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Glasgow, Scotland
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Glasgow School of Art: Architectural details

Free hand sketch showing the stonework and railings detail. "This detail is similar to one used in the Scotland Street School which helps to reduce the effects of the wall being a barrier between the building and the onlooker".

Platt, Christopher

Royal Exchange Square

Free hand sketch showing some architectural details of Royal Exchange Square and describing the public circulation as:

  • Arch much grander and seemingly larger than other side,
  • View through Arch very exciting due to different colours of stones, some are greenery,
  • Buildings facing definite traffic route visible (Buchanan St.) where people are seen walking one way and the other unlike on this side of Arch where several roads meet and there is random movement.

Platt, Christopher

Evergreen Club: Plan & sections

Detail drawings on tracing paper for project 2 Evergreen Club. Plan and sections all in scale of 1:100. The floor plan shows room types, dimensions and furniture. Sections aa, bb, cc are all in details and include height dimensions, construction materials, and heating methods. Human figures are included to bring drawings to life. The design includes some facilities for disabled people.

Platt, Christopher

Evergreen Club: Section CC

Detail drawings on tracing paper for project 2 Evergreen Club section cc in scale of 1:20. Human figures and furniture are included to bring drawing to life. The design shows all the construction materials and details including:

  • Floor materials and construction method
  • Foundations
  • Roof materials and construction method
  • External and internal wall materials and construction method including windows openings
  • Heating system

Platt, Christopher

Sports council headquarters: Ground floor plan

Architectural drawing of the ground floor plan on tracing paper in scale 1:100 with free hand sketches in scale 1:200, showing the design of a sports council headquarters building in its final design stage. The ground floor consists of: sporting exhibition audio and visual displays, cafeteria, main entrance with vertical circulation, sports hall, and other services.

Platt, Christopher

Sports council headquarters: Large rolled sheet

Architectural drawing on a large rolled tracing paper including site plan, cross section, axonometric, and hinged elevational projection. The site plan is 1:500 showing the location of the new building and its position on the corner of the site. The cross section is in scale 1:100 showing the main functions for each floor and their connections to the outdoors through opened balconies. It also shows the main structural system. There are some spaces with double volume and looking down to the floor below. This large rolled sheet also includes a hinged elevational projection in scale 1:100, which is drawn as a panorama presenting the new building elevation and its position in the point of the existing buildings on Clyde Street and Bridgegate Street. It shows the contrast between the design traditional style of the existing building with their rich architectural details against the modern style design of the new building.

Platt, Christopher

Sports council headquarters: Design report

Studio design report related to a project to design a sports council headquarters. It is in a comb binding form, handwritten, and including information about design criteria like: zoning, structure, circulation and other strategic design criteria. It consists of 29 pages, some with free hand sketches.

Platt, Christopher

The Third Eye Centre: A side project

Architectural drawings on rolled greaseproof sheets to study the design of The Third Eye Centre in Glasgow as a side project which had been directed by the tutor of the third full-time year course. It consists of two sheets, a large rolled sheet, and a small rolled one. Greaseproof sheet has been used due to its cheap cost, stated by the architect.

Platt, Christopher

The Third Eye Centre: Large rolled sheet

Architectural drawings on a large rolled greaseproof sheet to study the design of The Third Eye Centre in Glasgow as a side project which is directed by the tutor of the third full-time year course. This large rolled sheet consists of the architectural drawing of the building's ground floor plan in scale 1:100 showing its main functional spaces. It also consists of an enlarged part of the ground floor taken from the front side of the building with its upper floor plan, both in scale 1:50. This sheet also includes a sectional perspective in scale 1:20 taken from cash desk booking focal point looking towards its both sides to upstairs floor. This drawing consists of several human figures with humourous comments to give a sense of the real life of this social space. The rolled sheet also includes a coloured drawing of the front façade in scale 1:20, where the architect coloured this drawing from the back of the sheet.

Platt, Christopher

Sociology essay

Material related to an essay submitted as part of sociology course in the form of comb binding with 15 handwritten pages. This paper studied the social life of people in the industrial era in the 19th and early 20th century from some of cities and towns across Britain. It addresses the development of both urban and suburban design associated with the style of massive house building programmes that accommodated immigrant factory employees.

