Cup from tea service (Version 3)
- NMC/0233I/v3
- Part
- c1915
306 results with digital objects Show results with digital objects
Cup from tea service (Version 3)
Cup from tea service (Version 3)
Cup from tea service (Version 4)
Cup from tea service (Version 5)
Ceramic blank with handpainted gold decorative band. Enamel is wearing off which could be due to poor firing or could have not been fired at all. Signed "June Wilson 161, 1st year, (Patent applied for)" verso.
Wilson, June
Ceramic grey, round domed pot with a wide hole. "Pickard" handwritten on the bottom.
Pickard, Baajie
Polychrome glazed earthernware salt pot, painted with a band of stylised flowers. Initials "JMK", rabbit image, and hatch pattern on the bottom.
King, Jessie Marion
Earthenware salt pot (Version 1)
Earthenware salt pot (Version 2)
Earthenware salt pot (Version 3)
Earthenware salt pot (Version 4)
Glazed ceramic egg cup with wide base. Turquoise glaze on inside and brown glaze on outside of egg cup. Brown and black glaze on base with band of tan, raised balls of clay. Engraved marking on bottom - "ST" (creator's initials) and another marking of a circle with an X over it (maker's mark).
Thomson, Robert Sinclair
Egg cup with wide base (Version 1)
Egg cup with wide base (Version 2)
Glasgow School of Art commemorative plate
Ceramic blank decorated with pink image of north-west façade of The Glasgow School of Art. "Wedgwood of Etruria & Barlaston - A - Made in England" stamped on verso.
*Not available / given
Glasgow School of Art commemorative plate (Version 1)
Glasgow School of Art commemorative plate (Version 2)
Colourful hand-painted design of four Pompadour style women and peacocks on ceramic blank. Signed "Masie McKinna 1/6/22" verso. Purchased from eBay in used condition.
McKinna, Masie
Hand painted ceramic plate (Version 1)
Hand painted ceramic plate (Version 2)
'Control': 1 of a set of 5 ceramic pots, wheel thrown with hand-built adjustments.
Artist statement: "Hostile architecture is a phenomenon with rase rise significantly throughout urban design this century. A widely recognised example of this type of design is the 'uncomfortable bench'. Interventions of this kind are now familiar, and can even be a cause of comfort to privileged audiences, but it is important to consider their sociological effects. We have replaced human interaction, nuance and empathy with hard, physical and non-negotiable solutions. Identifying five core aspects of hostile urban design - limit, control, obstruct, impede and deter - I have developed a series of ceramic cups which each embody one of these qualities."
Source: https://drive.google.com/file/d/1Pe53s2N6laNXHxxQ-RrjA5cjvuFNeUPC/view
Gray, Arvinda
'Deter': 1 of a set of 5 ceramic pots, wheel thrown with hand-built adjustments.
Artist statement: "Hostile architecture is a phenomenon with rase rise significantly throughout urban design this century. A widely recognised example of this type of design is the 'uncomfortable bench'. Interventions of this kind are now familiar, and can even be a cause of comfort to privileged audiences, but it is important to consider their sociological effects. We have replaced human interaction, nuance and empathy with hard, physical and non-negotiable solutions. Identifying five core aspects of hostile urban design - limit, control, obstruct, impede and deter - I have developed a series of ceramic cups which each embody one of these qualities."
Source: https://drive.google.com/file/d/1Pe53s2N6laNXHxxQ-RrjA5cjvuFNeUPC/view
Gray, Arvinda
'Impede': 1 of a set of 5 ceramic pots, wheel thrown with hand-built adjustments.
Artist statement: "Hostile architecture is a phenomenon with rase rise significantly throughout urban design this century. A widely recognised example of this type of design is the 'uncomfortable bench'. Interventions of this kind are now familiar, and can even be a cause of comfort to privileged audiences, but it is important to consider their sociological effects. We have replaced human interaction, nuance and empathy with hard, physical and non-negotiable solutions. Identifying five core aspects of hostile urban design - limit, control, obstruct, impede and deter - I have developed a series of ceramic cups which each embody one of these qualities."
Source: https://drive.google.com/file/d/1Pe53s2N6laNXHxxQ-RrjA5cjvuFNeUPC/view
Gray, Arvinda
'Limit': 1 of a set of 5 ceramic pots, wheel thrown with hand-built adjustments.
Artist statement: "Hostile architecture is a phenomenon with rase rise significantly throughout urban design this century. A widely recognised example of this type of design is the 'uncomfortable bench'. Interventions of this kind are now familiar, and can even be a cause of comfort to privileged audiences, but it is important to consider their sociological effects. We have replaced human interaction, nuance and empathy with hard, physical and non-negotiable solutions. Identifying five core aspects of hostile urban design - limit, control, obstruct, impede and deter - I have developed a series of ceramic cups which each embody one of these qualities."
Source: https://drive.google.com/file/d/1Pe53s2N6laNXHxxQ-RrjA5cjvuFNeUPC/view
Gray, Arvinda
'Obstruct': 1 of a set of 5 ceramic pots, wheel thrown with hand-built adjustments.
Artist statement: "Hostile architecture is a phenomenon with rase rise significantly throughout urban design this century. A widely recognised example of this type of design is the 'uncomfortable bench'. Interventions of this kind are now familiar, and can even be a cause of comfort to privileged audiences, but it is important to consider their sociological effects. We have replaced human interaction, nuance and empathy with hard, physical and non-negotiable solutions. Identifying five core aspects of hostile urban design - limit, control, obstruct, impede and deter - I have developed a series of ceramic cups which each embody one of these qualities."
Source: https://drive.google.com/file/d/1Pe53s2N6laNXHxxQ-RrjA5cjvuFNeUPC/view
Gray, Arvinda
Part of Mary Ramsay artworks
A variety of illustrations and designs completed by Mary Ramsay. Most of these items are undated, though one bears a label referring to Ramsay's studies during the 1915-1916 session at The Glasgow School of Art. These items include pencil and paint on paper.
Ramsay, Mary
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Includes John Holmes Gray's Travel Report.
Gray, Holmes
This item suffered significant damage in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. It was salvaged and has undergone conservation and consolidation work. Round white storage jar with lid. Tan, green, and black transfer desgin on jar with 'Currants' in black near the centre. Thin gold band on the bottom. Lid is white with a gold band.
Stewart, Robert
Kitchen store jar - currants (Version 1)
Kitchen store jar - currants (Version 2)
Kitchen store jar - currants (Version 3)
Kitchen store jar - currants (Version 4)
Kitchen store jar - currants (Version 5)
Round white storage jar with lid. Gold/tan, blue, and black transfer design. Labelled 'Lentils' in black at centre. Metallic gold band across lid and bottom of jar.
Stewart, Robert
Round kitchen store jar with a white bottom complete with yellow, black, and grey transfer designs. Top half is gold. Labelled 'FLOUR' in black towards the center. Lid is white with some gold. Has 2 relief bands of gold circles.
Stewart, Robert
Kitchen store jar: flour (Version 2)
Kitchen store jar: flour (Version 3)
Kitchen store jar: flour (Version 4)
Large beige glazed vase. About half of the body, the bottom, and a band around the neck are tan. Neck is long and has an uneven, almost oval shape. 'NMC 606' handwritten on bottom. 'Stewart' - artist's signature - is incsied on the bottom.
Stewart, Fergus