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Small mottled grey knitted jumper with 'Fornton' stitched on the front in black letters. Right shoulder is decorated with four metallic buttons.

Small travelling bag with cotton ties.

CD containing photographs of designs, reference images/notes, and advertising. The CD case is labelled "Spring '08"

Created during 1st year in the Printed Textile Department at GSA

Abstract human form consisting of legs and a torso. Similar design and media to DC 089/1/2/4/25.

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.

Abstract disassembled human form painted in blue and red on white paper. Torso of form revealing the white of the paper with an ultramarine outline and sporting a sash like garment.

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.

Abstract female form painted on white paper using red, blue, yellow and a range of green paints. Collaged and adhered to black paper.

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.

Abstract forms painted in an arrange of colours and many different forms of paint. Layers of water soluble media have been layered over acrylic based media to create a crackled two-tone effect.

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.

A collection of carpets and textiles manufactured by James Templeton & Co Ltd, A F Stoddard & Co Ltd or subsidiary companies (which in 1998 together became known as Stoddard International plc), dating from c1840s-1960s. Designs include pictorial scenes, art deco designs, and floral, chintz or medallion-centred designs. The collection also includes a mid-19th century Paisley shawl.

German. On white silk with woven spot design. Embroidered with silk, black cotton and metal threads in cross, four-sided, running, back, fly, satin stitches, couching and French knots. Shades of brown and oragne with naive figures and sacred emblems. The stylised figures and text are similar to those on the Hungertuch (Hunger cloth) Lenten cloth also made by the Munster school in the late 1920s. This was inspired by the 1623 Hungertuch Lenten hangings in Telgte, near Munster.

Fashion show of printed dresses with hanging fabric backdrop. Colour photograph, portrait.

Student fashion show in Mackintosh Lecture Theatre. Model in pink jumpsuit and jacket, compare in white jacket. Mackintosh light fixture visible. Colour photograph.

Student fashion show in Mackintosh Lecture Theatre. Model in transparent black dress. Mackintosh mirror visible. Colour photograph.

Fashion show of printed dresses shown in DC 089/1/3/17 with hanging fabric and chicken wire backdrop. Black and white gloss photographs, portrait and landscape. 12 photographs.

Travel reports submitted to the School by students who undertook a travelling scholarship, plus travel itineraries created by Douglas Percy Bliss during his time as Director of The Glasgow School of Art.

Work produced during first year of general course.

Folder containing work produced by Dugald Cameron during his time on the Junior Non-diploma course and general years of diploma course at GSA.

CD containing images of colour and design theory and Pantone mood-boards for the summer 2008 season. Images are arranged into 3 folders.

Launch photo for collection. Reverse caption details. Photography Anita Corbin. Stylist Iain R Webb. Black and white photograph.

White cotton table cover with applique. Poor quality design and technique, possibly made at the Saturday morning classes.

Blue fabric with geometric design embroidery detail, and pink, gold and black threadwork.

White cotton with embroidery.

White linen with applique leaf shapes. Possibly made by one of Ann Macbeth's students.

White linen and embroidery possibly made by Daisy McGlashan. The design and technique show the influence of Jessie Newbery's teaching. The table runner has the number "1911" printed on one edge in ink which could refer to the year it was made. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Textile conservation was completed in 2019.

Thought to have been made by Ann Macbeth.

Very small cream bonnet with 2 straight edges. Tape lace swirls and flowers with both tape and needlepoint petals.