Platt, Christopher

Housing design/Project 1: Third floor plan, and Fourth floor plan

Architectural drawing on tracing paper related to the design of Project 1 including the third floor plan and fourth floor plan in scale 1:100. It shows the design of the third floor plan indicating the functional spaces for three flats. Each flat has: 2 bedrooms, kitchen, living & dining room, 2 bathrooms, storage, and balcony. The areas of these flats are smaller than the second floor. It also shows the design of the fourth floor plan which has three flats with the same number of spaces but with areas that are smaller than the third floor flats.

Platt, Christopher

Housing design/Project 1: North elevation, and Long section

Architectural drawings on tracing paper related to the design of Project 1 including north elevation in scale 1:200, and long section in scale 1:100. The north elevation shows the design of the main building mass, height, and external materials. The long section shows the floors' main structural elements: floors, slabs, and staircase. These drawings have no indication of the types of materials used.

Platt, Christopher

Housing design/Project 1: South elevation, and Isometric

Architectural drawing on tracing paper related to the design of Project 1 including south elevation in scale 1:200, and an isometric in scale 1:100. the design of the south elevation presents the main building mass, height, and external materials. These drawings have no indication of the types of materials used, however it gives the outline of the main design concept. It also shows how the building fits with the surroundings landscape. The isometric shows the building in its three dimensional view representing the final shape of the building.

Platt, Christopher

Material related to Housing design/Project 2: Block no.2: corner pub, ground floor (lower level)

Architectural drawing on tracing paper related to Housing design project 2 representing block 2 corner pub ground floor plan (lower level) in scale 1:200. The block's layout takes a triangle shape. The pub fills one of the triangle corner with different window styles. Flats are located along the block's outer sides surrounding an inner courtyard, with flats indicated: 3P, 2P, 1P, and 5P. There are two main entrances to the courtyard which consists of cars parking, closed gardens for the ground flats, and children's play area.

Platt, Christopher

Material related to Housing design/Project 2: Block no.2: corner pub, interior south elevation & cross section

Architectural drawing on tracing paper related to Housing design/project 2 represents block 2 corner pub interior south elevation and cross section in scale 1:200. The elevation show the building façade elements from the inner courtyard. This drawing gives a clear image of the site typology that affected the continuity of the block's floors plan levels and reflects that on the skyline of the building across the block. There is no indication of the finishing materials nor the height of the buildings.

Platt, Christopher

Material related to Housing design/Project 2: Block no.2: Raeberry St., Internal court & Cross section

Architectural drawing on tracing paper related to Housing design/project 2 represents block 2 'corner pub' elevation facing Raeberry St., internal court elevation, and cross section in scale 1:200. The cross section shows the differences in the site's levels and how the ground topography affects the design of the main entrances to the courtyard. This section shows the ratio of the building height to the opened space span. The architect used colour on part of the elevation to give an idea of the final look of the building facades.

Platt, Christopher

Material related to Housing design/Project 2: Block 4P and P2: 3rd/4th plan, and section

Architectural details drawing on tracing paper related to Housing design/project 2 represents Block 4P and its connection with P2 through the third and forth floor plans all in scale 1:50. The third floor has four symmetrical flats. The main entrance to Flat 4P leads to two bedrooms and a staircase to the upper floor which consists an open living room/dining room with an open kitchen and two bathrooms. The cross section shows the main structural elements of the building construction system. On the fourth plan the roof of flat 4P appears with its skylight windows.

Platt, Christopher

Material related to Housing design/Project 2: Block 4P: Street elevation south, and Court elevation north

Architectural details drawing on tracing paper related to Housing design/project 2 represents Block 4P and 2P elevations in scale 1:50. Both the street and the court elevations are in coloured rendering to identify finishing materials used. The facades are designed to reflect the floor plans and their interior spaces. The elevations are in the same traditional style of most residential buildings in the city.

