Vinyl EP cover, Friends Again (Version 5)
- DC 089/3/5/2/v5
- Part
- 1984
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
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Vinyl EP cover, Friends Again (Version 5)
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Vinyl EP cover, Friends Again (Version 6)
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Vinyl EP cover, Friends Again (Version 7)
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Vinyl EP cover, Friends Again (Version 8)
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Vinyl EP cover, Friends Again (Version 9)
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Cover design by Fraser Taylor of single figure with blue background.
Taylor, Fraser
Vinyl EP, Friends Again (Version 1)
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Vinyl EP, Friends Again (Version 2)
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Vinyl EP, Friends Again (Version 3)
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Vinyl EP, Friends Again (Version 4)
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Vinyl LP, The Bluebells "Cath"
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Vinyl LP, The Bluebells "Cath"
Taylor, Fraser
Vinyl single artwork, The Bluebells "Cath"
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Cover design by Fraser Taylor of two embracing figures with graphic background. Cut from sleeve, front section only, no vinyl included.
Taylor, Fraser
Vinyl single, Altered Images "Don't talk to me about love"
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Cover design by Fraser Taylor of 2 red abstract faces. Published on Epic Records.
Taylor, Fraser
Vinyl single, Altered Images "Happy Birthday"
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Cover design by Fraser Taylor of 2 red abstract faces. Published on Epic Records.
Taylor, Fraser
Vinyl single, Altered Images "Happy Birthday" (Version 1)
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Vinyl single, Altered Images "Happy Birthday" (Version 2)
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Vinyl single, Altered Images "Happy Birthday" (Version 3)
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Vinyl single, Altered Images "Happy Birthday" (Version 4)
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Vinyl single, Altered Images "I would be happy"
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Cover design by Fraser Taylor of face with red details as backdrop for band portrait. Published on Epic Records.
Taylor, Fraser
Vinyl single, Altered Images "I would be happy" (Version 1)
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Vinyl single, Altered Images "I would be happy" (Version 2)
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Vinyl single, Altered Images "I would be happy" (Version 3)
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Vinyl single, Altered Images "I would be happy" (Version 4)
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Vinyl single, The Bluebells "Cath"
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Cover design by Fraser Taylor of single figure with blue background.
Taylor, Fraser
Vinyl single, The Bluebells "Cath" (Version 1)
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Vinyl single, The Bluebells "Cath" (Version 2)
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Vinyl single, The Bluebells "Cath" (Version 3)
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Vinyl single, The Bluebells "Cath" (Version 4)
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Wall clock for Glasgow School of Art
One of a series of electric slave clocks located through the Glasgow School of Art and run from a central 'master' clock. Installed in the new Mackintosh Furniture Gallery following restoration in 2013. This item was assessed for conversation in 2010 as part of the Mackintosh Conservation and Access project (2006-2010), and then again in 2018 following the fire in the Mackintosh Building in June 2018.
Mackintosh, Charles Rennie
Wall clock for Glasgow School of Art
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. One of a series of electric slave clocks located through the Glasgow School of Art and run from a central 'master' clock. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Installed into the Mackintosh Library following restoration in 2013.
Mackintosh, Charles Rennie
Wall clock for Glasgow School of Art
One of a series of electric slave clocks located through the Glasgow School of Art and run from a central 'master' clock. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Installed into Studio 45 following restoration in 2013. Following the fire in the Mackintosh Building in May 2014 it was assessed and conserved in 2019.
Mackintosh, Charles Rennie
Wall clock for Glasgow School of Art
One of a series of electric slave clocks located through the Glasgow School of Art and run from a central 'master' clock. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Installed into Studio 31 following restoration in 2013. Following the fire in the Mackintosh Building in May 2014 it was assessed and conserved in 2019.
Mackintosh, Charles Rennie
Wall clock for Glasgow School of Art
One of a series of electric slave clocks located through the Glasgow School of Art and run from a central 'master' clock. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Re-installed into Room 2 (Woodworking shop) following restoration in 2013. Following the fire in the Mackintosh Building in May 2014 it was assessed and conserved in 2019.
Mackintosh, Charles Rennie
Wall clock for Glasgow School of Art
One of a series of electric slave clocks located through the Glasgow School of Art and run from a central 'master' clock. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Installed into Studio 38 following restoration in 2013. Following the fire in the Mackintosh Building in May 2014 it was assessed and conserved in 2019.
Mackintosh, Charles Rennie
Wall clock for Glasgow School of Art
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. One of a series of electric slave clocks located through the Glasgow School of Art and run from a central 'master' clock. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Installed into Studio 44 following restoration in 2013.
Mackintosh, Charles Rennie
Wall clock for Glasgow School of Art
One of a series of electric slave clocks located through the Glasgow School of Art and run from a central 'master' clock. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Installed into Studio 25 following restoration in 2013. Following the fire in the Mackintosh Building in May 2014 it was assessed and conserved in 2019.
Mackintosh, Charles Rennie
Wall clock for Glasgow School of Art
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. One of a series of electric slave clocks located through the Glasgow School of Art and run from a central 'master' clock. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Installed into Studio 32 following restoration in 2013.
Mackintosh, Charles Rennie
Wall clock for Glasgow School of Art
It is likely that there was once a wooden clock in this room, Studio 42. However at some point in history the clock itself seems to have disappeared to be replaced by a stencilled clock dial painted directly onto the studio wall. An original (c.1910) dial mechanism complete with clock hands was then accommodated by means of a hole cut into the wall at the centre of the stencilled dial, where it was then linked up to the other clocks in the electrical circuit.
Mackintosh, Charles Rennie
Wall clock for Glasgow School of Art
One of a series of electric slave clocks located through the Glasgow School of Art and run from a central 'master' clock. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Installed outside the Lecture Theatre following restoration in 2013. Following the fire in the Mackintosh Building in May 2014 it was assessed and conserved in 2019.
Mackintosh, Charles Rennie
Wall clock for Glasgow School of Art
One of a series of electric slave clocks located through the Glasgow School of Art and run from a central 'master' clock. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Installed into Studio 39 following restoration in 2013. Following the fire in the Mackintosh Building in May 2014 it was assessed and conserved in 2019.
Mackintosh, Charles Rennie
Wall clock for Glasgow School of Art
One of a series of electric slave clocks located through the Glasgow School of Art and run from a central 'master' clock. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Installed into Studio 40 following restoration in 2013. Following the fire in the Mackintosh Building in May 2014 it was assessed and conserved in 2019.
Mackintosh, Charles Rennie
Wall clock for Glasgow School of Art
One of a series of electric slave clocks located through the Glasgow School of Art and run from a central 'master' clock. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Installed into the Museum following restoration in 2013. Following the fire in the Mackintosh Building in May 2014 it was assessed and conserved in 2019.
Mackintosh, Charles Rennie
Wall clock for Glasgow School of Art
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. One of a series of electric slave clocks located through the Glasgow School of Art and run from a central 'master' clock. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Installed into Studio 43 following restoration in 2013.
Mackintosh, Charles Rennie
Wall clock for Glasgow School of Art
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. One of a series of electric slave clocks located through the Glasgow School of Art and run from a central 'master' clock. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Installed at the top of the west staircase following restoration in 2013.
Mackintosh, Charles Rennie
Woven wall hanging in plain weave with black yarn and loose supplementary warps and wefts in yellow, orange, red, green and black thinner yarn and ribbons of black plastic (possible bin bags). These supplementary warps and wefts form two vertical bands with a puckered effect. The warps are knotted and left long as fringes.
*Not available / given