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Bronze portrait bust. Inscribed on plinth: Fra. H/ Newbery/ Director of the Glasgow School of Art/ 1885-1917.

Correspondence with & about W.E.F. Britten, Professor of Design & Decorative Art, about teaching and timetables.

Correspondence re: Mr Morley Fletcher, Principal of Edinburgh College of Art.

Includes correspondence with M. Baltus, Professor of Technics & History of Art.

Correspondence with Robert Anning Bell, Professor of Design, about position of Director of Design.

Working Papers of Francis Newbery. Reports and papers from Newbery's time as Director of the School. Papers as follows: DIR/5/38/2/1: Total Abstinence Pledge card signed by the School Janitor Alex Russell and countersigned by Francis Newbery as witness, in envelope, 07 Jan 1902 (1 item). DIR/5/38/2/2: Typewritten report on the Turin Exhibition by Newbery, 1902 (11 pages). DIR/5/38/2/3: Handwritten document: 'School of Art, Central Institution, Resolutions', regarding topics such as the scheme of work and the Scottish Education Department. Looks like comment on another document with paragraphs numbered, c1910 (6 pages). DIR/5/38/2/4: Correspondence and papers relating to the National Art Survey, 1909-1912 (1 folder).

A variety of items relating to Francis H. Newbery, including his application to become Head Master of The Glasgow School of Art, a photograph of a mural, and a portrait photograph.

Portrait of Newbery (obverse); Mackintosh Building (reverse). Inscribed obverse: "To commemorate the services of Fra H. Newbery as Director of the Glasgow School of Art 1885-1918". Design includes portrait of Newbery and Glasgow coat-of-arms. Reverse: "Awarded for distinction in diploma work".

Copy of minutes of meeting of the School Committee re: the appointment of a Professor for Technics and History of Art.

Copies of letters between G.M. Baltus and GSA re: duties and salary.

From Lawrence Binyon, Department of Prints & Drawings, British Museum, re: lectures.

From S.N. Miller, University of Glasgow re: lectures.

Portrait of Newbery (obverse); Mackintosh Building (reverse). Inscribed obverse: "To commemorate the services of Fra H. Newbery as Director of the Glasgow School of Art 1885-1918". Design includes portrait of Newbery and Glasgow coat-of-arms. Reverse: "Awarded for distinction in diploma work".

Testimonials for M. Baltus.

From Lionel Giles, Department of Oriental Printed Books and Manuscripts, British Museum re: lectures.

From A.H. Charteris, writer re: lecture on 'Copyright'.

Later accessions of material relating to Francis Newbery. Material was not deposited as part of his working papers as Director of the School, but includes some working papers and correspondence from during his time as Director in addition to papers dating to after his retirement, family records and photographs, and written materials regarding Newbery.
Includes:

• DIR/5/38/1: Correspondence, 1889-1947
• DIR/5/38/2: Working Papers of Francis Newbery, 1902-c1910
• DIR/5/38/3: The 'Masque of the City Arms' Papers and Correspondence, 1905
• DIR/5/38/4: The Teaching of Design, Papers and Correspondence, 1910
• DIR/5/38/5: Needlecraft in Secondary Schools Papers and Correspondence, 1910-1912
• DIR/5/38/6: Family Papers, 1906-1984
• DIR/5/38/7: Family Photographs, c1895-c1980s
• DIR/5/38/8: Materials relating to Francis Newbery

See this blog-post for more information about the discovery of these materials: http://www.gsaarchives.net/2018/03/cataloguing-gsa-famous-friends-fra-newbery-discovered/

This medal was awarded to Dorothy Campbell Smith who studied Design-Embroidery.

Portrait of Newbery (obverse); Mackintosh Building (reverse). Inscribed obverse: "To commemorate the services of Fra H. Newbery as Director of the Glasgow School of Art 1885-1918". Design includes portrait of Newbery and Glasgow coat-of-arms. Reverse: "Awarded for distinction in diploma work".

Original letters between Baltus & Newbery re: contract & pay.

From E.F. Strange, V&A Museum re: lectures.

Portrait of Newbery (obverse); Mackintosh Building (reverse). Inscribed obverse: "To commemorate the services of Fra H. Newbery as Director of the Glasgow School of Art 1885-1918". Design includes portrait of Newbery and Glasgow coat-of-arms. Reverse: "Awarded for distinction in diploma work".

Note from Baltus regarding a female student sent to Newbery because she is a bad example to other students.

From W.B. Yeats re: lectures.

Miscellaneous notes/drafts.

Outgoing letters, A-B: Reference for Professor Paul Artot, detailing his work at GSA (Jul); to W.B. Yeats re: requesting a lecture at GSA (Mar); Professor Baltus re: arrangements for lectures, his staying in Belgium because of the War (May-Aug); Professor Paul Bartlett re: report on the visit of Sir George Frampton to GSA, working at GSA with ref. to work of Alexander Proudfoot (Jan-May); Anning Bell re: an exhibition of Decorative Art in France, includes refs. to staff at GSA and Mr & Mrs Mackintosh, work in the Design Section at GSA with personal reflections on staff including Greiffenhagen (Feb-May).

Outgoing letters, F-H: J. Arnold Fleming on the death of Sir James Fleming, Chairman of the Governors (May); Professor Patrick Geddes re: a competition for architecture students (May); Norah Neilson Gray re: a more permanent position on the staff (Jan & June); Mr Groundwater re: effect of war on Service Staff (Sep); William Hunter re: scholarship travel in Germany, Italy & Spain, with advice about health and problems during wartime (Mar-Aug).

