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The library was destroyed by fire on 23 May 2014, though many metal and glass fragments from the lights were subsequently salvaged. Originally, and according to Mackintosh’s preparatory sketches, there were thought to be 53 individual lights in the library, each with punched holes in the inner reflectors which allowed light to pass through blue and purple glass. The central array was made up of 12 small canisters attached to the light frame on the ceiling, with eight medium pendants and five large pendants hanging below. There were an additional twelve medium canisters attached to the coffered ceiling both above and below the library balcony, making 24. Originally there were also four additional medium hanging pendants in each of the south and western window bays, though these four lights, and the medium canister in the librarians office, had all been removed before the fire in 2014, meaning there were 48 in the library. This small selection of salvaged lights fragments has been retained as evidence of the fire tragedy. These fragments are also surplus to the needs of Rodney French of Lonsdale and Dutch, Edinburgh who has been tasked with reconstructing the entire set of library lights, whilst reusing as much of the surviving fragments as possible.

This poster advertised a lecture by Thomas Joshua Cooper which was organised by The Glasgow School Of Art's graphic design department. Cooper works at The Glasgow School Of Art as head of fine art photography and is regarded as an authoritative figure in his field. The talk was held in the Mackintosh Lecture Theatre within The Glasgow School Of Art on Friday the 29th of October 1993.

The library was destroyed by fire on 23 May 2014, though many metal and glass fragments from the lights were subsequently salvaged. Originally, and according to Mackintosh’s preparatory sketches, there were thought to be 53 individual lights in the library, each with punched holes in the inner reflectors which allowed light to pass through blue and purple glass. The central array was made up of 12 small canisters attached to the light frame on the ceiling, with eight medium pendants and five large pendants hanging below. There were an additional twelve medium canisters attached to the coffered ceiling both above and below the library balcony, making 24. Originally there were also four additional medium hanging pendants in each of the south and western window bays, though these four lights, and the medium canister in the librarians office, had all been removed before the fire in 2014, meaning there were 48 in the library. This small selection of salvaged lights fragments has been retained as evidence of the fire tragedy. These fragments are also surplus to the needs of Rodney French of Lonsdale and Dutch, Edinburgh who has been tasked with reconstructing the entire set of library lights, whilst reusing as much of the surviving fragments as possible.

Architectural drawing showing sections through building.

Architectural drawing showing east/west elevations. 'The East elevation is as built... the West elevation has been completely redesigned. In 1897 the roof line falls with the steep slop of Scott Street: in 1907 the lower part of the site provides a base for a soaring tower block containing the Library which, if it has affinities with the spirit of the traditional Scottish tower house, is completely twentieth century in all its detailing... Other changes were made in the course of construction,... the ashlar of the blank wall on the left was replaced by undressed stone and... the normal sized doorway grew to colossal proportions, extending well above the line of the windows (Mackintosh's pencilled alterations are just visible on the drawing).' (McLaren Young).

Architectural drawing showing sub-basement floor. With one or two exceptions, a series of Mackintosh drawings appear to be the final 'working drawings' from which a 'finished' hand coloured set were based.

Architectural drawing showing east/west elevations.

Architectural drawing showing sections through building.

Architectural drawing showing east/west elevations of building.

Architectural drawing showing sections through building.

Architectural drawing showing sections through building.

Architectural drawing showing various plans. This sketch shows how accommodation was arranged in the East wing of the GSA before the West wing was added and the building was completed in 1906-09.

The library was destroyed by fire on 23 May 2014, though many metal and glass fragments from the lights were subsequently salvaged. Originally, and according to Mackintosh’s preparatory sketches, there were thought to be 53 individual lights in the library, each with punched holes in the inner reflectors which allowed light to pass through blue and purple glass. The central array was made up of 12 small canisters attached to the light frame on the ceiling, with eight medium pendants and five large pendants hanging below. There were an additional twelve medium canisters attached to the coffered ceiling both above and below the library balcony, making 24. Originally there were also four additional medium hanging pendants in each of the south and western window bays, though these four lights, and the medium canister in the librarians office, had all been removed before the fire in 2014, meaning there were 48 in the library. This small selection of salvaged lights fragments has been retained as evidence of the fire tragedy. These fragments are also surplus to the needs of Rodney French of Lonsdale and Dutch, Edinburgh who has been tasked with reconstructing the entire set of library lights, whilst reusing as much of the surviving fragments as possible.

