Designed for Director's Room, Glasgow School of Art. 'This large table may well have been designed for meetings of the Board of Governors, who rarely used the original Board Room which was eventually taken over as a studio. It was designed with two high backed armchairs and twelve low backed armchairs and was photographed in 1910 in the new Board Room which Mackintosh had provided for the Governors, and not in the Director's Room for which it was designed. The square is again the dominant motif in this group of designs. The table legs are square, but they are hollow, and square cut outs in them indicate the construction.' (Roger Billcliffe). This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Designed for the (new) Board Room, Glasgow School of Art.
This sky blue poster features a Charles Rennie Mackintosh chair and a distinctly dressed female wearing make-up and a blonde wig. Mackintosh's work was heavily influenced by Japanese design and culture. This poster advertises an association with Mackintosh's work and the Japanese Department store chain Daimaru.
This poster advertises a Japanese exhibition of Charles Rennie Mackintosh's work.The poster is white, has pink and navy writing and includes an image of a Mackintosh chair. From Art Today, the poster is a design by Ikko Tanaka for 'Gurafiku: Japanese Graphic Design' in 1979.
This poster showing an image of a Mackintosh chair advertised an exhibition of the work of Charles Rennie Mackintosh at the Museum of Applied Arts in Helsinki from 10th December 1982 to 16th January 1983.
Designed for original board room at Glasgow School of Art. The chairs were designed for the original Board Room in the East wing (now the Mackintosh Room). The Governors never used this room for meetings and it was initially used as a studio while space was short in the half-finished building. When the new Board Room was built in the second phase of the building, Mackintosh designed a more elaborate version of this chair for it, MC/F/61. Six chairs reupholstered in brown horsehair 1985, very similar to the original fabric found on one of the chairs. Two remaining chairs reupholstered in 1986. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Designed for the Director's Room, Glasgow School of Art. Twelve chairs were made in 1904 for the GSA, but William Davidson acquired a further two, with six of MC/F/58 for use as dining chairs in the hall at Windyhill. Twelve chairs reupholstered in brown horsehair 1984. One chair on loan from Glasgow University, returned 1984. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Designed for the Argyle Street Tea Rooms, Glasgow. One example appears in contemporary photographs of the Luncheon Room, but several others, possibly used in the ground floor apartments at Argyle Street, have survived. (Roger Billcliffe). The pierced motif in the side panels is the same as in the oval back-rail chair, MC/F/14. In a sketch the same chair but with a slightly taller back is used in a bedroom design (repro. Alison as principal bedroom, Westdel, Queen's Place, 1901). It is quite possible this chair was used in other commissions besides Argyle Street. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Designed for the hall at Windyhill, Kilmacolm. The benches were used in the hall and instead of chairs at the dining room table. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Designed for the board room, Glasgow School of Art. Basically, a compilation of three examples of MC/F/18 with the pierced motif repeated three times on each back rest. Reupholstered in brown horsehair 1984. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Designed for entrance hall, Glasgow School of Art. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Designed for the hall at Windyhill, Kilmacolm. Mackintosh designed Windyhill c1900 for William Davidson of Gladsmuir, Kilmacolm. Davidson had known Mackintosh for about five years and already owned several pieces of furniture by him, some specially designed for Gladsmuir. In 1901 Davidson was in correspondence with Mackintosh about new furniture for Windyhill, but there never seems to have been any intention to furnish the house completely with pieces designed by him. The new furniture was confined to the hall (which served as the family dining room for use at large gatherings), drawing room, playroom and main bedroom.This small table was used to extend the main dining table at large family gatherings. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Designed for use in Mackintosh's own flat in Mains Street, Glasgow. This piece does not appear in any of the contemporary photographs of the main bedroom at 120 Mains Street. As it was not painted white (like the rest of the main bedroom suite) it was probably intended for the spare bedroom, but it does not appear to have been designed as part of a suite. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Designed for 120 Mains Street, Glasgow. An exact replica of the cabinet made in 1899 and sold at the Vienna Secession exhibition in 1900, made to replace this for the Mackintoshs' own use. This item was assessed for conversation in 2010 as part of the Mackintosh Conservation and Access project (2006-2010), and then again in 2018 following the fire in the Mackintosh Building in June 2018.
