Plaster cast of section of architrave with vines and eagle in clipeus (Version 1)
- PC/159/v1
- Part
- Mid 19th century-early 20th century
Part of Plaster Casts
*Not available / given
Plaster cast of section of architrave with vines and eagle in clipeus (Version 1)
Part of Plaster Casts
*Not available / given
Plaster cast of tondo from relief portrait of Sigismondo Pandolfo Malatesta (Version 1)
Part of Plaster Casts
Plaster cast of tondo from relief portrait of Sigismondo Pandolfo Malatesta (Version 2)
Part of Plaster Casts
Plaster cast of cherub roundel with wings (Version 2)
Part of Plaster Casts
Plaster cast of section of architrave with vines and eagle in clipeus (Version 2)
Part of Plaster Casts
*Not available / given
Plaster cast of section of pilaster with vase, foliage and putti (Version 3)
Part of Plaster Casts
Plaster cast of putti and foliage tondo (Version 1)
Part of Plaster Casts
Plaster cast of Spinelli family coat of arms on octagonal panel (Version 1)
Part of Plaster Casts
Plaster cast of Spinelli family coat of arms on octagonal panel (Version 2)
Part of Plaster Casts
Plaster cast of foundling roundel (Version 1)
Part of Plaster Casts
Plaster cast of section of pilaster with vase, foliage and putti (Version 1)
Part of Plaster Casts
Plaster cast of section of architrave with vines and eagle in clipeus (Version 3)
Part of Plaster Casts
Plaster cast of frieze (Version 2)
Part of Plaster Casts
Plaster cast of cherub roundel with wings (Version 1)
Part of Plaster Casts
Plaster cast of tondo portrait of Andrea Mantegna (Version 1)
Part of Plaster Casts
Plaster cast of relief from story of Romulus and Remus (Version 2)
Part of Plaster Casts
Plaster cast of section of pilaster with vase, foliage and putti (Version 2)
Part of Plaster Casts
Plaster cast of frieze (Version 1)
Part of Plaster Casts
Plaster cast of capital from the Temple of Vesta
Part of Plaster Casts
Original: Composite capital form the Temple of Vesta at Tivoli, of the Greco Romano style. Temple of Vesta is a ruined temple in Tivoli, Italy from the 1st century BC.
*Not available / given
Plaster cast of putti and foliage tondo (Version 2)
Part of Plaster Casts
Plaster cast of foundling roundel (Version 2)
Part of Plaster Casts
Plaster cast of tondo portrait of Andrea Mantegna (Version 2)
Part of Plaster Casts
Plaster cast of relief from story of Romulus and Remus (Version 1)
Part of Plaster Casts
Plaster cast of the meeting of St Francis and St Dominic (Version 2)
Part of Plaster Casts
Plaster cast of Mother and Child (Version 1)
Part of Plaster Casts
Plaster cast of Virgin and Child roundel (Version 1)
Part of Plaster Casts
Plaster cast of Virgin adoring the Child, with God the Father and angels (Version 1)
Part of Plaster Casts
Plaster cast of Virgin and Child (Version 2)
Part of Plaster Casts
Plaster cast of Virgin adoring the Child, with God the Father and angels (Version 2)
Part of Plaster Casts
Plaster cast of Virgin and Child roundel (Version 1)
Part of Plaster Casts
Plaster cast of Virgin and Child roundel (Version 2)
Part of Plaster Casts
Plaster cast of Virgin and Child roundel (Version 1)
Part of Plaster Casts
Plaster cast of Virgin and Child (Version 1)
Part of Plaster Casts
Plaster cast of the meeting of St Francis and St Dominic (Version 1)
Part of Plaster Casts
Plaster cast of Saint George (Version 1)
Part of Plaster Casts
Plaster cast of the meeting of St Francis and St Dominic (Version 1)
Part of Plaster Casts
Plaster cast of the meeting of St Francis and St Dominic (Version 2)
Part of Plaster Casts
Plaster cast of Mother and Child (Version 2)
Part of Plaster Casts
Part of Papers of Conrad McKenna, student and staff member at The Glasgow School of Art, Scotland
Conrad McKenna’s correspondence and materials relating to The Glasgow Summer School held in San Gimignano during his various teaching roles at The Glasgow School of Art. Including a combination of typed and hand written materials, newspaper clippings, floor plans and printed ephermera. Including correspondence in English and Italian with: The Scott Sutherland School of Architecture, Robert Gordons Institute of Technology, Universita Italiana per Stranieri, Provincial Tourist Office – Sienna, Societa Dante Alighieri, Convento S. Agostino, Comune Di Bresica, Intercultural and Permanent Education Centre (San Gimignano), and Professor Mario Serchi. Correspondence generally details travel and accommodation arrangements, itineraries and costings for The Summer School at San Gimignano alongside its relationships and partnerships with individuals and institutions. Selections of correspondence detail Italian students’ visit to Scotland. Also includes correspondence with the Intercultural and Permanent Education Centre, San Gimignano, detail Draft Articles of Association; an account of The Glasgow Summer School in 1969 by Douglas Percy Bliss, which describes San Gimignano, the Church of Saint Agostino where the school was held and accommodated and the school’s interaction with the local population. A typed account of the origins of The Summer School at San Gimignano by Conrad McKenna is also included. Printed ephemera includes two brochures from 1969 and 1971 detailing itineraries, arrangements and costs of The Glasgow Summer School.
McKenna, Conrad