- NMC/0233N
- Item
- c1915
This tea plate forms part of a painted china tea service. Orange lustre-glaze, and flower paintings on a white china blank. Initialled by the artist on the reverse.
Macbeth, Ann
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This tea plate forms part of a painted china tea service. Orange lustre-glaze, and flower paintings on a white china blank. Initialled by the artist on the reverse.
Macbeth, Ann
This tea plate forms part of a painted china tea service. Orange lustre-glaze, and flower paintings on a white china blank. Initialled by the artist on the reverse.
Macbeth, Ann
Tea plate from tea service (Version 1)
Tea plate from tea service (Version 1)
Tea plate from tea service (Version 1)
Tea plate from tea service (Version 1)
Tea plate from tea service (Version 1)
Tea plate from tea service (Version 2)
Tea plate from tea service (Version 2)
Tea plate from tea service (Version 2)
Tea plate from tea service (Version 2)
Tea plate from tea service (Version 2)
Tea plate from tea service (Version 3)
Tea plate from tea service (Version 3)
Tea plate from tea service (Version 3)
Tea plate from tea service (Version 3)
Tea plate from tea service (Version 3)
Tea spoon from Ingram Street Tea Rooms
Designed for Miss Cranston's Ingram Street Tea rooms, Glasgow. The Ingram Street Tea Rooms were purchased by Glasgow Corporation in 1951 for £25,000 and were then rented out as various shops and warehouses.
Mackintosh, Charles Rennie
Tea spoon from Ingram Street Tea Rooms (Version 1)
Designed for Miss Cranston's Ingram Street Tea rooms, Glasgow. The Ingram Street Tea Rooms were purchased by Glasgow Corporation in 1951 for £25,000 and were then rented out as various shops and warehouses.
Mackintosh, Charles Rennie
Tea spoon from Ingram Street Tea Rooms (Version 2)
Designed for Miss Cranston's Ingram Street Tea rooms, Glasgow. The Ingram Street Tea Rooms were purchased by Glasgow Corporation in 1951 for £25,000 and were then rented out as various shops and warehouses.
Mackintosh, Charles Rennie
Tea spoon from Ingram Street Tea Rooms (Version 3)
Designed for Miss Cranston's Ingram Street Tea rooms, Glasgow. The Ingram Street Tea Rooms were purchased by Glasgow Corporation in 1951 for £25,000 and were then rented out as various shops and warehouses.
Mackintosh, Charles Rennie
This teapot forms part of a painted china tea service, and is paired with NMC/0233L . Orange lustre-glaze, and flower paintings on a white china blank. Initialled by the artist on the base.
Macbeth, Ann
Teapot from tea service (Version 1)
Teapot from tea service (Version 2)
Teapot from tea service (Version 3)
Teapot from tea service (Version 4)
Teapot from tea service (Version 5)
Teapot from tea service (Version 6)
This teapot lid is paired with teapot NMC/0233R and forms part of a painted china tea service. Orange lustre-glaze over flower paintings on white china blank.
Macbeth, Ann
Teapot lid from tea service (Version 1)
Teapot lid from tea service (Version 2)
Teapot lid from tea service (Version 3)
Teapot lid from tea service (Version 5)
Abstract design for fabric.
Mackintosh, Charles Rennie
The Grace Melvin Textile Collection, Glasgow School of Art, Glasgow, Scotland
14 textile items, thought to have been designed as part of Grace Melvin's diploma show c1918.
Melvin, Grace
There are 4 known surviving volumes: The Magazine 1893, The Magazine April 1894, The Magazine November 1894, The Magazine 1896.
The Magazine was a publication of original writings and designs by students from the Glasgow School of Art, Glasgow, Scotland, and their friends. Appearing in 4 volumes between November 1893 and Spring 1896, The Magazine contains text from contributors handwritten by Lucy Raeburn, editor, accompanied by original illustrations. These volumes are the only known copies of The Magazine. In addition to rare, early watercolours and designs by Charles Rennie Mackintosh, the volumes contain early designs by Frances MacDonald and Margaret MacDonald, at a stage in their development which has been labelled 'Spook School', and two sets of photographs by James Craig Annan, when he was beginning to establish a reputation at home and abroad. Among other contributors were Janet Aitken, Katherine Cameron, Agnes Raeburn and Jessie Keppie, all of whom enjoyed lengthy careers in art and design.
The Magazine is similar to an album amicorum such as those which originated in the middle of the 16th century among German university students, who collected autographs of their friends and notable persons, sometimes adding coats of arms and illustrations. The Magazine resembled the album amicorum in that contributions were by a close group of students and their friends and is all the more interesting because the illustrations were produced by young people who had a common social background, were trained at the same school, and subjected to the same artistic influences. The contributors were closely linked, some by family, some by romantic attachments and had close social connections. Other contributors include C Kelpie, John M Wilson, Jane Keppie, and Ethel M Goodrich. Source: Jude Burkhauser, Glasgow Girls: women in art and design (Edinburgh : Canongate, 1990).
Raeburn, Lucy
The Magazine: Volume 1 (Page 1)
The Magazine: Volume 1 (Page 10)
The Magazine: Volume 1 (Page 11)
The Magazine: Volume 1 (Page 12)
The Magazine: Volume 1 (Page 13)
The Magazine: Volume 1 (Page 14)
The Magazine: Volume 1 (Page 15)
The Magazine: Volume 1 (Page 16)
The Magazine: Volume 1 (Page 17)
The Magazine: Volume 1 (Page 18)
The Magazine: Volume 1 (Page 19)
The Magazine: Volume 1 (Page 2)
The Magazine: Volume 1 (Page 20)