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Lampshade for Library, Glasgow School of Art: Central Cluster- Composite Large Pendant

Originally, and according to Mackintosh’s preparatory sketches, there were thought to be 53 individual lights in the library, each with punched holes in the inner reflectors which allowed light to pass through blue and purple glass. The central array was made up of 12 small canisters attached to the light frame on the ceiling, with eight medium pendants and five large pendants hanging below. There were an additional twelve medium canisters attached to the coffered ceiling both above and below the library balcony, making 24. Originally there were also four additional medium hanging pendants in each of the south and western window bays, though these four lights, and the medium canister in the librarians office, had all been removed before the fire in 2014, meaning there were 48 in the library. The library was destroyed by the fire, though many metal fragments from the lights were salvaged, allowing twenty eight to be reconstructed from the original metal pieces, eleven to be made from a mix of original and new pieces (composites) and fifteen new lamps created. All the restoration work and shades was undertaken by Rodney French of Lonsdale & Dutch of Edinburgh.

Lonsdale & Dutch

Lampshade for Library, Glasgow School of Art: Upper Mezzanine- Reconstructed Medium Canister

Originally, and according to Mackintosh’s preparatory sketches, there were thought to be 53 individual lights in the library, each with punched holes in the inner reflectors which allowed light to pass through blue and purple glass. The central array was made up of 12 small canisters attached to the light frame on the ceiling, with eight medium pendants and five large pendants hanging below. There were an additional twelve medium canisters attached to the coffered ceiling both above and below the library balcony, making 24. Originally there were also four additional medium hanging pendants in each of the south and western window bays, though these four lights, and the medium canister in the librarians office, had all been removed before the fire in 2014, meaning there were 48 in the library. The library was destroyed by the fire, though many metal fragments from the lights were salvaged, allowing twenty eight to be reconstructed from the original metal pieces, eleven to be made from a mix of original and new pieces (composites) and fifteen new lamps created. All the restoration work and shades was undertaken by Rodney French of Lonsdale & Dutch of Edinburgh.

Lonsdale & Dutch

Lampshade for Library, Glasgow School of Art - Medium Canister

The library was destroyed by fire on 23 May 2014, though many metal and glass fragments from the lights were subsequently salvaged. Originally, and according to Mackintosh’s preparatory sketches, there were thought to be 53 individual lights in the library, each with punched holes in the inner reflectors which allowed light to pass through blue and purple glass. The central array was made up of 12 small canisters attached to the light frame on the ceiling, with eight medium pendants and five large pendants hanging below. There were an additional twelve medium canisters attached to the coffered ceiling both above and below the library balcony, making 24. Originally there were also four additional medium hanging pendants in each of the south and western window bays, though these four lights, and the medium canister in the librarians office, had all been removed before the fire in 2014, meaning there were 48 in the library. This complete light, constructed from multiple, original parts salvaged from the library was made by Rodney French of Lonsdale and Dutch, Edinburgh. This was the first light reconstructed as part of the restoration of the Library and provided valuable evidence as to how the original lights had been manufactured between 1907-09.

Mackintosh, Charles Rennie

Lampshade for Library, Glasgow School of Art: Central Cluster- Reconstructed Small Canister

Originally, and according to Mackintosh’s preparatory sketches, there were thought to be 53 individual lights in the library, each with punched holes in the inner reflectors which allowed light to pass through blue and purple glass. The central array was made up of 12 small canisters attached to the light frame on the ceiling, with eight medium pendants and five large pendants hanging below. There were an additional twelve medium canisters attached to the coffered ceiling both above and below the library balcony, making 24. Originally there were also four additional medium hanging pendants in each of the south and western window bays, though these four lights, and the medium canister in the librarians office, had all been removed before the fire in 2014, meaning there were 48 in the library. The library was destroyed by the fire, though many metal fragments from the lights were salvaged, allowing twenty eight to be reconstructed from the original metal pieces, eleven to be made from a mix of original and new pieces (composites) and fifteen new lamps created. All the restoration work and shades was undertaken by Rodney French of Lonsdale & Dutch of Edinburgh.