Sheet of 100 x 20p stamps featuring an image of the Mackintosh Building produced to commemorate Glasgow 1990, European City of Culture, designed by Paul Hogarth RDI. (Stamp designs Copyright Royal Mail)
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Originally, and according to Mackintosh’s preparatory sketches, there were thought to be 53 individual lights in the library, each with punched holes in the inner reflectors which allowed light to pass through blue and purple glass. The central array was made up of 12 small canisters attached to the light frame on the ceiling, with eight medium pendants and five large pendants hanging below. There were an additional twelve medium canisters attached to the coffered ceiling both above and below the library balcony, making 24. Originally there were also four additional medium hanging pendants in each of the south and western window bays, though these four lights, and the medium canister in the librarians office, had all been removed before the fire in 2014, meaning there were 48 in the library. The library was destroyed by the fire, though many metal fragments from the lights were salvaged.
The library was destroyed by fire on 23 May 2014, though many metal and glass fragments from the lights were subsequently salvaged. Originally, and according to Mackintosh’s preparatory sketches, there were thought to be 53 individual lights in the library, each with punched holes in the inner reflectors which allowed light to pass through blue and purple glass. The central array was made up of 12 small canisters attached to the light frame on the ceiling, with eight medium pendants and five large pendants hanging below. There were an additional twelve medium canisters attached to the coffered ceiling both above and below the library balcony, making 24. Originally there were also four additional medium hanging pendants in each of the south and western window bays, though these four lights, and the medium canister in the librarians office, had all been removed before the fire in 2014, meaning there were 48 in the library. This small selection of salvaged lights fragments has been retained as evidence of the fire tragedy. These fragments are also surplus to the needs of Rodney French of Lonsdale and Dutch, Edinburgh who has been tasked with reconstructing the entire set of library lights, whilst reusing as much of the surviving fragments as possible.
The library was destroyed by fire on 23 May 2014, though many metal and glass fragments from the lights were subsequently salvaged. Originally, and according to Mackintosh’s preparatory sketches, there were thought to be 53 individual lights in the library, each with punched holes in the inner reflectors which allowed light to pass through blue and purple glass. The central array was made up of 12 small canisters attached to the light frame on the ceiling, with eight medium pendants and five large pendants hanging below. There were an additional twelve medium canisters attached to the coffered ceiling both above and below the library balcony, making 24. Originally there were also four additional medium hanging pendants in each of the south and western window bays, though these four lights, and the medium canister in the librarians office, had all been removed before the fire in 2014, meaning there were 48 in the library. This small selection of salvaged lights fragments has been retained as evidence of the fire tragedy. These fragments are also surplus to the needs of Rodney French of Lonsdale and Dutch, Edinburgh who has been tasked with reconstructing the entire set of library lights, whilst reusing as much of the surviving fragments as possible.
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018. The bell is all that remains.
The symbols which form the Glasgow coat of arms all refer to miracles performed by St. Mungo, the patron saint of the city who is normally represented with these emblems on the coat of arms. They first appeared on the seals of bishops of Glasgow, the fish on the seal of William Wishart in 1270, the bird on the seal of Robert Wishart in 1271. They were used together for the first time on the seal of the Chapter of Glasgow in 1488. The salmon with the ring in its mouth refers to the story of the local Queen who gave her ring to a knight she was in love with, the jealous King stole the ring from the knight while he was asleep and then demanded it back from the Queen, having thrown it into the Clyde. In desperation she prayed to St. Mungo who told his followers to cast their fishing nets in the river and bring him the first fish that they caught, a salmon with the Queen's ring in its mouth. The tree represents the green hazel twig which Mungo restored to life after his companions had killed it. The bell represents the service bell used in Mungo's church and still in Glasgow until c1700. Mackintosh's tree is highly abstract in its Art Nouveau 'whiplash' spirals untypical of his work. The bird is a modern replacement of the stolen original.
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018. The bell is all that remains.