Outgoing letters, I-M: personal letter to Mr Jackson on his resignation from GSA (Aug); John Lindsay, Town Clerk, Glasgow re: Lending Museum Scheme & Langside Library (Jun); Mr E. Lesser & Miss G. Lesser re: B Schotz studying at GSA (Jul); Sir John Stirling Maxwell, on his placing the contents of his library at the disposal of the students (Feb); Herr & Frau Muthesius re: assistance to travelling scholarship students, etc. (Feb-Mar); Alice Morris re: gift of a signed Aubrey Beardsley drawing (Apr); Cllr. Mitchell re: GSA exhibits at the Lyons Exhibition (Mar-Jul).

Sundries: Programme of work for the Modelling & Sculpture Section; draft of a lecture given by Newbery on 20 Dec 1913 - "The Four Corners of a Picture"; draft of manifesto for the Artist Teacher's Exhibition Society, prepared by Mr Dron (Mar); notes on the proposed work on artistic anatomy by Miss Parkes (Dec); draft of rules for Essay Competition; [also ref. for Miss Keppie, dated 1910].

Outgoing letters, Mc-P: Ann Macbeth re: her decision to leave GSA, the "irritant character" between GSA and the Technical College (Mar-Jul); C. R. Mackintosh re: drawings & estimates for window & door from Dalhousie St. into the Animal Room (Feb); D. MacLeod, Glasgow Provincial Committee re: Summer Vacation Courses Art: 55 (Mar); A. McGlashan re: travelling student scholarship (Jan-Mar); Ruby Pickering re: loans of casts, etc. for school in Johannesburg (Mar); George Pirie re: arrangement & payment for visits to Animal Class (May).

Outgoing letters, Q-S: Mr Ramsay re: scholarship travel in Europe (Jan-Mar); Sir Isidore Spielmann, Board of Trade re: Exhibition of Decorative Arts, Paris & work presented by GSA staff and students (Apr-Jul); Dr Baird Smith, Franco-Scottish Society re: Bursary for architecture student to travel abroad (May); Sir John Struthers, Scottish Education Department re: the unveiling of the Building Committee painting, refs. to Sir James Fleming's illness (May); Olive Carleton Smyth re: more permanent position on school staff (Jun).

Outgoing letters, A-C: W.E. Bates, Bridport Boy's School re: Newbery Prizes for Drawing (Sep-Oct); Mme. Baltus re: leaving Glasgow with her daughter (Oct); Sir James Bell re: lecture by E.A. Walton (Dec); J. Brown, Muirhead Trust re: assistance to furnish a rest room for women in 166-172 Renfrew St., also refers to women's war work and the role of the woman artist in war (Jun-Nov); to Mme. Bourdon re: a commemorative plaque for Eugene Bourdon (Nov); D.Y. Cameron re: the effects of WWI -musing on art during war (Oct). [Also some letters from 1915, incl. list of Haldane Bursary winners].

Outgoing letters, H-M: F. Harcourt Kitchin re: portrait of a Devonshire woman that Newbery is presenting to City of Exeter Museum (Sep); Rev Langdon, Membury re: commemorative panel in church (Sep-Oct); Allan D. Mainds re: entertainment for "Jock's Box for limbless Soldiers & Sailors" (Dec).

Outgoing letters, C-E: D. Bannatyne, Haldane Trust re: winners of Haldane Bursaries for 1913-14 (June); J. Clark, Glasgow School Board re: use of a model under ten years old in GSA (Feb); Miss E.J. Cameron re: postponing Scholarship travel [manuscript] (Aug); invitation to Alfred Drury to visit Sculpture section of GSA (May).

Outgoing letters, T-Z & Sundries: Mr Tatlock re: the use of artificial daylight for painting (Apr); Mrs Wyper re: British Empire Shakespeare Society (Dec-May); Robertson Weir re: joining up, Newbery's opinion of WWI (Aug); E.G. Wylie re: stirring up the architectural students to support the war effort, etc. [manuscript, possibly written by Jessie Newbery] (Sep); W.B. Yeats re: lecture at GSA (Mar); communication to the Scottish Education Department re: Continuation Classes at Strathbungo and the development of a Joint Art Committee (n.d.); Lecture -Decorative Art and the Modem City (n.d.).

Outgoing letters, D-G: Instructions to Mr. Dunlop about the Evening School (Oct); Editor of the Daily News re: the role of the machine in arts and crafts, refers to William Morris, Walter Crane, Mackintosh, Voysey, etc. (Oct); James Dron re: Artist Teachers' Exhibition Society & lecture from E.A. Walton (Oct-Dec); Norah Neilson Gray re: organisation of classes (Oct); John R. Findlay re: suggested British Industries Fair in Glasgow (Dec).

Outgoing letters, S-Z: F. Stockdale re: the Bourdon memorial (Dec); John S Samuel, City Chambers, Glasgow re: a proposal for the Incorporated Soldiers & Sailors Help Society to make some "souvenirs" (Sep-Dec); Thomas Train, British Expeditionary Force re: reference for a commission, Newbery's reaction to war and its effect on GSA (Nov); C.F.A. Voysey re: designs for stained glass and cretonne (Oct); E.A. Walton re: his lecture at GSA and the choice of paintings required (Octec); Harry Wilson re: Proposed Arts & Crafts exhibition (Nov-Dec).