Lonsdale & Dutch

Lampshade for Library, Glasgow School of Art: Central Cluster- Reconstructed Small Canister

Originally, and according to Mackintosh’s preparatory sketches, there were thought to be 53 individual lights in the library, each with punched holes in the inner reflectors which allowed light to pass through blue and purple glass. The central array was made up of 12 small canisters attached to the light frame on the ceiling, with eight medium pendants and five large pendants hanging below. There were an additional twelve medium canisters attached to the coffered ceiling both above and below the library balcony, making 24. Originally there were also four additional medium hanging pendants in each of the south and western window bays, though these four lights, and the medium canister in the librarians office, had all been removed before the fire in 2014, meaning there were 48 in the library. The library was destroyed by the fire, though many metal fragments from the lights were salvaged, allowing twenty eight to be reconstructed from the original metal pieces, eleven to be made from a mix of original and new pieces (composites) and fifteen new lamps created. All the restoration work and shades was undertaken by Rodney French of Lonsdale & Dutch of Edinburgh.

Lonsdale & Dutch

Lampshade for Library, Glasgow School of Art: Upper Mezzanine- Reconstructed Medium Canister

Originally, and according to Mackintosh’s preparatory sketches, there were thought to be 53 individual lights in the library, each with punched holes in the inner reflectors which allowed light to pass through blue and purple glass. The central array was made up of 12 small canisters attached to the light frame on the ceiling, with eight medium pendants and five large pendants hanging below. There were an additional twelve medium canisters attached to the coffered ceiling both above and below the library balcony, making 24. Originally there were also four additional medium hanging pendants in each of the south and western window bays, though these four lights, and the medium canister in the librarians office, had all been removed before the fire in 2014, meaning there were 48 in the library. The library was destroyed by the fire, though many metal fragments from the lights were salvaged, allowing twenty eight to be reconstructed from the original metal pieces, eleven to be made from a mix of original and new pieces (composites) and fifteen new lamps created. All the restoration work and shades was undertaken by Rodney French of Lonsdale & Dutch of Edinburgh.

Lonsdale & Dutch

Lampshade for Library, Glasgow School of Art: Central Cluster- Reconstructed Medium Pendant

Originally, and according to Mackintosh’s preparatory sketches, there were thought to be 53 individual lights in the library, each with punched holes in the inner reflectors which allowed light to pass through blue and purple glass. The central array was made up of 12 small canisters attached to the light frame on the ceiling, with eight medium pendants and five large pendants hanging below. There were an additional twelve medium canisters attached to the coffered ceiling both above and below the library balcony, making 24. Originally there were also four additional medium hanging pendants in each of the south and western window bays, though these four lights, and the medium canister in the librarians office, had all been removed before the fire in 2014, meaning there were 48 in the library. The library was destroyed by the fire, though many metal fragments from the lights were salvaged, allowing twenty eight to be reconstructed from the original metal pieces, eleven to be made from a mix of original and new pieces (composites) and fifteen new lamps created. All the restoration work and shades was undertaken by Rodney French of Lonsdale & Dutch of Edinburgh.

Lonsdale & Dutch

Lampshade for Library, Glasgow School of Art: Central Cluster- Reconstructed Medium Pendant

Originally, and according to Mackintosh’s preparatory sketches, there were thought to be 53 individual lights in the library, each with punched holes in the inner reflectors which allowed light to pass through blue and purple glass. The central array was made up of 12 small canisters attached to the light frame on the ceiling, with eight medium pendants and five large pendants hanging below. There were an additional twelve medium canisters attached to the coffered ceiling both above and below the library balcony, making 24. Originally there were also four additional medium hanging pendants in each of the south and western window bays, though these four lights, and the medium canister in the librarians office, had all been removed before the fire in 2014, meaning there were 48 in the library. The library was destroyed by the fire, though many metal fragments from the lights were salvaged, allowing twenty eight to be reconstructed from the original metal pieces, eleven to be made from a mix of original and new pieces (composites) and fifteen new lamps created. All the restoration work and shades was undertaken by Rodney French of Lonsdale & Dutch of Edinburgh.