The symbols which form the Glasgow coat of arms all refer to miracles performed by St. Mungo, the patron saint of the city who is normally represented with these emblems on the coat of arms. They first appeared on the seals of bishops of Glasgow, the fish on the seal of William Wishart in 1270, the bird on the seal of Robert Wishart in 1271. They were used together for the first time on the seal of the Chapter of Glasgow in 1488. The salmon with the ring in its mouth refers to the story of the local Queen who gave her ring to a knight she was in love with, the jealous King stole the ring from the knight while he was asleep and then demanded it back from the Queen, having thrown it into the Clyde. In desperation she prayed to St. Mungo who told his followers to cast their fishing nets in the river and bring him the first fish that they caught, a salmon with the Queen's ring in its mouth. The tree represents the green hazel twig which Mungo restored to life after his companions had killed it. The bell represents the service bell used in Mungo's church and still in Glasgow until c1700. Mackintosh's tree is highly abstract in its Art Nouveau 'whiplash' spirals untypical of his work. The bird is a modern replacement of the stolen original.
This item suffered significant damage in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014.
Desk with hinged top, designed for Gladsmuir, Kilmacolm.
The majority of this piece of furniture was lost, however a brass repousse panel plus three handles, all damaged, were salvaged and have undergone conservation and consolidation work. The original item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
This item suffered significant damage in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014.
Desk with hinged top, designed for Gladsmuir, Kilmacolm.
The majority of this piece of furniture was lost, however a brass repousse panel plus three handles, all damaged, were salvaged and have undergone conservation and consolidation work. The original item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
This item suffered significant damage in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014.
Desk with hinged top, designed for Gladsmuir, Kilmacolm.
The majority of this piece of furniture was lost, however a brass repousse panel plus three handles, all damaged, were salvaged and have undergone conservation and consolidation work. The original item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Poster for lecture 'Mackintosh and the Future', Glasgow Film Theatre, Glasgow. The lecture was given by Enric Miralles, who was a visiting lecturer at the Mackintosh School of Architecture. The date of the lecture was 03 Oct, no year is given but is believed to be 1998.
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Designed for Mackintosh's bedroom at 27 Regent Park Square, Glasgow, probably to match the bed. This and others pieces of green stained furniture made by Guthrie and Wells, were collected by William Davidson for his house Gladsmuir and later in Windyhill. Guthrie and Wells, originally founded as a painting and decorating firm by J and W Guthrie, who entered into partnership with Andrew Wells in 1895, played an important role in the history of decor and design in Glasgow. They were the most important of the stained glass studios emerging in Glasgow in the 1890s, supplied furniture, glass, mosaics etc and had a reputation for first class craftsmanship and always employed excellent designers.
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Designed for Argyle Street Tea Rooms, Glasgow. 'One of the most successful and comfortable pieces from Argyle Street. The drawing D1897.21 indicated that it was intended for the Ladies Reading Room, of which no photographs survive.' The only chairs in the collection surviving with their original upholstery.
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Designed for 120 Mains Street, Glasgow and also for the Luncheon Room, Argyle Street Tea Rooms, Glasgow. Stylistically, the most advanced piece of furniture designed for Argyle Street and used by Mackintosh again in his own flat. The examples in the Museum of Modern Art in New York and the V&A in London were formerly in the GSA collection and donated by Douglas Percy Bliss, GSA director, in 1958. The horsehair and rush seats were reupholstered 1985-86. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Designed for 120 Mains Street, Glasgow and also for the Luncheon Room, Argyle Street Tea Rooms, Glasgow. Stylistically, the most advanced piece of furniture designed for Argyle Street and used by Mackintosh again in his own flat. The examples in the Museum of Modern Art in New York and the V&A in London were formerly in the GSA collection and donated by Douglas Percy Bliss, GSA director, in 1958. The horsehair and rush seats were reupholstered 1985-86. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Designed for the White Dining Room, Ingram Street Tea Rooms, Glasgow. A taller and more elegant version of MC/F/24, it shows the extravagant height to which Mackintosh was prepared to extend the backs of his chairs to achieve a variety of verticals within a room. The higher back makes it less rigid, and the two back splats were not originally attached to the seat rail (nor were these in MC/F/20 but at some time the chairs were strengthened by screwing them to the rear seat-rails). It is not known exactly where these chairs were used, though a contemporary photograph (Billcliffe 1900.J) shows one example in the Billiards Room. One white painted version (Billcliffe 1900.11) was in Mackintosh's own collection by 1900 but it is not certain whether it precedes the tea room chairs or is contemporary with them. Roger Billcliffe. Reupholstered in brown horsehair 1984. The Ingram Street Tea Rooms were purchased by Glasgow Corporation in 1951 for £25,000 and were then rented out as various shops and warehouses. This item was assessed for conversation in 2010 as part of the Mackintosh Conservation and Access project (2006-2010), and then again in 2018 following the fire in the Mackintosh Building in June 2018.