Platt, Christopher

Strathclyde University's new graduation hall: Upper floor plan, and basement

Architectural drawing on tracing paper consisting of the upper floor plan and the basement floor plan, scale 1:200, of a new graduation hall at the University of Strathclyde. The upper plan design shows: the upper lounge looking down to the main hall with its double volume, the organ's position, the cleaner's store, vertical circulation, and other services. It also shows the upper plan of the external lecture theatre which consists of the upper display space and the project's position. The main structural system is based on cylinder columns supporting the roof, while the basement floor plan includes the plant room, exhibition storage chamber and other services. It also shows the connection between the hall basement and the cooling fountain.

Platt, Christopher

Graduation hall for Strathclyde University: Entrance elevation

Architectural drawing on tracing paper showing part of the entrance elevation, in scale 1:50, from the left hand side of the graduation hall for Strathclyde University. For presentation purposes, this sheet has been drawn to be attached to the next item to complete the elevation/section panorama. The enlarged scale allows the architect to create as much architectural details within the entrance elevation as this design stage presents the technical study. This drawing comes with no materials indicated.

Platt, Christopher

Graduation hall for Strathclyde University: Upper lounge & Gallery corner

Architectural drawing on tracing paper showing part of an enlarged plan, in scale 1:50, from the upper lounge and gallery corner of the graduation hall for Strathclyde University, where the cross section in the previous item has been taken. For presentation purposes, this sheet has been drawn to be attached below the item on the right hand side to complete the whole presentation panorama. The enlarged scale allows the architect to create as much architectural details of the structural elements and construction system. This drawing comes with no materials indicated.
This sheet also includes the upper part of the enlarged section which will present the fifth item of the lower part on the left hand side of this whole panorama.

Platt, Christopher

A Roman catholic seminary & chaplaincy for Glasgow University: First floor

Architectural drawing on tracing paper showing the first floor plan in scale 1:100, in which all the functional spaces have been identified with coded numbers, then addressed their titles, as below:
1 Wellington church, 2 terrace, 3 chaplaincy entrance, 4 foyer / exhibition, 5 lounge, 6 chaplain's bedroom, 7 counselling, 8 entrance gallery, 9 chaplaincy reading, 10 seminary reading, 11 library, 12 manuscript display, librarian, 14 rector, 15 secretary, 16 dining, 17 servery, 18 kitchen, 19 priest's lounge, 20 priest's living / study, and priest's bedroom.

Platt, Christopher

A Roman catholic seminary & chaplaincy for Glasgow University: SE elevation to Oakfield Avenue, and long section

Architectural drawing on tracing paper showing the south east elevation to Oakfield Avenue in scale 1:100, in which the external columns defining the main entrance and supporting the pitch roofing for both sides. All the architectural details for windows sills, column crowns, and other roof stone details are shown as well. This sheet also includes the long section in scale 1:100. Both drawings are to be completed with the next item. There is an outline plan in scale 1:1000 to identify where the long section has been taken.

Platt, Christopher

A Roman catholic seminary & chaplaincy for Glasgow University: Cross section

Architectural drawing on tracing paper includes a cross section through the courtyard, in scale 1:100, showing the height of the indoor spaces. It also shows the inner façade of the rear side of the new building, which refers to the modern style of the architectural movement at the time of designing this project. There is an outline plan, scale 1:1000, indicating where this cross section has been taken. This cross section comes with coloured finishing.

Platt, Christopher

A Roman catholic seminary & chaplaincy for Glasgow University: NE elevation to Gibson Street

Architectural drawing on tracing paper includes the north east elevation to Gibson Street, in scale 1:100, showing the the first part of this elevation, which to be attached within the next item from right hand side complete the whole elevation. The design reflects the modern style of the architectural movement at the time of designing this project. This elevation comes with mono-colour (black and white) finishing.

Platt, Christopher

Wellington Street U.P. Church: Block plan

A copy of an architectural drawing on sheet paper related to the thesis project showing a block plan of the Wellington Church. This material is a copy from an official document related to a "Proposed new buildings Hillhead". There is a signature of T L Watson, Thomas Lennox Watson, the architect who designed this church dated Oct. 1882, Glasgow. This material has been used by the architect in the stage of the pre-design analysis study of the thesis project. It originally comes from "Strathclyde Regional Archives" with reference of: H/HIL/1882/152.

