- NMC/0695A
- Item
- c1902-1903
Grape vines I.
Porteous, James Henry
Grape vines I.
Porteous, James Henry
White flowers, black borders.
Porteous, James Henry
White lillies.
Porteous, James Henry
Pink and blue flowers I.
Porteous, James Henry
White garlands.
Porteous, James Henry
Grape vines III.
Porteous, James Henry
Geometric flowers and trellis.
Porteous, James Henry
Green and yellow vases.
Porteous, James Henry
Yellow thistles.
Porteous, James Henry
Dark blue and yellow flowers.
Porteous, James Henry
Yellow and pink snowdrops.
Porteous, James Henry
Floral repeat pattern.
Porteous, James Henry
Floral repeat pattern.
Porteous, James Henry
Floral repeat pattern.
Porteous, James Henry
Green and blue hyacinths.
Porteous, James Henry
Yellow and pink crocuses.
Porteous, James Henry
Yellow and pink square flowers.
Porteous, James Henry
Large blue flowers.
Porteous, James Henry
Purple and yellow flowers.
Porteous, James Henry
Pink and yellow geometric flowers.
Porteous, James Henry
Floral repeat pattern.
Porteous, James Henry
Louis XIV style design.
Porteous, James Henry
White fleur de lis.
Porteous, James Henry
Pink and blue flowers and ferns.
Porteous, James Henry
Yellow and pink flowers.
Porteous, James Henry
Yellow and purple flowers.
Porteous, James Henry
Grape vines II.
Porteous, James Henry
Circular flowers.
Porteous, James Henry
Pink and yellow lillies.
Porteous, James Henry
Yellow and red poppies.
Porteous, James Henry
Yellow swathe of flowers.
Porteous, James Henry
Yellow and red flowers.
Porteous, James Henry
Yellow flowers.
Porteous, James Henry
Pink and yellow flowers.
Porteous, James Henry
In 1896 McNair held his first one-man show, an exhibition of pastels at the Gutekunst Gallery, London. Twenty-one works, including this, were displayed in distinctive dark-stained wood frames. McNair had clearly drawn inspiration from Whistler’s exhibition installations, even down to the typesetting of the catalogue. The entry for this work explained, ‘The Fairy is guarding the Leaf of Love from the Witch of Evil who has robbed the Tree of Life of all its other leaves.’
MacNair, James Herbert
Mackintosh's style here is the closest he came to that of Margaret and Frances Macdonald, but his figures are always more substantial and the subject matter less whimsical than theirs.
Mackintosh, Charles Rennie
Museum, The Glasgow School of Art
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This painting of the first-floor museum, looking East, is one of the very earliest artistic depictions of the building's celebrated interior.
Anderson, Elizabeth
Repeat pattern of four large circles with abstracted plant stems.
Porteous, James Henry
Stylised study of leaves and branches emerging from tree trunk.
Porteous, James Henry
Landscape study.
Pringle, John Quinton
View, possibly overlooking Florence
A study possibly of the Boboli Gardens, Florence.
Jackson, Alexander Logan
Abstract design for wallpaper. Signed and dated: 12/11/03.
Porteous, James Henry
Study of a unnamed Piazza, possibly in Venice.
Jackson, Alexander Logan
View of Venetian canal with figures on a bridge.
Jackson, Alexander Logan
Study of Venetian canal with female figure under a colonnade in foreground.
Jackson, Alexander Logan
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Study of full-length female nude.
Greiffenhagen, Maurice
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Study of seated nude (female) model.
Greiffenhagen, Maurice
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Landscape with figure amongst trees, Ayrshire.
Raeburn, Agnes
Landscape, trees to middle and background cottage at far right-hand side.
Anderson, William Smith
Casamicciola, Isle of Ischia, Italy - courtyard
Annotated verso.
Miller, Archibald E Haswell