Lonsdale & Dutch

Lampshade for Library, Glasgow School of Art: Lower Mezzanine- Composite Medium Canister

Originally, and according to Mackintosh’s preparatory sketches, there were thought to be 53 individual lights in the library, each with punched holes in the inner reflectors which allowed light to pass through blue and purple glass. The central array was made up of 12 small canisters attached to the light frame on the ceiling, with eight medium pendants and five large pendants hanging below. There were an additional twelve medium canisters attached to the coffered ceiling both above and below the library balcony, making 24. Originally there were also four additional medium hanging pendants in each of the south and western window bays, though these four lights, and the medium canister in the librarians office, had all been removed before the fire in 2014, meaning there were 48 in the library. The library was destroyed by the fire, though many metal fragments from the lights were salvaged, allowing twenty eight to be reconstructed from the original metal pieces, eleven to be made from a mix of original and new pieces (composites) and fifteen new lamps created. All the restoration work and shades was undertaken by Rodney French of Lonsdale & Dutch of Edinburgh.

Lonsdale & Dutch

Lampshade for Library, Glasgow School of Art: Lower Mezzanine- Composite Medium Canister

Originally, and according to Mackintosh’s preparatory sketches, there were thought to be 53 individual lights in the library, each with punched holes in the inner reflectors which allowed light to pass through blue and purple glass. The central array was made up of 12 small canisters attached to the light frame on the ceiling, with eight medium pendants and five large pendants hanging below. There were an additional twelve medium canisters attached to the coffered ceiling both above and below the library balcony, making 24. Originally there were also four additional medium hanging pendants in each of the south and western window bays, though these four lights, and the medium canister in the librarians office, had all been removed before the fire in 2014, meaning there were 48 in the library. The library was destroyed by the fire, though many metal fragments from the lights were salvaged, allowing twenty eight to be reconstructed from the original metal pieces, eleven to be made from a mix of original and new pieces (composites) and fifteen new lamps created. All the restoration work and shades was undertaken by Rodney French of Lonsdale & Dutch of Edinburgh.

Lonsdale & Dutch

Lampshade for Library, Glasgow School of Art: Lower Mezzanine- Composite Medium Canister

Originally, and according to Mackintosh’s preparatory sketches, there were thought to be 53 individual lights in the library, each with punched holes in the inner reflectors which allowed light to pass through blue and purple glass. The central array was made up of 12 small canisters attached to the light frame on the ceiling, with eight medium pendants and five large pendants hanging below. There were an additional twelve medium canisters attached to the coffered ceiling both above and below the library balcony, making 24. Originally there were also four additional medium hanging pendants in each of the south and western window bays, though these four lights, and the medium canister in the librarians office, had all been removed before the fire in 2014, meaning there were 48 in the library. The library was destroyed by the fire, though many metal fragments from the lights were salvaged, allowing twenty eight to be reconstructed from the original metal pieces, eleven to be made from a mix of original and new pieces (composites) and fifteen new lamps created. All the restoration work and shades was undertaken by Rodney French of Lonsdale & Dutch of Edinburgh.

Lonsdale & Dutch

Lampshade for Library, Glasgow School of Art: Central Cluster- Reconstructed Large Pendant

Originally, and according to Mackintosh’s preparatory sketches, there were thought to be 53 individual lights in the library, each with punched holes in the inner reflectors which allowed light to pass through blue and purple glass. The central array was made up of 12 small canisters attached to the light frame on the ceiling, with eight medium pendants and five large pendants hanging below. There were an additional twelve medium canisters attached to the coffered ceiling both above and below the library balcony, making 24. Originally there were also four additional medium hanging pendants in each of the south and western window bays, though these four lights, and the medium canister in the librarians office, had all been removed before the fire in 2014, meaning there were 48 in the library. The library was destroyed by the fire, though many metal fragments from the lights were salvaged, allowing twenty eight to be reconstructed from the original metal pieces, eleven to be made from a mix of original and new pieces (composites) and fifteen new lamps created. All the restoration work and shades was undertaken by Rodney French of Lonsdale & Dutch of Edinburgh.