Platt, Christopher

Wellington Street U.P. Church: Section on the line

A copy of an architectural drawing on sheet paper related to the thesis project showing section on the line of the Wellington Church. This material is a copy from an official document related to a "Proposed new buildings Hillhead". There is a signature of T L Watson, Thomas Lennox Watson, the architect who designed this church dated on Oct. 1882, Glasgow. This material has been used by the architect in the stage of the pre-design analysis study of the thesis project. It originally comes from "Strathclyde Regional Archives" with reference of: H/HIL/1882/152.

Platt, Christopher

Wellington Street U.P. Church: Section on the line

A copy of an architectural drawing on sheet paper related to the thesis project showing a section on the line of the Wellington Church. Although this material has no reference, it comes from the same official document that related to a "Proposed new buildings Hillhead" designed by Thomas Lennox Watson. It is in a small size (seems like it has been cut from a large sheet).

Platt, Christopher

Wellington Street U.P. Church: South elevation

A copy of an architectural drawing on sheet paper related to the thesis project showing the south elevation of the Wellington Church. It shows the architectural details of the exterior view of the building. This item has another elevation but without a title, however, they all come from the original document designed by T. L. Watson.

Platt, Christopher

Papers of Dorothy Doddrell

  • DC 094
  • Collection
  • 1910-1925

Variety of materials relating to the works of Dorothy Doddrell, including designs relating to the creation of First World War Roll of Honours; designs created by Doddrell; life drawing studies; and reference materials.

Doddrell, Dorothy Maria F

Artworks

Variety of artworks created by Dorothy Doddrell, relating to Rolls of Honour, life drawings and sketches, and other designs

Doddrell, Dorothy Maria F

Pettigrew & Stephens Ltd. brochure (Page 1)

Brochure for Pettigrew & Stephens Ltd. Monogram in lower right corner of cover page attributes the design and execution to Dorothy Doddrell. Advertisements contained inside and on the back cover date the brochure to the 1919-20 season.

Doddrell, Dorothy Maria F

Poster for 'A Craft Exhibition of Patchwork Quilts by Alice Barnes', Glasgow

Poster for 'A Craft Exhibition of Patchwork Quilts by Alice Barnes', Third Eye Centre, Glasgow. The date of the exhibition is 18 Jan-17 Feb, no year is given on the poster but it is understood to be 1980 based on the sources below.

Sources: https://reader.exacteditions.com/issues/40443/page/38; https://reader.exacteditions.com/issues/40443/spread/38

Not available / given

Poster for a lecture by Gus Wylie

This poster advertised a lecture given by the photographer Gus Wylie which was held in the Mackintosh Lecture Theatre on the 12th of November 1986. Wylie is known for his monochrome photography work and has taught at both University of the Arts in London and Rochester Institute of Technology in New York.

Stewart, Robert

Poster for a postgraduate fine art exhibition

This poster advertised an exhibition showcasing work by graduating postgraduate fine art students from The Glasgow School Of Art in 1990. The exhibition took place between the 23rd and the 29th of June and was held in the Mackintosh Building. It included work by Alexander Dempster, James Hamlyn, Rachael Harris, Peter McCaughey, Donna Rae, Craig Richardson, Julie Roberts, Andrew Sneddon, Edward Stewart and Catherine Whippey. The photograph on the poster was taken by John Shankie and shows the exhibiting students posing inside the elevator in the Mackintosh Building. The poster was designed at The Glasgow School Of Art and printed by David J. Clark Limited.

Shankie, John

Poster for a film screening of 'Century of the Self: Happiness Machines'

This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Grace Gallacher has designed a poster for the Adam Curtis documentary 'Century of the Self: Happiness Machines'. The poster has been created using screen printing techniques.

Gallacher, Grace

Poster for a film screening of 'Billy Liar'

This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Emily Harding has designed a poster for the John Schlesinger film 'Billy Liar'. Harding has created the poster using screen printing techniques.

