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Italy
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Plaster cast of Virgin and Child

  • PC/047
  • Item
  • Mid 19th century-early 20th century

    • Part of Plaster Casts

Original: Andrea della Robbia, c1487. Blue and white tin-glazed terracotta. Florence, Italy. The original relief is believed to have been commissioned by Gabriele di Cambio de' Medici, whose marriage to Lucrezia di Alessandro Rondinelli took place in 1487-88. The style of the relief is related to that of Andrea del Verroccio.

*Not available / given

Plaster cast of Cantorie Panels

  • PC/050A
  • Item
  • Mid 19th century-early 20th century

    • Part of Plaster Casts

Original: Lucca della Robbia (1400-1482). Part of the two 'Cantorie' made for Florence Cathedral. Original currently in the collection of the Museo dell'Opera del Duomo, Florence, Italy.

This item was damaged in the fire in the Mackintosh Building on 23rd May 2014. It underwent conservation and consolidation work in 2016.

*Not available / given

Plaster cast of Cantorie Panels

  • PC/050C
  • Item
  • Mid 19th century-early 20th century

    • Part of Plaster Casts

Original: Lucca della Robbia (1400-1482). Part of the two 'Cantorie' made for Florence Cathedral. Original currently in the collection of the Museo dell'Opera del Duomo, Florence, Italy.

This item was damaged in the fire in the Mackintosh Building on 23rd May 2014. It underwent conservation and consolidation work in 2016.

*Not available / given

Plaster cast of Medici Venus

  • PC/196
  • Item
  • Mid 19th century-early 20th century

    • Part of Plaster Casts

Venus with missing arm, supported by dolphin and cherub. Original: Roman copy of Greek statue c2 BC, of Hellenistic style. Listed in the first catalogue of casts as Greek, located in the 'Florence Gallery' and was purchased from D. Brucciani.

*Not available / given

Plaster cast of Sarcophagus of Giustina

  • PC/036C
  • Item
  • Mid 19th century-early 20th century

    • Part of Plaster Casts

Original: Attributed to Gregorio di Allegretto, 1476. Marble. Church of Santa Giustina, Padua, Italy. On the front of the sarcophagus the body of the saint is carved in relief, lying on a bier and covered with a cloth. At the ends are reliefs of angels swinging censers.

*Not available / given

Plaster cast of Cantorie Panels

  • PC/050B
  • Item
  • Mid 19th century-early 20th century

    • Part of Plaster Casts

Original: Lucca della Robbia (1400-1482). Part of the two 'Cantorie' made for Florence Cathedral. Original currently in the collection of the Museo dell'Opera del Duomo, Florence, Italy.

This item was damaged in the fire in the Mackintosh Building on 23rd May 2014. It underwent conservation and consolidation work in 2016.

*Not available / given

Plaster cast of Cantorie Panels

  • PC/050F
  • Item
  • Mid 19th century-early 20th century

    • Part of Plaster Casts

Original: Lucca della Robbia (1400-1482). Part of the two 'Cantorie' made for Florence Cathedral. Original currently in the collection of the Museo dell'Opera del Duomo, Florence, Italy.

This item was damaged in the fire in the Mackintosh Building on 23rd May 2014. It underwent conservation and consolidation work in 2016.

*Not available / given

Plaster cast of Mater Dolorosa

  • PC/052
  • Item
  • Mid 19th century-early 20th century

    • Part of Plaster Casts

Mater Dolorosa (Latin) refers to the Virgin Mary in relation to the sorrows in her life.

*Not available / given

Plaster cast of decorative relief panel with classical figures from lid of chest

  • PC/083
  • Item
  • Mid 19th century-early 20th century

    • Part of Plaster Casts

Decorative panel showing classical figures; female figures surround the central panel of a male holding some sort of tool. Lower panel shows a central female figure flanked by two contorted males. Original: Michelangelo. Currently in the collection of The National Museum of Bargello, Florence, Italy.

*Not available / given

Plaster cast of Mercury

  • PC/014
  • Item
  • Mid 19th century-early 20th century

    • Part of Plaster Casts

Original: Greco-Roman attribution, shows Mercury God of merchandise and merchants, commonly identified with the Greek Hermes, fleet-footed messenger of the gods.

This item was damaged in the fire in the Mackintosh Building on 23rd May 2014. It underwent conservation and consolidation work in 2016.

Plaster cast of Boy of Subiaco

  • PC/021
  • Item
  • Mid 19th century-early 20th century

    • Part of Plaster Casts

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.

Original: From the group of Niobe and her children at the Galleria Uffizi, Florence, Italy, originally found in Rome in 1583. Niobe boasted about her 14 children (the Niobids) to Leto, mother to only Artemis and Apollo. Leto demanded her children take revenge upon Niobe's hubris. Using arrows, Artemis killed Niobe's daughters and Apollo killed Niobe's sons. This cast shows one son cowering from the onslaught.

Plaster cast of the Rebellious Slave

  • PC/042
  • Item
  • Mid 19th century-early 20th century

    • Part of Plaster Casts

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.

Original: Michelangelo, originally for the tomb of Pope Julius II in 1505, began to carve the Slaves in 1513, as part of a modified project. On the pope's death, the project changed once again, for financial reasons. Michelangelo donated the Slaves to Roberto Strozzi, who brought them to France. Original currently in the collection of the Louvre, Paris, France.

Plaster cast of Virgin and Child roundel

  • PC/049A
  • Item
  • Mid 19th century-early 20th century

    • Part of Plaster Casts

Original: Andrea della Robbia (1435-1525), c1470. Glazed terracotta in a carved and gilt wood frame. Virgin and Child with two cherub heads. Circular relief originally in blue and white enameled terracotta. The Virgin holds the Child standing on her right. She is represented half-length turned slightly to the left, supporting the Child in a standing posture beside her. He holds the end of her veil in his right hand. The eyes are painted in brown and black. Original currently in the collection of The National Museum of Bargello, Florence, Italy. Bears "D Brucciani & Co" maker's stamp. Annotated: "324".

D Brucciani & Co

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