Records of The Glasgow School of Art Club
- DC 002
- Collection
- c1900-1950
This collection includes ephemera from meetings, programmes and prizegivings.
The Glasgow School of Art Club
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Records of The Glasgow School of Art Club
This collection includes ephemera from meetings, programmes and prizegivings.
The Glasgow School of Art Club
Papers of Jessie Keppie, artist and student of The Glasgow School of Art, Scotland
Collection includes:
The photograph album contains photographs of "The Immortals", including Jessie Keppie, Charles Rennie Mackintosh, Herbert MacNair, Frances Macdonald, Margaret Macdonald and others of their circle.
The Moyr Smith sketches are from Moyr Smith's first published book Studies in Pictures. Smith trained in Glasgow, becoming influenced by Alexander Thomson and Daniel Cottier, moving to London in 1864.
Of great importance in this collection is a sketchbook of drawings by Charles Rennie Mackintosh. The sketchbook, dating from the 1890s, consists of 19 drawings of flowers, furniture sketches, and interior sketches of Craigie Hall, Pollokshields, Glasgow.
Keppie, Jessie
The Grace Melvin Textile Collection, Glasgow School of Art, Glasgow, Scotland
14 textile items, thought to have been designed as part of Grace Melvin's diploma show c1918.
Melvin, Grace
Poster for an exhibition entitled 'Glasgow Girls'
Part of Records of The Glasgow School of Art, Glasgow, Scotland
This poster advertised an exhibition showcasing the work of The Glasgow Girls held in The Mackintosh Museum at The Glasgow School Of Art. The exhibition ran from the 15th of July to the 31st of August 1988 and was the precursor for a larger Glasgow Girls exhibition that would be shown two years later. This particular exhibition was curated by Jude Burkhauser who went on to write a full PhD on The Glasgow Girls.
*Not available / given
This collection includes works by a number of artists, designers and architects associated with Charles Rennie Mackintosh, including his wife Margaret Macdonald Mackintosh, his sister-in-law Frances Macdonald MacNair and his sister-in-law's husband Herbert MacNair. These works include textiles, designs, and four volumes of a Glasgow School of Art student publication called The Magazine, as well as several individual watercolours now separated from the publication. The collection also includes a number of models for proposed architectural schemes by Mackintosh.
Mackintosh, Charles Rennie
Model of the Glasgow School of Art
1/8": 1 foot scale Coloured balsa wood model of the Mackintosh Building on a wooden base. Made by former students of the Glasgow School of Art.
*Not available / given
Model of the Glasgow School of Art (Version 1)
1/8": 1 foot scale Coloured balsa wood model of the Mackintosh Building on a wooden base. Made by former students of the Glasgow School of Art.
Model of the Glasgow School of Art (Version 10)
1/8": 1 foot scale Coloured balsa wood model of the Mackintosh Building on a wooden base. Made by former students of the Glasgow School of Art.
Model of the Glasgow School of Art (Version 11)
1/8": 1 foot scale Coloured balsa wood model of the Mackintosh Building on a wooden base. Made by former students of the Glasgow School of Art.
Model of the Glasgow School of Art (Version 12)
1/8": 1 foot scale Coloured balsa wood model of the Mackintosh Building on a wooden base. Made by former students of the Glasgow School of Art.
Model of the Glasgow School of Art (Version 13)
1/8": 1 foot scale Coloured balsa wood model of the Mackintosh Building on a wooden base. Made by former students of the Glasgow School of Art.
Model of the Glasgow School of Art (Version 14)
1/8": 1 foot scale Coloured balsa wood model of the Mackintosh Building on a wooden base. Made by former students of the Glasgow School of Art.
Model of the Glasgow School of Art (Version 2)
1/8": 1 foot scale Coloured balsa wood model of the Mackintosh Building on a wooden base. Made by former students of the Glasgow School of Art.
Model of the Glasgow School of Art (Version 3)
1/8": 1 foot scale Coloured balsa wood model of the Mackintosh Building on a wooden base. Made by former students of the Glasgow School of Art.
