The Magazine: Volume 3 (Page 55)
- MC/A/15/3/p55
- Part
- Nov 1894
The Magazine: Volume 3 (Page 55)
The Magazine: Volume 3 (Page 57)
The Magazine: Volume 3 (Page 62)
The Magazine: Volume 3 (Page 65)
The Magazine: Volume 3 (Page 69)
Part of Mary Ramsay artworks
A sketchbook of notes and artworks by Mary Ramsay produced during her first year at The Glasgow School of Art, around 1914-1915. This item consists of portraits and life drawings, children's illustrations, lettering, costume designs, studies of ceramic samples, floral patterns, a list of reference books about art and design, and a Little Willie rhyme. Most artworks are in pencil, while some are in ink or paint on paper. Some illustrations have been pasted in from other sources. A number of loose ephemera items are also included in the sketchbook, including postage stamps and a newspaper advert for paint tubes.
Ramsay, Mary
Design for a Bookplate for Lucy Raeburn
Bound in the November 1893 edition of 'The Magazine'.
MacNair, Frances Macdonald
Part of Material relating to Gerard V Murphy, former GSA student
A pattern design featuring a repeating motif of plants with purple-coloured stems, blue-toned leaves, and green petals.
Murphy, Gerard V
Part of Material relating to Gerard V Murphy, former GSA student
A multi-coloured oblique pattern design with fruits and trees repeatedly intersected. Includes annotations of student registration no. ("No. 71") and signed "Gerard Murphy."
Murphy, Gerard V
The Nativity ('And lo the star...')
Bound in the Spring 1896 edition of 'The Magazine'. It was designs such as this that earned the Mackintosh group the nickname of 'Spook School'.
MacNair, Frances Macdonald
Roof of Napton Church, Norfolk
Sketch of three angels playing musical instruments.
Mackintosh, Charles Rennie
Extract from sketchbook (Version 1)
Extract from sketchbook (Version 2)
Wall hanging designed for The Dug-Out, Willow Tea Rooms, Glasgow
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. The canvas relates to smaller watercolours in the Hunterian collection, formerly thought to be textile designs, and to their painted canvas, 'The Little Hills' by Margaret Macdonald. It is likely that they were intended for 'The Dug-Out', though it is not known whether they were ever installed there. Jessie Newbery recalled in 1933, that 'He (Mackintosh) and his wife spent the winter of 1914 painting two large decorations for Miss Cranston'. This would have been in Suffolk, after they had left Glasgow. Although The Dug-Out was not created till 1917-18 it is not unlikely that Miss Cranston was considering the project some years earlier. The canvas was found in the GSA in a single roll in 1981 and was cleaned and mounted on two stretchers.
Mackintosh, Charles Rennie
Extract from sketchbook (Version 3)
Extract from sketchbook (Version 4)
Wall hanging designed for The Dug-Out, Willow Tea Rooms, Glasgow
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. The canvas relates to smaller watercolours in the Hunterian collection, formerly thought to be textile designs, and to their painted canvas, 'The Little Hills' by Margaret Macdonald. It is likely that they were intended for 'The Dug-Out', though it is not known whether they were ever installed there. Jessie Newbery recalled in 1933, that 'He (Mackintosh) and his wife spent the winter of 1914 painting two large decorations for Miss Cranston'. This would have been in Suffolk, after they had left Glasgow. Although The Dug-Out was not created till 1917-18 it is not unlikely that Miss Cranston was considering the project some years earlier. The canvas was found in the GSA in a single roll in 1981 and was cleaned and mounted on two stretchers.
Mackintosh, Charles Rennie
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Two running dogs and arrowed target.
Brown, Neil Dallas