Galleries of Scotland, the sale of El Greco by National Gallery of Scotland, the wedding of Peter Howson and Terry Cullen, Soviet Season in Glasgow, Glasgow 1990 Build Up, Graeme Murray Fine Art at Amsterdam Kunstrai with Ian Hamilton Findlay and obituaries for Salvador Dali and William Barns Graham.
The exhibitions covered are solo shows, by artists Alf Lohr, Doug Cocker, Anthony Gormley, Andy Goldsworthy, Andy Warhol and Peter Howson and group shows for Royal Glasgow Institute.
Mayfest and the Edinburgh Festival and problems with funding are covered in detail, as is Soviet Season in Glasgow. Some correspondence proposing future articles with Ray Gard, Arnold Kemp from The Glasgow Herald and Time Out Sarah Kent.
[i]Articles written in this year which are not present in the archive:
Henry, Clare
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written and typed draft copies of around 100 articles of 500-1500 word length, by Clare Henry for The Glasgow Herald, January-December 1991 with weekly Monday, Friday and some weekend features. Articles also written for Art Review, Time Out, Museums Journal, Art Line, Portfolio and Galleries Magazine covering visual art exhibitions in Glasgow, Edinburgh, Stornoway, St Andrews, Kirkcudbright, Ayr and Scottish regions. During the year Henry also covers art in Budapest, Rome and Germany.
Some reviews focus on reviews of exhibitions in London at Scottish Gallery London, Marlborough Fine Art London, Royal Academy, Serpentine, Saatchi Gallery, Flowers, Art 91 and Tate. A number of the Scottish reviews are for exhibitions at former galleries: Main Fine Arts Studio Gallery Gibson Street, New 57 Gallery, 369 Gallery, Glasgow’s Glasgow, ASH Gallery Edinburgh, JD Kelly Gallery, Barbizon Gallery Glasgow. The reviews also cover galleries: The Third Eye Centre, Compass Gallery, Edinburgh Printmakers Workshop, Fruitmarket Edinburgh, Mercury Gallery, Talbot Rice, Graeme Murray Fine Art and Streetlevel Glasgow, McLellan Galleries, Tramway, Kelvingrove (also known as Glasgow Art Gallery), National Gallery of Modern Art Edinburgh, Royal Scottish Academy, People’s Palace Glasgow and Hunterian Gallery Glasgow and artist led galleries: WASPS, Collective Edinburgh, Project Ability and Transmission.
During this period Henry gives more context and opinion facts and figures on Glasgow after 1990 Capital of Culture and its bid for Capital of Art 1996. Other feature and perspective pieces include: the closure of Fruitmarket Gallery Edinburgh, Director of Visual Arts Glasgow post, Julian Spalding acquisition for new Art for Kelvingrove, Tribal Shields, Knoedler Gallery London, an open letter to SAC director regarding 369 Gallery Edinburgh closure, WASPS closure rumours, Scottish Visual Arts Crisis and Scottish Arts Council, Resignation of The Glasgow School of Art Director John Whiteman, Third Eye Centre bankruptcy, Glasgow Milestones.
The exhibitions covered are solo shows, by artists June Redfern, The Boyle Family, Stanley Spencer, Elspeth Lamb, George Wyllie, Hamish Macdonald, Adrian Wiszniewski, Eduardo Paolozzi, Ian Hamilton Finlay, Jo Spence, Joyce Cairns, Ken Currie, Anthony Caro, Cathie Wilkes, Peter Howson and David Mach and group shows for Royal Glasgow Institute, Glasgow Group Points East, New Beginnings Season and Scottish Arts Council touring bus. Mayfest, the Edinburgh Festival, Windfall and New Beginnings Season are covered in detail. Also includes: correspondence and delegate information for Points East conference Glasgow, National Art Collections Fund Saved for Scotland exhibition press information, Glasgow 1990 Statistics Fact Sheet, British School in Rome Visit, Scottish Tourist Board strategy planning, New Art in Scotland exhibition planning and selection minutes and notes, invitation to the wedding of Angela Wrapson and George Kerevan, correspondence with Robert Johnston, notes from Chelsea Arts Club debate on Art as Goods or Ideas, correspondence with Chelsea Art Club, correspondence from Mark Fisher MP.
Also included are catalogue essay commissions for David Toner at Gatehouse Gallery and Chelsea Arts Club Centenary.
[i]Articles written in this year which are not present in the archive:
Henry, Clare