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Designed for the Ingram Street Tea Rooms, Glasgow. Identical with MC/F/24 except for the shortened rear uprights and splats. Probably originally designed for the Cloister Room, but cut down in 1912 because of the new low ceilings installed at that time. (Roger Billcliffe). Reupholstered in brown horsehair 1984. The Ingram Street Tea Rooms were purchased by Glasgow Corporation in 1951 for £25,000 and were then rented out as various shops and warehouses. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Designed for the Willow Tea Rooms, Glasgow. 'A very sturdy but not particularly comfortable chair, used in the ground floor saloons, the Gallery and the Smoking room... Their boxy shape contrasts with the taller and more open ladder-backs arranged alongside them in the layout of furniture which Mackintosh devised.' (Roger Billcliffe). Reupholstered in blue horsehair 1984 (the original upholstery on these and the Willow settle was a green and gold striped horsehair). This item was assessed for conversation in 2010 as part of the Mackintosh Conservation and Access project (2006-2010), and then again in 2018 following the fire in the Mackintosh Building in June 2018.
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Designed for the Billiards Room, Willow Tea Rooms, Glasgow. This table does not appear in contemporary photographs of the Tea Rooms. It is cruder in construction and more robust than the other round table, MC/F/46, and so has affinities with the heavier looking furniture designed for the Billiards Rooms. The square cut-outs on the legs echo the similar arrangements of squares on the panel dividing the fitted seating in the Billiards Room. (Roger Billcliffe).
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Designed for the Director's Room, Glasgow School of Art. One chair reupholstered in blue/black horsehair 1970s, One chair reupholstered in brown horsehair 1984 and repaired.
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Designed for the Director's Room, Glasgow School of Art. Twelve chairs were made in 1904 for the GSA, but William Davidson acquired a further two, with six of MC/F/58 for use as dining chairs in the hall at Windyhill. Twelve chairs reupholstered in brown horsehair 1984. One chair on loan from Glasgow University, returned 1984. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Designed for the Director's Room, Glasgow School of Art. Twelve chairs were made in 1904 for the GSA, but William Davidson acquired a further two, with six of MC/F/58 for use as dining chairs in the hall at Windyhill. Twelve chairs reupholstered in brown horsehair 1984. One chair on loan from Glasgow University, returned 1984.
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Designed for the Director's Room, Glasgow School of Art. Twelve chairs were made in 1904 for the GSA, but William Davidson acquired a further two, with six of MC/F/58 for use as dining chairs in the hall at Windyhill. Twelve chairs reupholstered in brown horsehair 1984. One chair on loan from Glasgow University, returned 1984.
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Rectangular writing table with grid-like stretcher. The arrangement of stretchers is like those of a number of items designed c1904-06 for Hill House and Hous'hill (Roger Billcliffe).
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Designed for the (new) Board Room, Glasgow School of Art. A more elaborate version of the chairs designed for the original Board Room in 1899 (MC/F/18).
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Designed for the (new) Board Room, Glasgow School of Art. A more elaborate version of the chairs designed for the original Board Room in 1899 (MC/F/18).
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Designed for the Oak Room, Ingram Street Tea Rooms, Glasgow. The wavy top rail and twin back rails echo the bent laths fitted to the Oak Room balcony and also used on the dresser. All chairs repaired and re-rushed 1985. The Ingram Street Tea Rooms were purchased by Glasgow Corporation in 1951 for £25,000 and were then rented out as various shops and warehouses.