Lonsdale & Dutch

Lampshade for Library, Glasgow School of Art: Central Cluster- Composite Large Pendant

Originally, and according to Mackintosh’s preparatory sketches, there were thought to be 53 individual lights in the library, each with punched holes in the inner reflectors which allowed light to pass through blue and purple glass. The central array was made up of 12 small canisters attached to the light frame on the ceiling, with eight medium pendants and five large pendants hanging below. There were an additional twelve medium canisters attached to the coffered ceiling both above and below the library balcony, making 24. Originally there were also four additional medium hanging pendants in each of the south and western window bays, though these four lights, and the medium canister in the librarians office, had all been removed before the fire in 2014, meaning there were 48 in the library. The library was destroyed by the fire, though many metal fragments from the lights were salvaged, allowing twenty eight to be reconstructed from the original metal pieces, eleven to be made from a mix of original and new pieces (composites) and fifteen new lamps created. All the restoration work and shades was undertaken by Rodney French of Lonsdale & Dutch of Edinburgh.

Lonsdale & Dutch

Writing desk for Gladsmuir (Version 4)

This item suffered significant damage in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014.

Desk with hinged top, designed for Gladsmuir, Kilmacolm.

The majority of this piece of furniture was lost, however a brass repousse panel plus three handles, all damaged, were salvaged and have undergone conservation and consolidation work. The original item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).

Mackintosh, Charles Rennie

Writing desk for Gladsmuir (Version 7)

This item suffered significant damage in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014.

Desk with hinged top, designed for Gladsmuir, Kilmacolm.

The majority of this piece of furniture was lost, however a brass repousse panel plus three handles, all damaged, were salvaged and have undergone conservation and consolidation work. The original item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).

Mackintosh, Charles Rennie

Wall hanging designed for The Dug-Out, Willow Tea Rooms, Glasgow

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. The canvas relates to smaller watercolours in the Hunterian collection, formerly thought to be textile designs, and to their painted canvas, 'The Little Hills' by Margaret Macdonald. It is likely that they were intended for 'The Dug-Out', though it is not known whether they were ever installed there. Jessie Newbery recalled in 1933, that 'He (Mackintosh) and his wife spent the winter of 1914 painting two large decorations for Miss Cranston'. This would have been in Suffolk, after they had left Glasgow. Although The Dug-Out was not created till 1917-18 it is not unlikely that Miss Cranston was considering the project some years earlier. The canvas was found in the GSA in a single roll in 1981 and was cleaned and mounted on two stretchers.

Mackintosh, Charles Rennie

Writing desk for Gladsmuir (Version 3)

This item suffered significant damage in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014.

Desk with hinged top, designed for Gladsmuir, Kilmacolm.

The majority of this piece of furniture was lost, however a brass repousse panel plus three handles, all damaged, were salvaged and have undergone conservation and consolidation work. The original item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).

Mackintosh, Charles Rennie

Writing desk for Gladsmuir (Version 6)

This item suffered significant damage in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014.

Desk with hinged top, designed for Gladsmuir, Kilmacolm.

The majority of this piece of furniture was lost, however a brass repousse panel plus three handles, all damaged, were salvaged and have undergone conservation and consolidation work. The original item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).

Mackintosh, Charles Rennie

Writing desk for Gladsmuir (Version 1)

This item suffered significant damage in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014.

Desk with hinged top, designed for Gladsmuir, Kilmacolm.

The majority of this piece of furniture was lost, however a brass repousse panel plus three handles, all damaged, were salvaged and have undergone conservation and consolidation work. The original item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).

Mackintosh, Charles Rennie

Writing desk for Gladsmuir (Version 2)

This item suffered significant damage in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014.

