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The photograph features a group of nineteen female students in an anatomy drawing class.

The photograph features Archibald Haswell Miller in the centre back of the image alongside three other students of the Academy of Fine Arts of Munich. The annotations below the photograph show the text "R. Covert" and "A Haswell Miller".

The reverse of the photograph shows the text "AEHM in Germany (Munich) as a student (about 21 yrs)".

The photograph features a male and a female dressed with period clothing.

The photograph features Archibald Haswell Miller holding a palette and portraying a female figure.

The cardboard shows the text "H.M. at Glasgow School of Art c1907 (under Maurice Greiffenhagen)".

An annotation on the top right corner shows "1907".

The photograph features a group of six men looking at a set of paintings hung on the wall.

The newscutting is titled "At a Scottish Art Club's Show". The supporting text reads "A group of artists and members of the Hanging Committee at the annual exhibition of work by members of the Glasgow Art Club, which is being held in the club's premises just now.–"Bulletin" Photograph."

An annotation on the top right corner of the cardboard shows "1926?".

The photograph features Archibald Haswell Miller holding a palette.

The photograph features a group of fifteen male and four male students alongside Maurice Greiffenhagen, The reverse of the photograph shows the text "Haswell Miller / Centre back (highlighted) / (c1903) Student at Glasgow School of Art".

The photograph features a senior group of ten men and two women. Archibald Haswell Miller is standing in the back, fourth from the left.

The supporting text reads "Yesterday was "touching-up day" for the R.S.W. Exhibition in the M'Lellan Galleries, Glasgow, where our camera man secured this interesting study. The group includes Robert Eadie, Norah Neilson Gray, R. C. Young, James Kay, Haswell Miller, A. M'Bride, J. W. Wright, A. P. Thomson (sitting), Tom Hunt, Miss Raeburn, Arch. Kay, and D. Fulton."

An annotation on the top right corner of the cardboard shows "1928?".

The item shows two different photographs. The first photograph features Archibald Haswell Miller smoking a pipe in the centre of the image, alongside a group of seventeen male and one female students. The annotations below the photograph inform it was taken at the Academy of Fine Arts of Munich. The text reads "The Marrschule. Munich Akademie 1909. [...] as G.C. with halo hold by Baliut".

The second photograph features John R. Covert sitting in a rocket chair. The annotations on the left hand side show the text "John R. Covert. American faint abstract painter. In Munich 1910". The annotation on the right hand side show the text "Here he is – a malen. Oh see [...] he sits and [...]. He'll paint – perhaps. And perhaps? –".

An annotation on the top right corner of the cardboard shows "1909-10".

The reverse of the cardboard lists the names and background of the nineteen students in the first photograph. It is supported by a map placing the subjects in the photograph.

The photograph features a group of ten male students in a painting class, with Archibald Haswell Miller in the centre back.

The photograph features Archibald Haswell Miller dressed as a medieval King.

A variety of paintings and artworks completed by Archibald Haswell Miller and Josephine Haswell Miller, including urban landscapes, portraits, and military scenes. Some of these items are dated to their time as teaching staff at The Glasgow School of Art.

A variety of photographs showing students and staff of The Glasgow School of Art, many of which feature Archibald Haswell Miller during his time as a student and staff at the institution.

The newscutting features a photograph of Dame Laura Knight with some of the principals inspecting diploma work during her visit to The Glasgow School of Art.

A variety of ephemera primarily dating to the days of Archibald Haswell Miller as a student at The Glasgow School of Art.

Archibald Haswell Miller's admission ticket to the Varnishing Day of the Forty-Sixth Annual Exhibition, at The Royal Glasgow Institute of Fine arts.

Archibald Haswell Miller's Glasgow School of Art Club membership card.

Archibald Haswell Miller's bill for the Academy of Fine Arts of Munich from the winter semester 1908/09.

A variety of photographs featuring loose photographs of artworks and GSA students and staff.

The newscutting informs of the reception and dance that were held at The Glasgow School of Art on the day it was published. The evening entertainment included the presentation of two plays by Francis H. Newbery. It shows photographs of four principals in the plays: Miss J. Cameron, Mr A. G. Crombie, Mr J. C. M'Fayden, and Mr J. Huck.

Originally located within folder (DC 098/1/4).

A variety of designs, correspondence, ephemera and photographs related to Archibald Haswell Miller. A large amount of items are dated to his time as either a student or a lecturer at The Glasgow School of Art.

A variety of loose artworks, cover designs, correspondence, ephemera, and photographs completed by and belonging to Archibald Haswell Miller. The collections includes proofs for book covers and pamphlets, personal correspondence relating to his studies and subsequent career, different ephemera relating to Haswell Miller's student days and photographs of artworks and students and staff members of The Glasgow School of Art.

This collection also includes material relating to Georges-Marie Baltus (DC 098/2) , including photographs of his artworks and his Italian and European trips, and Francis H. Newbery (DC 098/3).

Calligraphy of Lewis Carroll quotations in outline of elephant

Calligraphy of Lewis Carroll quotations in outline of buffalo

Painting of group of people, on board. One of ten boards used to make stop motion film.

Collection includes artworks and sketchbooks made by Jimmy Cosgrove as a student at the Glasgow School of Art; while working as a Tutor and the Director of the Glasgow School of Art; and afterwards, including work relating to the House for an Art Lover, and documenting travels across Europe, North America, and Mexico.

One of eight screenprints in a folder inspired by artists and architects who spent their whole lives thinking about squares, rectangles and straight lines: C R Mackintosh, Malevich, Modrian, Lloyd Wright, Newman, Stella, Martin and Halley.
Print 'A' inspired by C R Mackintosh. The screenprints are boxed with an introductory page.

Plastic speciman jar containing 'bug' made from Irn Bru can.

Charcoal drawing shown as part of Degree Show 2019. Drawn from north Kelvin Meadow.

An abstract composition with outline of two figures. Small pieces of paper collaged to surface and shaded in a cream coloured gouache, and black crayon. Pale blue paint in background.

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.

Sketchbook page with drawing on both sides. Black ink drawing of abstract figures and line on side one and abstract line drawing done with ink and pen nib on side two.

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.

Ink drawing of the female form on paper. On the reverse is a pencil drawing of a reclining female form with crosshatched shadows.

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.

Two sided line drawing in black ink of figures drawn from life. Similar to DC 089/1/2/4/37.

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.

Abstract drawing in black ink with crosshatched lines and solid ink circles. Annotated verso "drawing of bay- quick almost child like drawing. Leaving the line as free as possible ignoring all detail- development, select lines and put into new format".

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.

Abstract drawing with three shades of grey gouache applied with gestural brush marks. Annotated verso: ink drawing of male and female figures "life drawing use of line", "25".

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.

Two sided drawing on sketchbook page. Side one shows a black ink drawing of cows grazing in a field, with gestural marks. Side two has a faint pencil drawing of leaves and a drawing in conte crayon on tracing paper and taped to the paper with masking tape.

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.

Gouache and ink painting of an abstract landscape on sketchbook page. Drawn Verso: line drawing in pencil.

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.