Model of the Glasgow School of Art (Version 5)
1/8": 1 foot scale Coloured balsa wood model of the Mackintosh Building on a wooden base. Made by former students of the Glasgow School of Art.
Model of the Glasgow School of Art (Version 6)
1/8": 1 foot scale Coloured balsa wood model of the Mackintosh Building on a wooden base. Made by former students of the Glasgow School of Art.
Model of the Glasgow School of Art (Version 7)
1/8": 1 foot scale Coloured balsa wood model of the Mackintosh Building on a wooden base. Made by former students of the Glasgow School of Art.
Model of the Glasgow School of Art (Version 8)
1/8": 1 foot scale Coloured balsa wood model of the Mackintosh Building on a wooden base. Made by former students of the Glasgow School of Art.
Model of the Glasgow School of Art (Version 9)
1/8": 1 foot scale Coloured balsa wood model of the Mackintosh Building on a wooden base. Made by former students of the Glasgow School of Art.
There are 4 known surviving volumes: The Magazine 1893, The Magazine April 1894, The Magazine November 1894, The Magazine 1896.
The Magazine was a publication of original writings and designs by students from the Glasgow School of Art, Glasgow, Scotland, and their friends. Appearing in 4 volumes between November 1893 and Spring 1896, The Magazine contains text from contributors handwritten by Lucy Raeburn, editor, accompanied by original illustrations. These volumes are the only known copies of The Magazine. In addition to rare, early watercolours and designs by Charles Rennie Mackintosh, the volumes contain early designs by Frances MacDonald and Margaret MacDonald, at a stage in their development which has been labelled 'Spook School', and two sets of photographs by James Craig Annan, when he was beginning to establish a reputation at home and abroad. Among other contributors were Janet Aitken, Katherine Cameron, Agnes Raeburn and Jessie Keppie, all of whom enjoyed lengthy careers in art and design.
The Magazine is similar to an album amicorum such as those which originated in the middle of the 16th century among German university students, who collected autographs of their friends and notable persons, sometimes adding coats of arms and illustrations. The Magazine resembled the album amicorum in that contributions were by a close group of students and their friends and is all the more interesting because the illustrations were produced by young people who had a common social background, were trained at the same school, and subjected to the same artistic influences. The contributors were closely linked, some by family, some by romantic attachments and had close social connections. Other contributors include C Kelpie, John M Wilson, Jane Keppie, and Ethel M Goodrich. Source: Jude Burkhauser, Glasgow Girls: women in art and design (Edinburgh : Canongate, 1990).
Raeburn, Lucy
The Magazine: Volume 1 (Page 1)
The Magazine: Volume 1 (Page 10)
The Magazine: Volume 1 (Page 11)
The Magazine: Volume 1 (Page 12)
The Magazine: Volume 1 (Page 13)
The Magazine: Volume 1 (Page 14)
The Magazine: Volume 1 (Page 15)
The Magazine: Volume 1 (Page 16)
The Magazine: Volume 1 (Page 17)
The Magazine: Volume 1 (Page 18)
The Magazine: Volume 1 (Page 19)
The Magazine: Volume 1 (Page 2)
The Magazine: Volume 1 (Page 20)
The Magazine: Volume 1 (Page 21)
The Magazine: Volume 1 (Page 22)
The Magazine: Volume 1 (Page 23)
The Magazine: Volume 1 (Page 24)
The Magazine: Volume 1 (Page 25)
The Magazine: Volume 1 (Page 26)
The Magazine: Volume 1 (Page 27)
The Magazine: Volume 1 (Page 28)
The Magazine: Volume 1 (Page 29)
The Magazine: Volume 1 (Page 3)
The Magazine: Volume 1 (Page 30)
The Magazine: Volume 1 (Page 31)
The Magazine: Volume 1 (Page 32)
The Magazine: Volume 1 (Page 33)
The Magazine: Volume 1 (Page 34)
The Magazine: Volume 1 (Page 35)