Desk with hinged top, designed for Gladsmuir, Kilmacolm.

The majority of this piece of furniture was lost, however a brass repousse panel plus three handles, all damaged, were salvaged and have undergone conservation and consolidation work. The original item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).

Mackintosh, Charles Rennie

Writing desk for Gladsmuir (Version 5)

This item suffered significant damage in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014.

Desk with hinged top, designed for Gladsmuir, Kilmacolm.

The majority of this piece of furniture was lost, however a brass repousse panel plus three handles, all damaged, were salvaged and have undergone conservation and consolidation work. The original item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).

Mackintosh, Charles Rennie

Lampshade for Library, Glasgow School of Art: Upper Mezzanine- Reconstructed Medium Canister

Originally, and according to Mackintosh’s preparatory sketches, there were thought to be 53 individual lights in the library, each with punched holes in the inner reflectors which allowed light to pass through blue and purple glass. The central array was made up of 12 small canisters attached to the light frame on the ceiling, with eight medium pendants and five large pendants hanging below. There were an additional twelve medium canisters attached to the coffered ceiling both above and below the library balcony, making 24. Originally there were also four additional medium hanging pendants in each of the south and western window bays, though these four lights, and the medium canister in the librarians office, had all been removed before the fire in 2014, meaning there were 48 in the library. The library was destroyed by the fire, though many metal fragments from the lights were salvaged, allowing twenty eight to be reconstructed from the original metal pieces, eleven to be made from a mix of original and new pieces (composites) and fifteen new lamps created. All the restoration work and shades was undertaken by Rodney French of Lonsdale & Dutch of Edinburgh.

Lonsdale & Dutch

Lampshade for Library, Glasgow School of Art: Central Cluster- Reconstructed Small Canister

Originally, and according to Mackintosh’s preparatory sketches, there were thought to be 53 individual lights in the library, each with punched holes in the inner reflectors which allowed light to pass through blue and purple glass. The central array was made up of 12 small canisters attached to the light frame on the ceiling, with eight medium pendants and five large pendants hanging below. There were an additional twelve medium canisters attached to the coffered ceiling both above and below the library balcony, making 24. Originally there were also four additional medium hanging pendants in each of the south and western window bays, though these four lights, and the medium canister in the librarians office, had all been removed before the fire in 2014, meaning there were 48 in the library. The library was destroyed by the fire, though many metal fragments from the lights were salvaged, allowing twenty eight to be reconstructed from the original metal pieces, eleven to be made from a mix of original and new pieces (composites) and fifteen new lamps created. All the restoration work and shades was undertaken by Rodney French of Lonsdale & Dutch of Edinburgh.

Lonsdale & Dutch

Lampshade for Library, Glasgow School of Art: Upper Mezzanine- Reconstructed Medium Canister

Originally, and according to Mackintosh’s preparatory sketches, there were thought to be 53 individual lights in the library, each with punched holes in the inner reflectors which allowed light to pass through blue and purple glass. The central array was made up of 12 small canisters attached to the light frame on the ceiling, with eight medium pendants and five large pendants hanging below. There were an additional twelve medium canisters attached to the coffered ceiling both above and below the library balcony, making 24. Originally there were also four additional medium hanging pendants in each of the south and western window bays, though these four lights, and the medium canister in the librarians office, had all been removed before the fire in 2014, meaning there were 48 in the library. The library was destroyed by the fire, though many metal fragments from the lights were salvaged, allowing twenty eight to be reconstructed from the original metal pieces, eleven to be made from a mix of original and new pieces (composites) and fifteen new lamps created. All the restoration work and shades was undertaken by Rodney French of Lonsdale & Dutch of Edinburgh.

