You are Everything plate (Version 3)
- NMC/0592A/v3
- Part
- 1996
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You are Everything plate (Version 3)
You are Everything plate (Version 2)
You are Everything plate (Version 1)
Plate with decorative transfers: 'You Are Everything' legend and face on recto.
Reynolds, Karen
Woodcut prints of pattern designs and drawings
Part of Material relating to Gerard V Murphy, former GSA student
Nine pieces of teaching examples for printmaking, attached to backing paper. These woodcut-printed examples include two pattern designs and seven printed drawings. Also used as teaching materials in schools in Scotland, as marked the level of students "Fourth year."
Murphy, Gerard V
Woodcut prints for teaching students
Part of Material relating to Gerard V Murphy, former GSA student
Five pieces of teaching examples for printmaking, attached to backing paper. A few prints were created using both intaglio and relief printing techniques, while the others are relief prints. Also used as teaching materials in schools in Scotland, as marked the level of students "Fifth year."
Murphy, Gerard V
Woodcut prints depicting the St George myth
Part of Material relating to Gerard V Murphy, former GSA student
Two multicolour-printed pieces of teaching examples for printmaking, attached to backing paper. These prints illustrate the heroic myth of Saint George slaying a dragon. Also used as teaching materials in schools in Scotland, as marked with the level of students "Sixth year."
Murphy, Gerard V
Woodcut printing examples for teaching students
Part of Material relating to Gerard V Murphy, former GSA student
Four pieces of teaching examples for printmaking, attached to backing paper. These woodcut prints were created using potentially intaglio and relief printing techniques. Also used as teaching materials in schools in Scotland, as marked with the level of students "Sixth year."
Murphy, Gerard V
Wood scene near Sevenoaks, Kent. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Wood printing block of portrait of man with building in background. Annotated on reverse: stamped name "Lawrence", artist's name handwritten.
Small, William Farquharson
Group of native women working in a field.
Addo-Osafo, Emmanuel
Windmill with labourers in foreground. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Crane (bird) with red flame.
Palmer, Joan
We are Happy cup and saucer (Version 4)
We are Happy cup and saucer (Version 3)
We are Happy cup and saucer (Version 2)
We are Happy cup and saucer (Version 1)
Cup with decorative transfers: 'We are happy' legend on outside and two faces inside, 'KR 10/16' on underside. Blank white saucer.
Reynolds, Karen
Waterside cottage with boats and fisherman
First colour block - red ink.
*Not available / given
Waterside cottage with boats and fisherman
Third colour block - blue on ochre and red ink.
*Not available / given
Waterside cottage with boats and fisherman
Second colour block - ochre on red ink.
*Not available / given
Waterside cottage with boats and fisherman
Fourth and final colour block - black on blue, ochre and red ink.
*Not available / given
Study of Water Mill. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Etching. Abstract design suggesting concertina folded heavily embossed or anaglypta paper.
Parry, Jacki
Study of cottage in North Wales. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
View of part of Battle Abbey, Sussex
View of Battle Abbey with sheep grazing in foreground. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Landscape with farmhouse. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Etching.
Sander, Thomas Edward
Old buildings set around courtyard/quadrangle.
*Not available / given
Subject matter derived from Dylan Thomas' 1954 radio drama/play "Under Milk Wood". The wood engraving shows three figures seated around a breakfast table.
Chapman, June Crisfield
Study of mills at Bromley, Kent and Dulwich Common, Surrey. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Study of two water mills near Llanfair, North Wales. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Two cottages; near Knowle, Warwickshire and Bromley, Kent. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Snowdon seen across Fraeth Mawr, North Wales. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Male figure with outstretched arms. One of seven works presented to GSA by the Scottish Arts Council, as a result of the Council's collection being broken up and dispersed across Scotland.
Rodger, William
Tree-stump scene lithograph, 3/6.
Graham, Gordon
View of small town with church and halls in the distance.
Bliss, Douglas Percy
White cranes.
Palmer, Joan
Study of three bridges; near Knowle (Warwickshire), Leicester and North Wales. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Study of three bridges; near Birmingham, Llanberis, (North Wales) and Arden, Warwickshire. Published in London.
Cox, David
Studies of cottages and part of Caernarvon Castle, North Wales. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Study of three churches; North Wales and Wiltshire. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
White cranes.
Palmer, Joan
View of Italian hill-top Town. One of seven works presented to GSA by the Scottish Arts Council, as a result of the Council's collection being broken up and dispersed across Scotland.
McKenzie, Alison
Rock patterns.
Palmer, Joan
The courtesan Hana-Muraski of the Tamaya brothel processing to an assignation.
Eisen, Keisai