The Painters Colquhoun & McBryde (The Two Roberts)
- NMC/0020
- Item
- 1937-1938
Study of the two Roberts - Colquhoun and McBryde - in their studio. Fleming's painting was the recipient of the 1938 Guthrie Award prize.
Fleming, Ian
The Painters Colquhoun & McBryde (The Two Roberts)
Study of the two Roberts - Colquhoun and McBryde - in their studio. Fleming's painting was the recipient of the 1938 Guthrie Award prize.
Fleming, Ian
Study of the Parthenon.
Spiers, Richard Phené
View of Italian hill-top Town. One of seven works presented to GSA by the Scottish Arts Council, as a result of the Council's collection being broken up and dispersed across Scotland.
McKenzie, Alison
From The Magazine, Spring 1896. The shadow does not correspond with the object in front; it touches it and echoes it but is different.
Mackintosh, Charles Rennie
From The Magazine, Spring 1896. Inscribed: The Tree of Influence, The Tree of Importance, The Sun of Cowardice, Charles Rennie Mackintosh, Jan 1895.
Mackintosh, Charles Rennie
From The Magazine, Spring 1896. Inscribed: The Tree of Personal Effort, The Sun of Indifference, Charles Rennie Mackintosh, January 1895.' The exact meaning of the symbolism of this work, and its companion, 'The Tree of Influence' has eluded all commentators on Mackintosh's early water-colours. The obvious source of the symbolism is nature, and Mackintosh here reaches his most extreme distortion of organic forms.' (Roger Billcliffe).
Mackintosh, Charles Rennie
Miller, Josephine Haswell
In July Mackintosh and Margaret Macdonald spent a holiday in Dorset re-visiting many of the place he had visited in 1895. 'In 'The Village' and 'The Downs' Mackintosh makes his first conscious moves towards his mature style of the Port Vendres period. He is obviously concerned with the pattern of the landscape, picking out features like the stepped hillside, the stone walls, paths and roofs of village houses. These ordinary motifs are given an eerie emphasis by being painted in an equally detailed manner whether they are in the foreground of the the distance... it was probably at this time... that he decided to concentrate more and more on painting. By 1923 he had decided to forsake architecture and design and devote the rest of his life to producing watercolours.' (Roger Billcliffe).
Mackintosh, Charles Rennie
Study of women crowded around The Well in Toledo (inscription verso).
Jackson, Alexander Logan
Three Building facades, Supplingen, Germany
Annotated by artist.
Miller, Archibald E Haswell
Study of three churches; North Wales and Wiltshire. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Study of three chickens, against a black and yellow background.
Fleming, John B
Studies of cottages and part of Caernarvon Castle, North Wales. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Study of three bridges; near Birmingham, Llanberis, (North Wales) and Arden, Warwickshire. Published in London.
Cox, David
Study of three bridges; near Knowle (Warwickshire), Leicester and North Wales. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Abstract design with two white lines.
MacFadyen, Ian
Abstract design, with two white lines.
MacFadyen, Ian
Miller, Josephine Haswell
Miller, Josephine Haswell
Study of two men against a pastoral landscape. The subject was painted whilst the artist was a student of Gourock High School. Annotated verso.
Gorman, James
Torso study - seated male figure (Version 1)
Torso study - seated male figure (Version 2)
Annotated verso.
Miller, Josephine Haswell
Miller, Josephine Haswell
Probably Italy.
Miller, Josephine Haswell
Sketch for NMC/1098.
Miller, Josephine Haswell
Miller, Josephine Haswell
Miller, Josephine Haswell
View of small town with church and halls in the distance.
Bliss, Douglas Percy
Line of buildings, at centre of composition trees and chimney pots in foreground.
Gray, William
Miller, Archibald E Haswell
Bound in volume, The Magazine, November, 1894.
Mackintosh, Charles Rennie
Study of olive trees.
Selby, Frederick
Study of olive trees.
Selby, Frederick
Trees with table and chairs in foreground
Annotated notes verso.
Miller, Josephine Haswell
Male figure with outstretched arms. One of seven works presented to GSA by the Scottish Arts Council, as a result of the Council's collection being broken up and dispersed across Scotland.
Rodger, William
Snowdon seen across Fraeth Mawr, North Wales. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Two cottages; near Knowle, Warwickshire and Bromley, Kent. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Figure study.
McCance, William
Study of two water mills near Llanfair, North Wales. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Study of mills at Bromley, Kent and Dulwich Common, Surrey. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Subject matter derived from Dylan Thomas' 1954 radio drama/play "Under Milk Wood". The wood engraving shows three figures seated around a breakfast table.
Chapman, June Crisfield
Drawing of undergrowth, with animals.
Hill, Tanya
Old buildings set around courtyard/quadrangle.
*Not available / given