Lonsdale & Dutch

Lampshade for Library, Glasgow School of Art: Lower Mezzanine- Reconstructed Medium Canister

Originally, and according to Mackintosh’s preparatory sketches, there were thought to be 53 individual lights in the library, each with punched holes in the inner reflectors which allowed light to pass through blue and purple glass. The central array was made up of 12 small canisters attached to the light frame on the ceiling, with eight medium pendants and five large pendants hanging below. There were an additional twelve medium canisters attached to the coffered ceiling both above and below the library balcony, making 24. Originally there were also four additional medium hanging pendants in each of the south and western window bays, though these four lights, and the medium canister in the librarians office, had all been removed before the fire in 2014, meaning there were 48 in the library. The library was destroyed by the fire, though many metal fragments from the lights were salvaged, allowing twenty eight to be reconstructed from the original metal pieces, eleven to be made from a mix of original and new pieces (composites) and fifteen new lamps created. All the restoration work and shades was undertaken by Rodney French of Lonsdale & Dutch of Edinburgh.

Lonsdale & Dutch

Lampshade for Library, Glasgow School of Art: Central Cluster- Reconstructed Medium Pendant

Originally, and according to Mackintosh’s preparatory sketches, there were thought to be 53 individual lights in the library, each with punched holes in the inner reflectors which allowed light to pass through blue and purple glass. The central array was made up of 12 small canisters attached to the light frame on the ceiling, with eight medium pendants and five large pendants hanging below. There were an additional twelve medium canisters attached to the coffered ceiling both above and below the library balcony, making 24. Originally there were also four additional medium hanging pendants in each of the south and western window bays, though these four lights, and the medium canister in the librarians office, had all been removed before the fire in 2014, meaning there were 48 in the library. The library was destroyed by the fire, though many metal fragments from the lights were salvaged, allowing twenty eight to be reconstructed from the original metal pieces, eleven to be made from a mix of original and new pieces (composites) and fifteen new lamps created. All the restoration work and shades was undertaken by Rodney French of Lonsdale & Dutch of Edinburgh.

Lonsdale & Dutch

Lampshade for Library, Glasgow School of Art: Central Cluster- Reconstructed Medium Pendant

Originally, and according to Mackintosh’s preparatory sketches, there were thought to be 53 individual lights in the library, each with punched holes in the inner reflectors which allowed light to pass through blue and purple glass. The central array was made up of 12 small canisters attached to the light frame on the ceiling, with eight medium pendants and five large pendants hanging below. There were an additional twelve medium canisters attached to the coffered ceiling both above and below the library balcony, making 24. Originally there were also four additional medium hanging pendants in each of the south and western window bays, though these four lights, and the medium canister in the librarians office, had all been removed before the fire in 2014, meaning there were 48 in the library. The library was destroyed by the fire, though many metal fragments from the lights were salvaged, allowing twenty eight to be reconstructed from the original metal pieces, eleven to be made from a mix of original and new pieces (composites) and fifteen new lamps created. All the restoration work and shades was undertaken by Rodney French of Lonsdale & Dutch of Edinburgh.

Lonsdale & Dutch

Lampshade for Library, Glasgow School of Art: Central Cluster- Reconstructed Large Pendant

Originally, and according to Mackintosh’s preparatory sketches, there were thought to be 53 individual lights in the library, each with punched holes in the inner reflectors which allowed light to pass through blue and purple glass. The central array was made up of 12 small canisters attached to the light frame on the ceiling, with eight medium pendants and five large pendants hanging below. There were an additional twelve medium canisters attached to the coffered ceiling both above and below the library balcony, making 24. Originally there were also four additional medium hanging pendants in each of the south and western window bays, though these four lights, and the medium canister in the librarians office, had all been removed before the fire in 2014, meaning there were 48 in the library. The library was destroyed by the fire, though many metal fragments from the lights were salvaged, allowing twenty eight to be reconstructed from the original metal pieces, eleven to be made from a mix of original and new pieces (composites) and fifteen new lamps created. All the restoration work and shades was undertaken by Rodney French of Lonsdale & Dutch of Edinburgh.

