Drawings and sketches for the design of a projection system. Some notes feature in the top left corner of the page and sketches of an aircraft are across the top of the page.
This poster advertised an exhibtion which showcased the work of design students from The Glasgow School Of Art in the Cassina Gallery in Milan. The exhibition took place as a result of the connections between Cassina Design in Italy and The Glasgow School Of Art. The poster was designed by Gordon Huntly who was the head of graphic design at The Glasgow School Of Art at that time. It was printed in the Foulis Building on an offset lithography printing press. The information on the poster translates as: "Design from Glasgow School Of Art: Cassina in Milan, March 23rd to April 6th. Ceramics. Embroidery and fabrics. Design for furniture, furnishings and industrial products. Jewellery and Silverware. Art Graphics, Illustration. Printed Fabrics".
This poster advertised a screening of Sam Peckinpah's 1974 film 'Bring Me The Head Of Alfredo Garcia', and Kevin Brownlow and Andrew Mollo's 1966 film 'It Happened Here'. The event was organised by The Glasgow School Of Art Film Society and was held in the Mackintosh Lecture Theatre on The Glasgow School Of Art campus on the 3rd of May. The reverse of the poster is annotated with "Chris Webster Graphics 1979".
This poster advertised an exhibition of work by both past and present students from the School of Design and the Mackintosh School of Architecture at The Glasgow School Of Art. It features a quote from John Kenneth Galbraith who was a prominent economist during this period. He stated "It is on the artistic not less than on the engineering and scientific excellence that economic security and economic progress now depend," The exhibition was held between Kelvingrove Art Gallery and Museum and the Mackintosh Museum at The Glasgow School Of Art. It ran from the 9th of February to the 1st of March 1985.
This poster advertised a series of lectures that were held in the Mackintosh Lecture Theatre on the 18th of February. The talks provided students with advice about life after graduation.
This poster advertised an exhibition of work done by students on the graphic design course at The Glasgow School Of Art. The exhibition ran from the 13th to the 19th of June. The illustration for the poster was done by Karen Watt whose work featured in this exhibition. A number of students and staff associated with the graphic design department at The Glasgow School Of Art are featured in her illustration. Karen stands in the centre of the poster eating an ice cream. Mary Asiedu can be seen central left sitting in a chair speaking to Brian Cairns. Head of department Mike Healey is measuring the typography in the sand and Tony Jones who was the director of The Glasgow School Of Art at this time is represented in the sun.
This poster advertised The Glasgow School Of Art's dramatisation of Somerset Maugham's play The Noble Spaniard. This event was held at The Glasgow Royal Concert Hall.
This poster advertised a lecture given by architect, teacher and writer Cedric Price. Price was known for his eccentric architectural designs that were perceived as both socially enabling and playful. The lecture was held in the Haldane Building at The Glasgow School Of Art on the 10th of February.
This poster advertised an exhibition of work by John Macfarlane who was a student at The Glasgow School Of Art before moving to Wales to work as a set and costume designer. The exhibition was held in the Bourdon building on The Glasgow School Of Art campus from the 5th to the 18th of December 1979. Interestingly, John Macfarlane's name has been misspelled on the poster where his surname has been spelled as 'McFarlane'.
This poster advertised a lecture by economist Brian Griffiths which was held in the Mackintosh Lecture Theatre at The Glasgow School Of Art in December 1972. At this time, Griffiths worked as lecturer at the London School of Economics and Political Science, however he would later become advisor to Baroness Thatcher during her time as Prime Minister. He then became the Vice Chairman of Goldman Sachs. This lecture focused on the topic of Christianity, capitalism and revolution and was organised by David Dobson who was head of the Sculpture department at The Glasgow School Of Art in 1972.
This poster advertised the retirement party of William Drummond Bone which was held in the Mackintosh Board Room on the 12th of January 1973. Bone was part of both The Royal Society of Arts and The Royal Scottish Society of Painters in Watercolour and taught drawing and painting at The Glasgow School Of Art between 1934 and 1973. The poster was designed and printed by Robert Stewart who was a senior lecturer in design at this time.
This poster appears to advertise a lecture and discussion by Dendler, Dendler and Dunlop which took place on Wednesday the 9th of December. The poster is annotated with ‘Sandy Prentice processed by Chuck Mitchell’.
One of a series of electric slave clocks located through the Glasgow School of Art and run from a central 'master' clock. Installed in the new Mackintosh Furniture Gallery following restoration in 2013. This item was assessed for conversation in 2010 as part of the Mackintosh Conservation and Access project (2006-2010), and then again in 2018 following the fire in the Mackintosh Building in June 2018.
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. One of a series of electric slave clocks located through the Glasgow School of Art and run from a central 'master' clock. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Installed into the Mackintosh Library following restoration in 2013.
One of a series of electric slave clocks located through the Glasgow School of Art and run from a central 'master' clock. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Installed into Studio 45 following restoration in 2013. Following the fire in the Mackintosh Building in May 2014 it was assessed and conserved in 2019.
One of a series of electric slave clocks located through the Glasgow School of Art and run from a central 'master' clock. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Installed into Studio 31 following restoration in 2013. Following the fire in the Mackintosh Building in May 2014 it was assessed and conserved in 2019.
Beige paper, folded into three parts. On one side, two white paper templates sit on the far left and right, with 4 small square designs biro sit centrally. On reverse of paper, one pink sampler spanning whole sheet (folded with paper).
Text by Robin Rennie. Design possibly by Michael Healey (Head of Graphics). Robin Rennie described as 'former Head of Liberal Studies' in this print out.