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Collograph used in the making of 'A Periodical', NMC/1933A. Collographs were made, then scanned and colour added in Photoshop.

Collograph used in the making of 'A Periodical', NMC/1933A. Collographs were made, then scanned and colour added in Photoshop.

Short white spice jar with gold lid. Blue and black transfer designs. Labelled 'Ginger' in black towards the top. Has 2 relief bands of circles around the jar.

Green book with a handwritten label saying Pattern Making. It has 24 double page spreads:

1. Title page, with Pattern Making written on the right-hand page and two lines of potato-cut printed patterns across the top and bottom of both pages.

2. Double-page spread with Introduction on written on the right-hand page and four photographs on the left-hand page of a baskets, fabric, a drinking glass, and a pot.

3. Two pages with Elements of Design written on the right-hand page and examples of 10 patterns across both pages.

4. Two pages with Techniques and Materials on written on the right-hand page and information about potato cut, lino cut, and stencils.

5. Double-page spread with Octagon Network written on the right-hand page and examples of different patterns across both pages.

6. Double-page spread with Diamond Network written on the right-hand page and examples of different patterns across both pages.

7. Double-page spread with Stripe Patterns written on the right-hand page and examples of different patterns across both pages.

8. Double-page spread with Oval Network written on the right-hand page and examples of different patterns across both pages.

9. Double-page spread with Square Network written on the right-hand page and examples of different patterns across both pages.

10. Double-page spread with Brick Network written on the right-hand page and examples of different patterns across both pages.

11. Double-page spread with Half-drop Network written on the right-hand page and examples of different patterns across both pages.

12. Double-page spread with Lozenge Network written on the right-hand page and examples of different patterns across both pages.

13. Double-page spread with Ogee Network written on the right-hand page and examples of different patterns across both pages.

14. Double-page spread with Circle Network written on the right-hand page and examples of different patterns across both pages.

15. Double-page spread with Hexagon Network written on the right-hand page and examples of different patterns across both pages.

16. Double-page spread with Composite Network written on the right-hand page and examples of different patterns across both pages.

17. Double-page spread with Lino Cuts written on the right-hand page and three coloured images printed from lino cuts: one of two women dancing; and two of a horse and a tree which is printed in different colours.

18. Double-page spread with Stencils written on the right-hand page and four stencilled coloured images: two patterns; a plant; and repeated stags.

19. Double-page spread with Free Brush Patterns written on the right-hand page and examples of different patterns across both pages.

20. Double-page spread with Oval Network written on the right-hand page and examples of different patterns across both pages.

21. Double-page spread with Ideas may come from anything… written on the right-hand page and examples such as a photograph of flats and a pattern and the words ‘…fabric design from pattern of windows…’; another of a design from a woven chair back; ‘….idea for a garden urn….’ and ‘…bottled fruit and carrots inspire a design….’

22. Continued double-page spread from previous pages with examples. ‘…pattern evolved from modern spoons…’ and ‘… textile design based on ceramic decoration…’

23. Double-page spread with Hexagon Network written on the right-hand page and examples of different patterns across both pages.

24. Double-page spread with Composite Network written on the right-hand page and examples of different patterns across both pages.

This poster advertised the Interior Design course offered at The Glasgow School Of Art. The poster details the structure of the course and the vocational opportunities that could be gained with a degree in Interior Design. The poster also stipulates the entry requirements for the course. These were a minimum of 5 SCE passes or 3 at Higher grade, or 5 GCE passes, 2 at A level. It was mandatory that two of the subjects passed were Art and English.

This poster advertised the undergraduate BA Honours in Product Design course offered at The Glasgow School of Art. The back of the poster answers a number of questions potential applicants might have had, including: Why Glasgow? Why Glasgow School of Art? What are the aims of the course? Will it appeal to me? What are the career prospects? How can I apply? What entrance qualifications do I need? The front of the poster states "There has never been a greater need for product design graduates to take up their crucial role in guiding the future prosperity of society, commerce and culture. The Department of Product Design at Glasgow School of Art is well placed to answer this exciting challenge, offering a rich programme which has earned an international reputation for producing versatile, creative designers."

This poster advertised an exhibition held in Milan in 1984 which showcased design work by students from The Glasgow School Of Art. The exhibition was held in collaboration with Cassina, a world renowned Italian manufacturing company that often reproduce famous design pieces including Mackintosh furniture. The exhibition included ceramics, embroidery, furniture design, industrial products, graphic design, illustration, silversmithing and jewellery. It took place under the patronage of the British Consulate General in Milan and was also supported by a number of other bodies including The British Council, Sir Hugh Fraser, IBM, Clydesdale Bank PLC, Radio Clyde, Wm Teacher and Sons Ltd, Scottish Development agency, MS Macfarlane Trust, COF Refrigerators, Nardini Ltd and the Governors Of The Glasgow School of Art. The poster was designed by Gordon Huntly and printed by Fraser Ross and Ken Wade in the Foulis building at The Glasgow School Of Art. The reverse side catalogues a list of the exhibited items along with with the names of the designers which are listed below. Ceramics - Helen Kemp - Carol Esson - Sandra Oakes - Catriona Houston - Raymond Evangelista - Eleanor Barttleman - Mark Stanczyk - David Norman - Irene Bell - William McLaughlan - David Gray Embroidered and Woven Textiles: - Elaine Wilson - Claire Neil - Lindy Richardson - June Lillico - Fiona Knight - Karen Borland Furniture, Interior and Product Design: - Fiona Jean Paton - David Wilson - Douglas Clerk - David Robson - Helena McGuinness - Paul Anderson - Alistair Brown - Andy Park - Una Fagan - Mike Osborne - Rosalind Duncan - Jonathan Parlett - Alan Cowling - Lim Ho Guan - Marissa Parker - Alan Cowling - Jackie Park - Heather Thomson - Gareth C Hughes Graphic Design and Illustration: - Ingebjorg Smith - Alan Morrison - Alasdair Robertson - Lesley Raeside - Edward Carden - Susan Scott - Fraser Maclean - Duncan Smith - Catriona Miller - Karen Watt - Fiona McSporran - Fiona Campbell - Gregor Cox - Thomas Campbell - Don McPherson - Frank Connolly - Michael Healey - Joanna Isles - Robin Ward - Remo Avella - Linda Robertson - Kenny Mclellan - Wallace Murdoch - Caroline Parerson - Stephanie Roberts - Sandy Christie - Shirley Clark - Melanie Robertson Silversmithing and Jewellery: - James McDougall - Helen Marriot - Shiela McDonald - Linda McCafferty - Alison Welsh - Mary Thomson - Roger Drew - Keryn Evelyn - Euan Smith - Irene Halliday - Elizabeth Halston - Gillian Simon