Riverside composition. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
View on the Thames. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
An Effect after a Storm/Transient Effect
Two landscape studies. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Studies of cottages and part of Caernarvon Castle, North Wales. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Bridge and pollard willows. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Four studies; three of cottages, one of river with cathedral in background. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
View on the Thames near Chertsey. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
View of Caernarvon, North Wales. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Cottage near North fleet, Kent/Lane at Edgbaston near Birmingham
Two landscapes with cottages. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Dolbadden Tower, Llanberis Lake, North Wales/Pont Abber Glas Lyn, North Wales
Two landscapes. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
View of part of Battle Abbey, Sussex
View of Battle Abbey with sheep grazing in foreground. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Shepherd and sheep. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Morning at Eton College. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Study of river valley. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Landscape with farmhouse. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Study of Aston Hall, near Birmingham. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Hampton in Arden, Warwickshire
Study of farm buildings with church tower in background. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Stained glass cartoon (with angels)
Design for two angels.
Bell, Robert Anning
Stained glass cartoon (with angels)
Design for four angels. Inscribed, 'Forgive them for... know not what they...' Fragment of larger design, now lost.
Bell, Robert Anning
Stained glass cartoon for the church of St Mark's, Southport
Design for an angel. Identified as the right side angel at the tracery above the altarpiece six light window depicting the nativity.
Bell, Robert Anning
Stained glass cartoon (with angels)
Design of four angels playing musical instruments and a crown.
Bell, Robert Anning
Stained glass cartoon (with angels)
Design of four angels playing musical instruments, a crown and stars.
Bell, Robert Anning
Stained glass cartoon (with angels)
Design for two angels and a dove.
Bell, Robert Anning
Stained glass cartoon for St Mark's Church, Southport
The design depicts the Blessed Virgin Mary on the left side and a young boy (Hartley?) on the right. Design is for the lower section of a window in St Mark's, Southport; dedicated to the memory of Sir William Pickles Hartley of the Primitive Methodist Movement. Inscribed: 'What doth the Lord require of thee but to do justly and to love mercy and to walk humbly with thy God?'.
Bell, Robert Anning
Stained glass cartoon (with angels)
Design for two angels.
Bell, Robert Anning
Stained glass cartoon (abstract pattern)
Patterned design. Inscribed: 'No.3 Aisle' (pc, t.r).
Bell, Robert Anning
Landscape under snow. Possibly near Pinwherry, Ayrshire.
Alison, Henry Young
Large bunch of flower in square glass vase, small red bowl to right.
Anderson, Daisy McGlashan
Landscape with cottage.
Raeburn, Agnes
Breaking waves, with rock formation to the foreground.
Alison, Henry Young
Vase of flowers, with model ship
Still life of flowers in vase, with model ship in left foreground.
Anderson, Daisy McGlashan
Portrait study of bearded man.
Herbert, Joanna Lethem
Sandy shoreline with headland in distance.
Alison, Henry Young
Alison, Henry Young
Landscape with doves.
Raeburn, Agnes
Alison, Henry Young
Landscape under snow. Possibly near Pinwherry, Ayrshire.
Alison, Henry Young
Study of trees.
Alison, Henry Young
Bunches of fruit on tree.
Anderson, Daisy McGlashan
Two roses in wine glass, one rose in glass bottle, dog ornament.
Anderson, Daisy McGlashan
Unfinished study, with pencil 'squared-off' under-drawing. Small watercolour detail in foreground.
Anderson, Daisy McGlashan
Cluster of summer flowers, in circular format.
Anderson, Daisy McGlashan
White roses in a blue and white bowl resting on round mirror.
Anderson, Daisy McGlashan
Composition of yellow roses against black background.
Anderson, Daisy McGlashan
Landscape, trees to middle and background cottage at far right-hand side.
Anderson, William Smith
Flower study.
Anderson, Daisy McGlashan
Study of red and white lilies and bluebells.
Anderson, Daisy McGlashan
Flower composition.
Anderson, Daisy McGlashan
Vase of white roses, with classical statue behind.
Anderson, Daisy McGlashan
Study of bunch of daffodils.
Anderson, Daisy McGlashan