Showing 1698 results

Brown ink lines with blue gouache spots on cream coloured paper. Similar in design to DC 089/1/2/4/4

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.

Spot design drawn in pencil and painted in pink gouache. Two parallel stripes rendered in blue and pink gouache dominating the composition. Similar to DC 089/1/2/4/4.

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.

Brown ink circle design with pink gouache center on cream paper. Similar in design to DC 089/1/2/4/3.

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.

Illustration from the British Architect, March 13, 1903.

Abstract figurative mono-print in black ink on white card. Shapes rendered in pastel colours using gouache. Similar design to DC 089/1/2/4/1.

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.

Red ink design with painted check in purple paint. shapes deducted from paper by knife and painted in purple and yellow ink, shapes reintroduced to the paper by tapping them from the back to create a collage effect with a flush surface. Similar materials and format to DC 089/3/6/5.

Abstract painted design for textile on black paper with linear paint strokes in cream paint, washed over with black ink creating a crackled effect. Background painted in grey. Annotated verso "FT.35". Similar materials and format to DC 089/3/6/2

Crosshatched abstract design on grey paper with collage pieces of cream paper adhered to the surface. Collage pieces in chip like shapes with gestural paint marks in grey and black paint. Similar materials and format to DC 089/3/6/1.

Apron with repeating design of thistles in purple, grey, and white.

This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Textile conservation was completed in 2019.

Red ink design with painted geometric shapes. shapes deducted from paper by knife and painted in purple paint, yellow and blue ink, shapes reintroduced to the paper by tapping them from the back to create a collage effect with a flush surface. Similar materials and format to DC 089/3/6/4.

Apron with repeating design of thistles in red, tan, and white.

Rectangular motif drawing in conte crayon and collaged onto a piece on cream paper. Ball point pen is applied to the surface creating linear marks in a repeat style pattern. Pink ink splotches in background of design. Similar in design and media to DC 089/3/6/5. Backed on conservation board.

Ink is applied in washes to the surface of the paper, blue opaque gouache renders the background leaving floral shapes to reveal the ink underneath. Black acrylic is used to outline the organic shapes and loosely create a checked pattern in the background. Paper backed on conservation board.

Black crayon is applied to the background in a dense crosshatch pattern. Coloured inks are washed over the surface creating a watery effect. Organic shapes with gestural brush strokes in black ink are applied to the surface of the composition. Paper backed on conservation board.

'Do you have Future Vision?' A poster promoting the MDes in Design Innovation.

Abstract female forms monoprinted onto light coloured paper and adhered to pink paper to create a collage effect. Charcoal is used to draw lines in the background, with strips of cream coloured paper also collaged to the surface. Backed on conservation board.

Abstract collage pieces of paper painted in a spot design, shaded in black conte crayon and adhered to a grey acrylic painted background on paper. Backed on conservation board.

Collage design of multiple rectangular pieces of paper adhered to white paper. Black pen and ink applied to the surface in a gestural fashion creating linear marks. Circles of bright pink drawing ink in background of design. Backed on conservation board.

Blue ink design with painted lines in bleach. Squares deducted from piece by cutting them and painting them in blue, yellow, orange and lilac acrylic paint. Shapes reintroduced to the piece by taping them from the back. Similar in design and format to DC 089/3/6/6. Annotated verso "F.T.19".

Green bag featuring a thistle design.

Abstract drawing of gestural lines and cirlces in ballpoint pen. Collaged pieces attached from reverse using masking tape. Pink and black pen. Annotated verso "F.T.47".

Abstract collage design of architectural shapes on cream paper painted with spot design in grey and black. Adhered to white paper with a light grey painted background.

Two painted figures in ink and gouache mounted onto white card. Design one shows an abstract face painted in coloured inks and white gouache. Design two shows an abstract face painted in black ink and purple, blue and cream gouache.

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.

Abstract figurative mono-print in black ink on white card. Collage pieces adhered. Pink and blue dotted ink pattern applied to surface of print.

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.

Three figures carrying picks and shovels.

Female figure outline drawn in glue and mono-printed over in black ink. Background painted in cream, pink and blue. Backed on white card.

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.

Abstract organic design painted in black ink and gouache, similar style of painting on reverse. Painted on paper and backed on white card.

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.

Figurative brush strokes in pink acrylic paint, outlined in black acrylic on a red ink background. Abstract marks in oil pastel. Work on paper and backed on conservation board.

This poster advertised one of the masters of design end of year degree shows. The exhibition was held in the Mackintosh Building on The Glasgow School Of Art campus.

This poster advertised the work of graduating students from the Master of Design course which was part of The Glasgow School Of Art graduate degree show in 1983. The exhibition was held in the Mackintosh Building on The Glasgow School Of Art campus from the 10th to the 16th of December. The style of this poster is similar to that of a poster for the Master of Design fashion show which was designed by illustrator Ingeborg Smith and can be found under the reference number GSA/EPH/10/13.

Mounted print of a design for 'A Midsummer Night's Dream' by William Shakespeare. Quote above image says 'The fairyland buys not the child of me.'

Located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies

This poster advertised an exhibition of graphic design work which was held in the Mackintosh Museum within The Glasgow School Of Art from the 1st to the 15th of December 1990.

This poster advertised a talk given by interior designer John Siddeley at The Glasgow School Of Art on the 24th of February 1977. Siddeley's notable commissions include the redecoration of the Swedish Embassy, the design of the Harlequin Suite at the Dorchester Hotel and the Park Lane Hotel in Piccadilly.

This poster advertised an exhibition of work by both past and present students from the School of Design and the Mackintosh School of Architecture at The Glasgow School Of Art. It features a quote from John Kenneth Galbraith who was a prominent economist during this period. He stated "It is on the artistic not less than on the engineering and scientific excellence that economic security and economic progress now depend," The exhibition was held between Kelvingrove Art Gallery and Museum and the Mackintosh Museum at The Glasgow School Of Art. It ran from the 9th of February to the 1st of March 1985.

This poster advertised an exhibition of work by both past and present students from the School of Design and the Mackintosh School of Architecture at The Glasgow School Of Art. It features a quote from John Kenneth Galbraith who was a prominent economist during this period. He stated "It is on the artistic not less than on the engineering and scientific excellence that economic security and economic progress now depend," The exhibition was held between Kelvingrove Art Gallery and Museum and the Mackintosh Museum at The Glasgow School Of Art. It ran from the 9th of February to the 1st of March 1985.

Poster for 'An Exhibition of Scottish Dress Design from 1759' in the McLellan Galleries, Glasgow. Exhibition date is 03 Jun-03 Jul, year unknown but believed to be late 20th century.