'Drawn Fabric Work' fold-out booklet (Version 2)
- DC 112/1/14/v2
- Part
- c1950s-1970s
Part of Papers of Mary Mackie
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'Drawn Fabric Work' fold-out booklet (Version 2)
Part of Papers of Mary Mackie
'Drawn Thread Work' fold-out booklet
Part of Papers of Mary Mackie
Yellow folder labelled Drawn Thread Work containing a handwritten explanation of the technique and the materials and a sample with a central square and a border.
Mackie, Mary
'Drawn Thread Work' fold-out booklet (Version 1)
Part of Papers of Mary Mackie
'Drawn Thread Work' fold-out booklet (Version 2)
Part of Papers of Mary Mackie
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Canvas padded and attached to wooden frame. Design of squares containing stylised flowers. Yellow, red, blue and grey with navy edging.
*Not available / given
Early Canvas Work Seat (Version 1)
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
*Not available / given
Part of Records and textiles of the Needlework Development Scheme
Indian. Rust cotton background tie-dyed deep brown and embroidered with geometric design. Cotton and silk embroidery in subtle colour scheme.
*Not available / given
Embroidered Border (Version 1)
Part of Records and textiles of the Needlework Development Scheme
Embroidered Border (Version 2)
Part of Records and textiles of the Needlework Development Scheme
Embroidered Border (Version 3)
Part of Records and textiles of the Needlework Development Scheme
Embroidered collage of Eaglesham
The piece is a depiction of Eaglesham with trees in the foreground and houses in the background.
Whyte, Helen Kathleen R
Embroidered dress with belt, designed, worked and owned by Daisy Anderson (Daisy Agnes McGlashan).
McGlashan, Daisy Agnes
Embroidered empty visitor's book
Part of Papers and textiles of Sheena Reid (nee Robertson), student at The Glasgow School of Art, 1950s
Orange textile cover of a visitor's book with black and white embroidery and purple cylindrical beads. Verso includes two cats and a porcupine and the words "Visitor's book" on the front. "Bushey sketch book" and "C. Robertson & Co. Ltd." company sticker on the inside of the front cover. Rest of the book is empty white pages of paper.
Reid, Sheena
Embroidered empty visitor's book (Version 1)
Part of Papers and textiles of Sheena Reid (nee Robertson), student at The Glasgow School of Art, 1950s
Orange textile cover of a visitor's book with black and white embroidery and purple cylindrical beads. Verso includes two cats and a porcupine and the words "Visitor's book" on the front. "Bushey sketch book" and "C. Robertson & Co. Ltd." company sticker on the inside of the front cover. Rest of the book is empty white pages of paper.
Reid, Sheena
Embroidered empty visitor's book (Version 2)
Part of Papers and textiles of Sheena Reid (nee Robertson), student at The Glasgow School of Art, 1950s
Orange textile cover of a visitor's book with black and white embroidery and purple cylindrical beads. Verso includes two cats and a porcupine and the words "Visitor's book" on the front. "Bushey sketch book" and "C. Robertson & Co. Ltd." company sticker on the inside of the front cover. Rest of the book is empty white pages of paper.
Reid, Sheena
Embroidered empty visitor's book (Version 3)
Part of Papers and textiles of Sheena Reid (nee Robertson), student at The Glasgow School of Art, 1950s
Orange textile cover of a visitor's book with black and white embroidery and purple cylindrical beads. Verso includes two cats and a porcupine and the words "Visitor's book" on the front. "Bushey sketch book" and "C. Robertson & Co. Ltd." company sticker on the inside of the front cover. Rest of the book is empty white pages of paper.
Reid, Sheena
Banner design drawn on linen with pencil before stitching. It is attached to a calico lining which is stitched to the top of the hanging. It was designed by Walter Crane and worked by his wife Mary Frances Crane. The motto on banner reads: "Qui corvus pascit pascere potest grues" (He who feeds the raven will be able to feed the crane). The design of the panel is possibly that of Thomas Crane, Walter Crane's father.
Crane, Walter
Embroidered hanging (Version 1)
Embroidered hanging (Version 2)
Similar panels appear in Mackintosh's drawings of the east wall of the principal bedroom at The Hill House although it is not certain when they were installed there as early photographs taken in 1904 do not show them. The panels appear to be duplicates of those shown at the Vienna Secession exhibition in 1900 and bought by Emil Blumenfelt; at least one of these (listed as a 'bed curtain') was lent by Blumenfelt to the Turin exhibition in 1902 - although it lacks the lower section of black silk seen on The Hill House panels.
