British. Cotton with 'broderie anglaise' frills at cuff. Leaf design. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Textile conservation was completed in 2019.
British. Narrow buttoned cuff with embroidered net lace frill. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Textile conservation was completed in 2019.
British. Scallop-edged cream taffeta apron. Silk and metal threads. Symmetrical floral design incorporating metal thread areas padded with cord. Extensive use of pearl and sequins. Framed.
English. Fine white corded silk waistcoat with floral border incorporating the rose, thistle and shamrock. Pockets have embroidered flaps. Part of the spotted background has been unpicked. Shows influence of Chinese embroideries. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Textile conservation was completed in 2019.
British. Floral border design continues round high collar and pocket flaps. Remainder of waistcoat has all-over sprig design. Buttons are embroidered. Fine satin stitch embroidery shows Chinese influence. Used to be framed.
British. Long linen sampler embroidered almost entirely in cross-stitch. Bands of formal pattern and alphabets at the top. To each side of the signature "HCW 1780" are initials "MEW 1780" and "IFMS 1780". Lower half is decorated with variety of motifs, biblical characters, birds, trees etc.
British. Jacobean design chain-stitch throughout, in coloured wools on linen. Extensive use of shading. Embroidery in good condition but background is worn and has been mounted on a backing.
British sampler. Cross stitch on fine linen. Signed "IMW 1787". Motifs similar to GB 1694 NDS/GB/17 but smaller scale. Biblical and allegorical figures, birds, plants and formal garden motifs.
British. Floral design embroidered on green taffeta in silks and gold thread. Satin stitch and variety of fillings used. Background has shredded in places and has been backed on net.
British. Flowering tree design in silks and metal threads, in places couched over cord padding. Cream corded silk background has been pieced together, and is shredded.
British. Brighly coloured wool embroidery on tapestry woven background which is striped at the base to form part of the design. Flowering urn design with birds. From an early 18th century tripod walnut pole screen destroyed in London during the war.
Swedish. Coarse linen scrim with border decoration in linen embroidery. Design of squares of satin stitch with pulled thread fillings. By Svensk Hemslojd, Stockholm.
Yugoslavian. Sleeveless dress with side seams and hem decorated with red, blue and black embroidery. Tasselled braid belt. From Bosnia. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Textile conservation was completed in 2019.
British formal flower motif outlined in chain-stitched metal thread, on linen. Blackwork fillings in silk in several patterns have become worn in places. The motif has been cut out of background and mounted on modern linen. About half the metal thread embroidery is modern restoration. Shows influence of formal Sanish design. Much of the outline is restoration and has been remounted. This work may have been carried out in J&P Coats studio. Another identical and two related motifs, donated to the NDS by John Jacoby are in the Embroiderers' Guild Collection (EG 206). Originally they may have been part of a cover for a long cushion.
British. Stuart linen sampler with seven panels of needlepoint lace motifs showing Italian influence. Geometric 'reticella' motifs and 'punto in aria' figures possibly from Venetian pattern-books. Very good condition.
Swiss. Natural linen with peacock design from the Grisons, in black cross stitch. Black hand made cord along the seam joining sides. Removable quilted lining decorated with black stars.
British. Plaited green silk belt with silver fastening. Purse and pincushion are tapestry woven in silks and metal thread, and are attached to belt with plaited cords. Purse has drawstring fastening finished with woven tassels made over wooden beads. Purse has floral design and pincushion features a small bird.
British. Long linen sampler worked in coloured silks in decorative bands including alphabets, geometric patterns and flower motifs in large variety of stitches. Signed 'A.B.' or 'R.B.' 1669. The originally bright colours can be seen on the back, but the front is faded.
British. Shows two royal personages in 17th century costume. Figures and animal motifs are padded, and flower petals and clothing are worked in detached buttonhole stitch. Dated 1652 with a monograph at the man's feet in small pearls.
Portuguese. Part of peasant costume. Closely woven in red wool on white warp. Geometric design in bright colours in loom embroidery - extra weft pulled up in loops on the surface Yellow braid waistband, and pink braid edges.
Swedish. Linen cloth with cross-stitch embroidery in two shades of blue. Traditional motifs such as stags and figures with candlesticks. Blanket stitched hem.
Norwegian. Linen runner with border decorated with traditional design in drawn-thread work and satin stitch. Geometric design. Double row of buttonholed scalloped picots.
Italian. Worked on fine corded cream silk in metal threads and floss silk in graduations of tones of green and pink. Shows influence of Oriental design. Some areas have been unpicked and the background has shredded in places.
Greek Islands, possibly Chios. Part of a coarse linen sleeve with formalised tree designs embroidered with horsehair, dyed in shades of rust green and blue.
Persian. Silk satin hanging with repeating design showing a hunter on horseback, musicians and figures at a hookah. The hanging is lined with block printed cotton. Gray-green with soft colours.
Danish. Traditional work on natural linen incorporating drawn thread work and embroidery in satin-stitch. Relies for its effect on the changes of texture of the embroidery . Design based on stylised flower and plant forms.
Cypriot. A type of needlemade lace worked in varieties of buttonhole stitch which has been made since the Venetian occupation of Cyprus in the 15th and 16th centuries. This rather stiff lace, produced mainly for tourists, was derived from Italian reticella lace. Design of figures dancing to Pan's pipes.
Greek. Linen runner with typical bird motifs in satin-stitched coloured silks. The same silks are used to make knotted fringes. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Textile conservation was completed in 2019.