Lonsdale & Dutch

Lampshade for Library, Glasgow School of Art: Lower Mezzanine- Composite Medium Canister

Originally, and according to Mackintosh’s preparatory sketches, there were thought to be 53 individual lights in the library, each with punched holes in the inner reflectors which allowed light to pass through blue and purple glass. The central array was made up of 12 small canisters attached to the light frame on the ceiling, with eight medium pendants and five large pendants hanging below. There were an additional twelve medium canisters attached to the coffered ceiling both above and below the library balcony, making 24. Originally there were also four additional medium hanging pendants in each of the south and western window bays, though these four lights, and the medium canister in the librarians office, had all been removed before the fire in 2014, meaning there were 48 in the library. The library was destroyed by the fire, though many metal fragments from the lights were salvaged, allowing twenty eight to be reconstructed from the original metal pieces, eleven to be made from a mix of original and new pieces (composites) and fifteen new lamps created. All the restoration work and shades was undertaken by Rodney French of Lonsdale & Dutch of Edinburgh.r

Lonsdale & Dutch

Writing desk for Gladsmuir

This item suffered significant damage in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014.

Desk with hinged top, designed for Gladsmuir, Kilmacolm.

The majority of this piece of furniture was lost, however a brass repousse panel plus three handles, all damaged, were salvaged and have undergone conservation and consolidation work. The original item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).

Mackintosh, Charles Rennie

Wall hanging designed for The Dug-Out, Willow Tea Rooms, Glasgow

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. The canvas relates to smaller watercolours in the Hunterian collection, formerly thought to be textile designs, and to their painted canvas, 'The Little Hills' by Margaret Macdonald. It is likely that they were intended for 'The Dug-Out', though it is not known whether they were ever installed there. Jessie Newbery recalled in 1933, that 'He (Mackintosh) and his wife spent the winter of 1914 painting two large decorations for Miss Cranston'. This would have been in Suffolk, after they had left Glasgow. Although The Dug-Out was not created till 1917-18 it is not unlikely that Miss Cranston was considering the project some years earlier. The canvas was found in the GSA in a single roll in 1981 and was cleaned and mounted on two stretchers.

Mackintosh, Charles Rennie

Papers of Jessie Keppie, artist and student of The Glasgow School of Art, Scotland

  • DC 004
  • Collection
  • 1868-1913

Collection includes:

  • Menus and dinner invitation to artistic gatherings with a sketch by James E Christie
  • London Sketch Club ephemera including menus, invitations, cards with sketches by Shepperson, W Lee Hank, Rene Butt and Jock Bere, 1902-1906
  • F. Carruthers Gould ephemera containing invites to private views
  • tudies for Pictures by J Moyr Smith, 1868
  • Information on John Burnet, Architect, 1814-1901
  • Photograph album, c1893

The photograph album contains photographs of "The Immortals", including Jessie Keppie, Charles Rennie Mackintosh, Herbert MacNair, Frances Macdonald, Margaret Macdonald and others of their circle.

The Moyr Smith sketches are from Moyr Smith's first published book Studies in Pictures. Smith trained in Glasgow, becoming influenced by Alexander Thomson and Daniel Cottier, moving to London in 1864.

Of great importance in this collection is a sketchbook of drawings by Charles Rennie Mackintosh. The sketchbook, dating from the 1890s, consists of 19 drawings of flowers, furniture sketches, and interior sketches of Craigie Hall, Pollokshields, Glasgow.

Keppie, Jessie

Washstand for Guthrie and Wells

Designed for Guthrie and Wells, Glasgow. This and others pieces of green stained furniture made by Guthrie and Wells, were collected by William Davidson for his house Gladsmuir and later in Windyhill. Guthrie and Wells, originally founded as a painting and decorating firm by J and W Guthrie, who entered into partnership with Andrew Wells in 1895, played an important role in the history of decor and design in Glasgow. They were the most important of the stained glass studios emerging in Glasgow in the 1890s, supplied furniture, glass, mosaics etc and had a reputation for first class craftsmanship and always employed excellent designers. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).

Mackintosh, Charles Rennie

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