- DC 039/18
- Item
- 1840s-1850s
Part of Paisley Shawl Designs
Predominantly reds and maroons.
*Not available / given
Part of Paisley Shawl Designs
Predominantly reds and maroons.
*Not available / given
Untitled Paisley shawl designs
Part of Paisley Shawl Designs
Three designs attached to one piece of paper: one design for a border; one design detail; one larger, predominantly red design.
*Not available / given
Part of Paisley Shawl Designs
Predominantly pinks and reds. Annotated "No 73".
*Not available / given
Part of Paisley Shawl Designs
Design for a border, predominantly greens and pinks. Annotated "No 7".
*Not available / given
Part of Paisley Shawl Designs
Predominantly purples and maroons.
*Not available / given
Untitled Paisley shawl designs
Part of Paisley Shawl Designs
Two designs attached to one piece of paper: one maroon; one comprising reds, greens and blues.
*Not available / given
Part of Paisley Shawl Designs
Reds and greens on black background.
*Not available / given
Untitled Paisley shawl designs
Part of Paisley Shawl Designs
Four designs attached to one piece of paper. Mostly on black or dark backgrounds.
*Not available / given
Part of Paisley Shawl Designs
Predominantly reds, pinks and purples. Annotated "No 24".
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
*Not available / given
Big Fat Sampler, large wall hanging with square design (Version 2)
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
*Not available / given
Big Fat Sampler, large wall hanging with square design (Version 1)
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
One of fourteen textile samples which have been housed together in a pink paper folder.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
One of fourteen textile samples which have been housed together in a pink paper folder.
*Not available / given
Early Canvas Work Seat (Version 2)
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
*Not available / given
Early Canvas Work Seat (Version 1)
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
*Not available / given
Embroidered Piece 'Fishwife' (Version 2)
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
*Not available / given
Embroidered Piece 'Fishwife' (Version 1)
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
*Not available / given
Embroidered Sample, 'Tree Garden' (Version 2)
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
*Not available / given
Embroidered Sample, 'Tree Garden' (Version 1)
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
*Not available / given
Sample of purple fabric used to re-upholster Charles Rennie Mackintosh yellow settle
Part of Examples of Mackintosh Fabric
Sample of replacement fabric for Dugout settle.
*Not available / given
Part of Examples of Mackintosh Fabric
A fabric trimming from a cushion cover, embroidered before the First World War. The cover has pink roses and green foliage embroidered on authentic 'Mackintosh' mauve linen fabric.It is possible that both design and fabric were purchased from Brown and Beveridge, Bath Street, Glasgow.
*Not available / given