Trade show display, Brian Bolger at work
- DC 089/3/4/1/19
- Item
- 1987
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Trade show sign 'The Cloth' and Japanese sign.
Taylor, Fraser
443 results with digital objects Show results with digital objects
Trade show display, Brian Bolger at work
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Trade show sign 'The Cloth' and Japanese sign.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Possibly Liberty of London. Uncredited.
Taylor, Fraser
Blue placemat with scalloped edges featuring Noah's ark.
Chalmers, Sylvia
Brown placemat with white fringed edges. Features a geometric design and is labelled "Arabesque; a two coloured placemat in chocolate and biscuit by Sylvia Chalmers"
Chalmers, Sylvia
Printed placemat in orange and white with border of various birds.
Chalmers, Sylvia
Printed placemat in yellow, grey, and white with border geometric floral pattern
Chalmers, Sylvia
White and green Christchurch tea towel featuring images of Christchurch priory, Church St., the Ruins, Two Bridges and the Quay.
Chalmers, Sylvia
One of a set of two curtains designed by Sylvia Chalmers made in 'Escape I' the Sun' design which features a man in a red hammock and a woman on a swing.
Chalmers, Sylvia
Printed cotton tablecloth in white and pink with a repeating pattern of stylised birds and floral motifs
Chalmers, Sylvia
'Homage to the Studio': Rust-dyed and heat-manipulated crepe satin
Rust-dyed and heat-manipulated crepe satin. Inspired by the 2014 fire in the Mackintosh Building. Stored along with nails (NMC/1962B) and textile (NMC/1962C) in presentation box (NMC/1962A).
McQuarrie, Erin
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Ten figures in various reclining poses, printed/hand painted on textile and mounted on board. The figure outlines are printed in a dark brown/black, whilst their bodies are filled and shaded in peach and white (possibly hand-painted).
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Taylor, Fraser
Fringed, printed woolen stole with a stylised figure design in shades of mustard, claret, navy blue and pink.
Jack, Joanie
Long silk and linen woven scarf with fringed ends. It has geometric designs and subtle colour changes and blends, achieved through dip dyed warp. Scarf is in shades of green, grey, orange and brown.
Sumsion, Sarah
Part of Papers and Textiles of Veronica Matthew, student at The Glasgow School of Art, 1950s
Embroidery sampler on cream linen with pink, black, white, and gold wool
Matthew, Veronica
Blue fabric hanging with white tassels
Part of Student work by Eirene Hunter
Blue hanging with white tassle fringe and a white print design of two horses in a decorative oval frame.
Hunter, Eirene
Printed fabric with house design
Part of Student work by Eirene Hunter
Length of fabric printed with a repeat design including houses, ornate gates and trees against a background of small leaves. Black, green and grey on white.
Hunter, Eirene
Printed fabric with bird design
Part of Student work by Eirene Hunter
Length of fabric printed with a repeat design of birds against a black linear pattern. Red, yellow and black on white.
Hunter, Eirene
Part of Papers of Mary Mackie
Small blue card folder with the hand-label 'Embroidery'. It contains a handwritten explanation of the technique and materials, the pattern design for nine squares in pen and ink on graph paper, and the worked textile in blue, white, red, black and green.
Mackie, Mary
Part of Papers of Mary Mackie
Small blue card folder with the hand-written label Patchwork. It contains a handwritten explanation of the technique and materials, the pattern design with different shapes in white paper glued into the folder, and the worked textile in patterned fabric with blue, green, red, black and white.
Mackie, Mary
Part of Papers of Mary Mackie
Card with a design on graph paper entitled 'Typical Shetland Design' and the canvas work textile in brown and white wool attached.
Mackie, Mary
Part of Papers of Mary Mackie
Card with 5 different samples of canvas attached, each identifed in handwriting underneath.
Mackie, Mary
Blue board with six 90 mm square cards showing different colour and weave effects in shades of lilac with threads of blue, green, and yellow.
Dobbie, Linda
Paper test piece for textile design made from cut and rolled coloured paper in shades of blue with lighter blue circular highlights and purple strips.
Crossan, Kathryn
Fabric development board with drawings, weaving grid, picture of a tapestry showing the inspiration, blue-green textile with orange, maroon and lilac spot design all mounted on card, entitled Hospitality Fabrics.