Mackintosh, Margaret Macdonald
Similar panels appear in Mackintosh's drawings of the east wall of the principal bedroom at The Hill House although it is not certain when they were installed there as early photographs taken in 1904 do not show them. The panels appear to be duplicates of those shown at the Vienna Secession exhibition in 1900 and bought by Emil Blumenfelt; at least one of these (listed as a 'bed curtain') was lent by Blumenfelt to the Turin exhibition in 1902 - although it lacks the lower section of black silk seen on The Hill House panels.
Mackintosh, Margaret Macdonald
Embroidered panel on silk, framed
McCormick, Catherine McGregor
Embroidered Sample, 'Tree Garden'
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Sampler worked on loosely woven cream cotton and wool material. Abstract garden design with large loose straight stitches in variety of yarn types. Shades of green, brown, cream and orange.
*Not available / given
Embroidered Sample, 'Tree Garden' (Version 1)
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
*Not available / given
Embroidered Sample, 'Tree Garden' (Version 2)
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
*Not available / given
Embroidered velvet in mauve and pink silks. Thought to be by Ann Macbeth.
*Not available / given
Embroidered trim/choker (Version 1)
Embroidered trim/choker (Version 2)
Orange silk velvet yoke/collar featuring a number of needlework techniques in silk thread worked by a student of The Glasgow School of Art, possibly under Ann Macbeth.
Embroidered yoke/collar (Version 1)
Embroidered yoke/collar (Version 2)
Three pale blue silk backed embroideries, stitched in shades of blue and lemon silk through an acetate paper surface layer.
Wells, Kate Hobson
Applique and embroidery in blue and yellow, with silk deliberately frayed to suggest feathers.
Wells, Kate Hobson
Embroidery and applique wing design in shades of blue, green, orange and yellow on a brown ground in a cream card mount.
Wells, Kate Hobson
Brown, red, blue and gold coloured thread embroidered on a white cotton ground, with white wool part knitted, part caught down with thread. Red edged and mounted in white card.
Wells, Kate Hobson
Padded and embroidered ice-cream cone design in shades of cream and yellow on a cream background with painted colour. Cream card mount.
Wells, Kate Hobson
Abstract floral design in shades of orange, cream, and purple threads on mustard silk organza. Mounted in cream card.
Wells, Kate Hobson
Wooden and glass display case containing examples of embroidery. Labelled on reverse "Embroidery C - black and pink"
Arthur, Anne Knox
Embroidery display (Version 1)
Embroidery display (Version 2)
Part of Papers of Mary Mackie
Small blue card folder with the hand-label 'Embroidery'. It contains a handwritten explanation of the technique and materials, the pattern design for nine squares in pen and ink on graph paper, and the worked textile in blue, white, red, black and green.
Mackie, Mary
'Embroidery' fold-out booklet (Version 1)
Part of Papers of Mary Mackie
'Embroidery' fold-out booklet (Version 2)
Part of Papers of Mary Mackie
Part of Papers and Textiles of Veronica Matthew, student at The Glasgow School of Art, 1950s
Embroidery sampler on blue/grey linen with green, white, orange, and gold wool
Matthew, Veronica
Part of Papers and Textiles of Veronica Matthew, student at The Glasgow School of Art, 1950s
Embroidery sampler on cream linen with pink, black, white, and gold wool
Matthew, Veronica
Embroidery sampler (Version 1)
Part of Papers and Textiles of Veronica Matthew, student at The Glasgow School of Art, 1950s
Embroidery sampler (Version 1)
Part of Papers and Textiles of Veronica Matthew, student at The Glasgow School of Art, 1950s
Embroidery sampler (Version 2)
Part of Papers and Textiles of Veronica Matthew, student at The Glasgow School of Art, 1950s
Embroidery sampler (Version 2)
Part of Papers and Textiles of Veronica Matthew, student at The Glasgow School of Art, 1950s
Part of Papers of Mary Mackie
A blue card folder with a flap folded over from the top edge. Handwritten label which says 'Embroidery samples'. It contains:
Mackie, Mary