The library was destroyed by fire on 23 May 2014, though many metal and glass fragments from the lights were subsequently salvaged. Originally, and according to Mackintosh’s preparatory sketches, there were thought to be 53 individual lights in the library, each with punched holes in the inner reflectors which allowed light to pass through blue and purple glass. The central array was made up of 12 small canisters attached to the light frame on the ceiling, with eight medium pendants and five large pendants hanging below. There were an additional twelve medium canisters attached to the coffered ceiling both above and below the library balcony, making 24. Originally there were also four additional medium hanging pendants in each of the south and western window bays, though these four lights, and the medium canister in the librarians office, had all been removed before the fire in 2014, meaning there were 48 in the library. This small selection of salvaged lights fragments has been retained as evidence of the fire tragedy. These fragments are also surplus to the needs of Rodney French of Lonsdale and Dutch, Edinburgh who has been tasked with reconstructing the entire set of library lights, whilst reusing as much of the surviving fragments as possible.

Architectural drawing showing sections through building.

Architectural drawing showing sections through building.

Architectural drawing showing basement plan of building. This sketch, very possibly not in Mackintosh's own hand but drawn by a draughtsman in his office, shows how the accommodation was arranged in the East wing basement before the GSA was completed with the addition of the West wing in 1906-09. The technical studios on the plan were housed in a temporary building which can be seen in the perspective drawing of the unfinished GSA.

Austrian. White embroidery mainly in French knots, back stitch and trailing, illustrating the lamb of God. On fine linen stiffened with card.

This poster advertised an exhibition of work by postgraduate fine art students in 1985. The exhibition was held in the Mackintosh Building at The Glasgow School Of Art and included work by students studying drawing and painting, photography, printmaking, sculpture and stained glass. The exhibition ran from the 14th to the 20th of June and the image on the poster shows the exhibiting students. The photograph was taken by H. Kerr and was printed at David J. Clark Limited.

Possibly a chalice veil. Cream coloured needlelace square. Almost square in fine needlelace with floral border which is more detailed at corners. Small floral sprigs scattered across fabric.

This poster advertised an exhibition of work by postgraduate fine art students which was held in the Mackintosh Building at The Glasgow School Of Art from the 23rd to the 29th of June 1990. The show included work by Marta Estrella, Martyn Greenhalgh, Christopher Hoddinott, Brigitte Jurack, Richard Learoyd, Rachel Meehan, Gregory Patterson, Robert Stark and Euan Sutherland. The poster was designed at The Glasgow School Of Art and printed at David J Clark Limited. The image used on the poster was taken by Richard Learoyd and shows a number of students including: - Alex Dempster - Jim Hamlyn - Peter McCaughey - Craig Richardson - Julie Roberts - Andrew Sneddon - Eddie Stewart - Cathy Whippey The list of names was gathered with the help of Eddie Stewart who works as a tutor in the school's painting and printmaking department. Stewart previously graduated from the school with an undergraduate degree in drawing and painting and a postgraduate degree in fine art. He is pictured in The Glasgow School Of Art's degree show posters for 1988 and 1990, both of which appear in The Glasgow School Of Art poster collection. A key identifying each student in the photograph can also be found in the archival folder for this item.

This poster advertised an exhibition of Charles Rennie Mackintosh and Margaret Macdonald Mackintosh in 1983 at the Fine Art Society, 134 Blythswood Street, Glasgow, which ran from 24 Aug to 26 Sep 1983. Entitled 'The 1933 Memorial Exhibition: A Reconstruction', it was part of the Charles Rennie Mackintosh Society's 10th Anniversary Celebrations (1973-1983). The poster features a watercolour painting of a flower in lilac, white and black paint.

Etching of Sandy Moffat, former head of painting, The Glasgow School of Art.

Drawing taken from plaster cast in The Glasgow School of Art.

Drawing taken from plaster cast in The Glasgow School of Art.

Drawing taken from plaster cast in The Glasgow School of Art.

Drawing taken from plaster cast in The Glasgow School of Art.

Drawing taken from plaster cast in The Glasgow School of Art.

Drawing taken from plaster cast in The Glasgow School of Art.

Study of male model (possibly from Glasgow School of Art life class).

Study of male model (possibly from Glasgow School of Art life class).