Wilkinson, Joanne
Board showing different weaves and textures developed from TSW/96. Blue-green and maroon colours used, fabric believed to be wool.
Wilkinson, Joanne
Four different coloured samples of woollen furnishing fabric designed for an RSA Bursaries competition in 1980, one mustard/brown based, one maroon, one dark blue and one green.
Carmichael, Catherine
Embroidery and applique wing design in shades of blue, green, orange and yellow on a brown ground in a cream card mount.
Wells, Kate Hobson
Plain weave sample made with cotton thread in shades of cream, peach, and dark green. The design forms a pattern of vertical stripes and bands, with the solid green bands woven with a puckered effect.
Farrell, Jackie
Twill weave sample woven with a combination of tightly spun and loosely spun wool. Yarn in a dark orange shade and spun with multicoloured threads and snippets of fabric.
Carmichael, Catherine
Single-faced loosely woven fabric in shades of dark pink (warp), grey, teal and lemon, with ribbons of pale blue, pale pink and black woolen yarn incorporated. The inclusion of thicker fabric ribbons adds texture and pattern to the fabric and a light stripe effect is created using the claret pink warp threads.
Maclean, Derek B S
Double-faced tightly woven sample made with woollen yarn in shades of cream, grey and black. The design consists of vertical bands with horizontal stripes that form different sections.
Henderson, Caroline
Open weave sample in plain weave and basketweave, and woven with cream-coloured yarn and bouclé yarn. With supplementary discontinuous wefts made of yarn and metallic-like thread.
MacPherson, Sandra
Black and multi-coloured woven fabric. A lattice work of coloured threads with coloured organza ribbon behind and alternating with thin bands of closely woven black cotton.
Whittle, Rhona
Double-faced tightly woven fabric in shades of cream, light brown, pale pink and black twisted yarns. Pattern includes repeat cord of mercerised golden thread that adds a subtle stripe to the design.
Maclean, Derek B S
Cream double-faced fabric woven in a grid like pattern in plain and boucle yarn.
Carnie, Bruce
Long woven sample worked in plain weave and basketweave with fine cotton thread. Cream-coloured warp threads woven with different multi-coloured wefts creating sections of five different abstract designs.
Lillico, June
Cream-coloured plain weave sample woven with yarn and bouclé yarn that create a geometric pattern. The warps have been dyed or printed before weaving with different shapes (circles, squares, crosses) in yellow, light purple, light blue and pink, that form a grid-like design after weaving.
Carnie, Bruce
Fabric sample with pale blue plastic warp threads with bands of white cotton, and loosely woven white cotton weft. Pattern of wavy, scallop shaped bands and plain woven bands in different tensions.
Thomson, Nicole
Two-faced woven sample. The face consists of a twill weave made with ribbons of a plain weave purple fabric and a finer satin weave fabric in shades of pink, brown and cream. The reverse, a plain weave in light purple and yellow yarn and ribbons of blue satin weave fabric, with machine-made diagonal running stitches in red thread to keep the weaving sample together.
Blackwood, Jilli
Two-faced woven sample. The face consists of a twill weave in loosely spun green, dark red and dark green bouclé yarn and thinner orange bouclé yarn. The reverse, a plain weave in thin light orange and light blue-green bouclé yarn.
Forsyth, Alison
Sample woven in cotton thread witih a puckered effect. Geometric pattern in a gradation of fading orange and purple on a beige background.
Carnie, Bruce
Double-faced woollen fabric woven in a geometric design in shades of blue, lilac, pink and grey.
Horn, Jean
Double-faced sample woven in leather-like yellow ribbon and pink, red, lilac, and dark purple yarn.
Blackwood, Jilli
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Pale blue sampler with grey metallic thread and chenille. Buttonhole stitch and couching.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Canvas padded and attached to wooden frame. Design of squares containing stylised flowers. Yellow, red, blue and grey with navy edging.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Not available / given
'Homes for the future' Baseball cap
Part of Records of the Glasgow 1999 Festival Co Ltd, Glasgow, Scotland
Black baseball cap with embroidered logo in blue and white thread
Not available / given
Paper test piece for textile design made from cut and rolled coloured paper in shades of brown with orange circular highlights.
*Not available / given
Cream coloured fabric, presumed to be a cotton mix, with black coloured grid over an irregular multi-colour spot and ribbon pattern.
*Not available / given