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The photograph features Archibald Haswell Miller holding a palette.

The photograph features Archibald Haswell Miller holding a palette and portraying a female figure.

The photograph features a group of sixteen male and nine female students.

The photograph features a group of nineteen female students in an anatomy drawing class.

The photograph features a group of eleven male students. One of them is lying on an elevated flat surface with his core undressed, while the others gather around him.

The reverse of the photograph shows the text "E; J; C. Haswell doing a tableau of Rembrandt's Anatomy Lesson at Glasgow School of Art (1903-4?)".

The series contains a single item featuring a mountainous landscape.

The photograph features a mountainous landscape.

A variety of photographs comprising artworks completed by Georges-Marie Baltus and images of his Italian and European tours from his personal memories. Some of these items are dated to his time as a lecturer at The Glasgow School of Art.

A variety of photographs of different artworks completed by Georges-Marie Baltus. Some of these items are dated to his time as a lecturer in Belgium, several years after he left Glasgow.

A variety of photographs from Georges-Marie Baltus' personal memories featuring landscapes and rural scenes captured during his Italian and Europeans tours.

A variety of items relating to Francis H. Newbery, including his application to become Head Master of The Glasgow School of Art, a photograph of a mural, and a portrait photograph.

The photograph features a religious mural. The carboard displays an inscription by Francis H. Newbery dedicating the photograph to Archibald Haswell Miller. The backside of the carboard shows the original measurements of the mural and additional notes.

The collection includes:

• Textiles by Veronica Matthew;
• Artworks on paper by Veronica Matthew;
• Material relating to Art Therapy;
• Newspaper cuttings;
• Photographs;
• Personal papers.

Includes two letters, a flyer, a leaflet, and a brochure surrounding Veronica Matthew's education and experience with art therapy and Project Ability.

Includes one folded sheet of paper with 24 sections of Project Ability's activities including upcoming three week long exhibitions and events in October 1983 (DC 101/3/3), theatre productions, conferences, bookshop, community workshops, music lessons and concerts, poetry night, art therapy support, film productions, ceilidh, talks, exhibition descriptions, acknowledgements, box office information, the people behind Project Ability, their hours, and location.

Includes a single piece of paper folded twice to make a three page brochure with black and white images. Includes information on what Project Ability is, their aims, how people can support Project Ability, contact details, and the Scottish Committee for Arts and Disability.

Includes a sepia photo of Veronica Matthew, Valerie Wilson, Alan Fletcher, and Douglas Abercrombie; a photograph of Veronica Matthew wearing a white dress photo made by Valerie Wilson in 1956/1957; a photograph of Mrs Kopaloff in 1977 and three photographs of Valerie Bloomfield-Ambrose in Florida in 2010.

Includes a view of a living room with a focus on six sculptures of different people on a coffee table; "X Val's self portrait / Val's sculptures in their house / Florida, 2010" verso. Has small white border and is glossy.

Includes a corner of Valerie's home with painted artworks on the wall, cast sculptures, and a Tiffany style lamp; " Val + John's house / Florid. Oct. 2010" with a printed image verso. Has small white border and is glossy.

Includes:

• GSA fashion show advertisement including Valerie Wilson (Bloomfield-Ambrose) as a mannequin in 1955
• Three Christmas cards made by Alasdair Gray for Veronica Matthew
• Valerie Bloomfield-Ambrose (nee Wilson) Floridian business
• Mackintosh postcard from Joanne Semple to Veronica Matthew in 2008
• Invitation to the Glasgow Girls exhibition in 2014.

Postcard of the interior of the Mackintosh House drawing room with a desk and chair. Includes three stamps. Believed Joanne Semple had mixed up the number of the month.

Collection includes a number of photographs featuring Sheena Reid and other GSA students plus five textiles designed and made by Sheena Reid as a student at GSA.

A number of photographs featuring Sheena Reid and other GSA students.

Variety of materials relating to the design work of former GSA student C A Wallace Shaw, including student work; Pringle of Scotland LTD; Donna Karan International; Braemar International; and Fornton Knitting Company LTD. The collection also includes a number of personal and professional photographs; designs and textiles; and personal papers.

Please note that some of this material is not yet fully catalogued and therefore may not be accessible.

Materials relating to C A Wallace Shaw's design work for Pringle of Scotland, including photographs, printed ephemera, and papers.

Materials relating to C A Wallace Shaw's design work for Donna Karan, including photographs, printed ephemera, and papers.

12-page catalogue of designs for Braemar International Women's Collection for Spring 1988. Annotation on front cover states 'Return to W. Shaw'.

14-page catalogue of designs for Braemar International Ladies and Men's Collection for Spring Fall 1988.

Fold-out catalogue of designs for Braemar International Men's and Women's Collection for Fall 1989.

16-page catalogue of designs for Braemar International Ladies Collection for Fall 1986. Image on page 2 shows C. A. Wallace Shaw, listed as the Vice President of Design and Merchandise.

2 copies of an 8-page catalogue of designs for Braemar International Men's Collection for Fall 1986. Image on page 2 shows C. A. Wallace Shaw, listed as the Vice President of Design and Merchandise.

2 copies of a 16-page catalogue of designs for Braemar International Women's Collection for Fall 1987. Annotations on pages throughout one of the catalogues.

16-page catalogue of designs for Braemar International Men's Collection for Fall 1987. Designs are annotated with pen throughout the catalogue.

A number of sketches and photographs of works by William Meldrum. This collection includes figure and illustrative drawings, unique pieces made of seaweed, and a series of monochrome photographs featuring landscape paintings. Most of the items are undated however the dates of creation are presumed to fall between the 1880s and 1920s. A set of typewritten paper by an unknown author dated after 1966, features a brief biography of Meldrum and descriptions of two drawings along with their custodial histories.

William Meldrum tended to work on depicting city views of Glasgow in the early 20th century and landscapes of diverse areas in Scotland. He created multiple pieces of black-and-white photographs on which his paintings have been printed; some of the photographs have identical versions.

A series of black-and-white photographs of William Meldrum's watercolour landscape drawings, showing diverse views of Scotland. A few items have been signed "W. Meldrum" or dated 1920. Some photographs have two identical versions in this collection.

A sepia-toned photograph of a watercolour painting depicting a park view. The bottom right side has been slightly degraded that the fibre-based layer separated from the paper base are exposed; presumed to be Gelatin silver printed. Undated.

An accompanying photograph of the watercolour landscape painting depicting the house in the country. Presumed to be part of the same series as the identical photograph (DC 120/2/10). Signed "W. Meldrum," but not dated.

An accompanying photograph of the watercolour landscape painting featuring the mansion in the country. Presumed to be part of the same series as the identical photograph (DC 120/2/12). Signed "W. Meldrum" and dated "1920," assumed to be the year of creation of the painting.

A monochrome photograph of a watercolour painting depicting the landscape of the Eildon Hills in Melrose, Scotland. Signed "W. Meldrum" on the backing paper, with the annotation "Views of the Eildon Hills, Abbotsford" on the reverse, but not dated.

A monochrome photograph of a watercolour painting depicting the landscape of the Eildon Hills in Melrose, viewed from Dryburgh, Scotland. Signed "W. Meldrum" on the backing paper, with the annotation "The Eildon Hills. From Dryburgh" on the reverse, but not dated. Presumed to be part of the same series as the identical photograph (DC 120/2/14).