Pencil and watercolour picture of Canterbury Cathedral. Pencil note records, 'completed on the spot, Jas.B.Fulton, (shows evidence of having been folded in half.)
Oil portrait, quarter length, of John Murdoch, a Master at Glasgow School of Art from 1848 until his death in 1854. Sitter is clean shaven, wearing a black bow tie and white winged collar shirt and dark jacket against a dark background. No visible signature of artist or identifying label on frame; donor believes that it may be a self portrait.
Scene from a swimming pool with a swimmer in the foreground, a child being helped out of the water and a bather sitting by the poolside as others mill around.
Cover of a portfolio of eight screenprints inspired by artists and architects who spent their whole lives thinking about squares, rectangles and straight lines: C R Mackintosh, Malevich, Modrian, Lloyd Wright, Newman, Stella, Martin and Halley.
One of eight screenprints in a folder inspired by artists and architects who spent their whole lives thinking about squares, rectangles and straight lines: C R Mackintosh, Malevich, Modrian, Lloyd Wright, Newman, Stella, Martin and Halley. Print 'A' inspired by C R Mackintosh. The screenprints are boxed with an introductory page.
One of eight screenprints in a folder inspired by artists and architects who spent their whole lives thinking about squares, rectangles and straight lines: C R Mackintosh, Malevich, Modrian, Lloyd Wright, Newman, Stella, Martin and Halley. Print 'B' inspired by Malevich. The screenprints are boxed with an introductory page.
One of eight screenprints in a folder inspired by artists and architects who spent their whole lives thinking about squares, rectangles and straight lines: C R Mackintosh, Malevich, Modrian, Lloyd Wright, Newman, Stella, Martin and Halley. Print 'C' inspired by Modrian. The screenprints are boxed with an introductory page.
One of eight screenprints in a folder inspired by artists and architects who spent their whole lives thinking about squares, rectangles and straight lines: C R Mackintosh, Malevich, Modrian, Lloyd Wright, Newman, Stella, Martin and Halley. Print 'D' inspired by Lloyd Wright. The screenprints are boxed with an introductory page.
One of eight screenprints in a folder inspired by artists and architects who spent their whole lives thinking about squares, rectangles and straight lines: C R Mackintosh, Malevich, Modrian, Lloyd Wright, Newman, Stella, Martin and Halley. Print 'E' inspired by Newman. The screenprints are boxed with an introductory page.
One of eight screenprints in a folder inspired by artists and architects who spent their whole lives thinking about squares, rectangles and straight lines: C R Mackintosh, Malevich, Modrian, Lloyd Wright, Newman, Stella, Martin and Halley. Print 'F' inspired by Stella. The screenprints are boxed with an introductory page.
One of eight screenprints in a folder inspired by artists and architects who spent their whole lives thinking about squares, rectangles and straight lines: C R Mackintosh, Malevich, Modrian, Lloyd Wright, Newman, Stella, Martin and Halley. Print 'G' inspired by Martin. The screenprints are boxed with an introductory page.
One of eight screenprints in a folder inspired by artists and architects who spent their whole lives thinking about squares, rectangles and straight lines: C R Mackintosh, Malevich, Modrian, Lloyd Wright, Newman, Stella, Martin and Halley. Print 'H' inspired by Halley. The screenprints are boxed with an introductory page.
Note from the artist: This print is part of the collection Wank!, a series of six posters for various sources - such as essays, video clips, movies or performances - all dealing with the taboo subject of female masturbation. Acting like a curator of these references, I aim to highlight that any attempt to represent feminine masturbation through a feminist eye still finds its limits where a branded masculine interpretation of feminine sexuality starts.
