The Magazine: Volume 3 (Page 40)
- MC/A/15/3/p40
- Part
- Nov 1894
172 results with digital objects Show results with digital objects
The Magazine: Volume 3 (Page 40)
The Magazine: Volume 3 (Page 41)
The Magazine: Volume 3 (Page 42)
The Magazine: Volume 3 (Page 43)
The Magazine: Volume 3 (Page 44)
The Magazine: Volume 3 (Page 45)
The Magazine: Volume 3 (Page 46)
The Magazine: Volume 3 (Page 47)
The Magazine: Volume 3 (Page 48)
The Magazine: Volume 3 (Page 49)
The Magazine: Volume 3 (Page 50)
The Magazine: Volume 3 (Page 51)
The Magazine: Volume 3 (Page 52)
The Magazine: Volume 3 (Page 53)
The Magazine: Volume 3 (Page 54)
The Magazine: Volume 3 (Page 55)
The Magazine: Volume 3 (Page 56)
The Magazine: Volume 3 (Page 57)
The Magazine: Volume 3 (Page 58)
The Magazine: Volume 3 (Page 59)
The Magazine: Volume 3 (Page 60)
The Magazine: Volume 3 (Page 61)
The Magazine: Volume 3 (Page 62)
The Magazine: Volume 3 (Page 63)
The Magazine: Volume 3 (Page 64)
The Magazine: Volume 3 (Page 65)
The Magazine: Volume 3 (Page 66)
The Magazine: Volume 3 (Page 67)
The Magazine: Volume 3 (Page 68)
The Magazine: Volume 3 (Page 69)
The Magazine: Volume 3 (Page 70)
There are 4 known surviving volumes: The Magazine 1893, The Magazine April 1894, The Magazine November 1894, The Magazine 1896.
The Magazine was a publication of original writings and designs by students from the Glasgow School of Art, Glasgow, Scotland, and their friends. Appearing in 4 volumes between November 1893 and Spring 1896, The Magazine contains text from contributors handwritten by Lucy Raeburn, editor, accompanied by original illustrations. These volumes are the only known copies of The Magazine. In addition to rare, early watercolours and designs by Charles Rennie Mackintosh, the volumes contain early designs by Frances MacDonald and Margaret MacDonald, at a stage in their development which has been labelled 'Spook School', and two sets of photographs by James Craig Annan, when he was beginning to establish a reputation at home and abroad. Among other contributors were Janet Aitken, Katherine Cameron, Agnes Raeburn and Jessie Keppie, all of whom enjoyed lengthy careers in art and design.
The Magazine is similar to an album amicorum such as those which originated in the middle of the 16th century among German university students, who collected autographs of their friends and notable persons, sometimes adding coats of arms and illustrations. The Magazine resembled the album amicorum in that contributions were by a close group of students and their friends and is all the more interesting because the illustrations were produced by young people who had a common social background, were trained at the same school, and subjected to the same artistic influences. The contributors were closely linked, some by family, some by romantic attachments and had close social connections. Other contributors include C Kelpie, John M Wilson, Jane Keppie, and Ethel M Goodrich. Source: Jude Burkhauser, Glasgow Girls: women in art and design (Edinburgh : Canongate, 1990).
Raeburn, Lucy
Part of Papers of Jessie Keppie, artist and student of The Glasgow School of Art, Scotland
These images show Charles Rennie Mackintosh and fellow Glasgow School of Art Students, Herbert MacNair, Frances Macdonald, Margaret Macdonald, Agnes Raeburn, Janet Aitken, Katherine Cameron and Jessie Keppie. Jessie Keppie's brother, John Keppie also appears in the photographs. John Keppie was a partner in Honeyman and Keppie, the architectural firm at which Mackintosh and Herbert McNair worked.
*Not available / given