Harding, Emily

Poster for an exhibition of the work of The Glasgow Girls, 1890-1930

This poster for a major exhibition of painting, decorative and applied art by the Glasgow Girls from 1890 to 1930 uses an Eleanor Allen Moore painting as the background. It was a touring exhibition by the Kirkcudbright 2000 group. Over 100 exhibits were provided by the three main Scottish collections of 'Glasgow Girls' work - Glasgow Museums, The Glasgow School of Art and the Hunterian Gallery of the University of Glasgow, and the exhibition ran from 19th Nov to 20th Dec 2010. Artists and makers represented included Annie French, Margaret Gilmour, Norah Neilson Gray, Jessie M. King, Frances and Margaret Macdonald, Jessie Newbery and many others. Several private individuals also lent significant works, many of which had never been viewed in public before. The exhibition was curated by Liz Arthur, formerly a Glasgow Museums curator, who was involved in the last major exhibition on the 'Glasgow Girls' in Glasgow 1990. She also wrote a book to co-incide with this exhibition: 'Glasgow Girls : Artists and Designers 1890-1930' (Alba Printers Ltd, 2010). The exhibition was accompanied by a series of Lunchtime Lectures.

The following additional information was provided by the creator in September 2020:

"During my third year as a Graphic Design student, my fellow student Patrick Macklin who was studying Interior Design approached me with a request for technical help in producing a poster for the “Glasgow Girls” exhibition which he had been asked to produce. As this was the era of pre-digital, creating a poster for printing was quite a specialist task and was really the domain of Graphic Designers.

The artwork began by sourcing an archive image of historical female students in Glasgow School of Art in the Mackintosh era that could be scaled up to the finished size and retain a high enough visual quality. Because the concept that we decided on would heavily reference Mackintosh, I decided to use his signature violet colour and chose the exact colour from a pantone chart, that is so heavily associated with Mackintosh to create a duotone of the archival photograph.

Once I established the finished size of the poster, I drew by hand the printers marks that would establish cropping, registration of the separated colours and alignment of the layers on a sheet of heavy CS10 board (I think I did not eat for a couple of days to afford that board!).

The next stage was to create an area that would convey the information that the poster would communicate to the viewer. As this was the pre-digital era, I had to work out all the line lengths and the subsequent point sizes and weights required for the information block at the foot of the poster using type catalogues, rulers and casting off rulers. Once this was established, I requested to the operator of the GSA’s linotype photosetting machines to print out a galley proof of the type, once I was happy with the layout and weights of the type. I chose the font from the limited range that was available to the operator, as these fonts were mastered on glass slides that would be inserted into the linotype machine and were very expensive and therefore very limited in range. I settled on Book Antiqua as it was one of the least boring of the serif font choices and was also similar to the font used by Prefab Sprout in there “Swoon” album which I had nearly worn out the grooves of by that time!

I then used traditional art materials such as Letraset, drafting film, rubalith, rotring rapidograph pens and scalpels to create the text area. I hand drafted the dashed stroke around the border of the text area to invoke Mackintosh’s distinct use of these in his work. To create harmony and visual balance, I also hand cut a further two perfect squares using a half tone letraset dot matrix on a further layer to fill the void at either end of the “Girls” line of text to make a block so reminiscent of the Japanese wood cut influence in Mackintosh’s typography without being too literal.

It was really difficult in those days to source “camera ready” artwork for the sponsors logos, as companies in those days regarded any activity outside official Design Studios with the utmost suspicion. Eventually we managed to source these and I scaled them to the correct size using an Agfa Repromaster copy camera and the dark room. All these elements were then pasted on to the CS10 backboard or drafting film layers with measurement and precision using low tack spray mount.

The finished artwork was then sent to the Printer to be screen printed. I also supplied the pantone ink numbers they were to use for the screen printing in a list.

I was lucky enough to receive (as payment for my services) a “free” copy of the poster for my portfolio which I still have today!"

Devlin, Alistair

Poster for 'Exhibition Celebrating 70 Years Fashion Show 1947-2017', Glasgow

Poster for 'Exhibition Celebrating 70 Years Fashion Show 1947-2017', Reid Building, Glasgow, 21 Mar 2017-22 Mar 2017. The exhibition celebrated 70 years of fashion shows at The Glasgow School of Art, and the fashion show that year was held whilst the exhibition was showing. The images on the poster are from the Archives & Collections.

Not available / given

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