- NMC/1633F
- Item
- 13th century to 16th century
Fragment of wall hanging bowl or dish. Yellow/gold glaze on recto with hand-painted light brown swirl pattern.
*Not available / given
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Fragment of wall hanging bowl or dish. Yellow/gold glaze on recto with hand-painted light brown swirl pattern.
*Not available / given
Rim fragment with cream glaze and yellow/gold hand-painted design on recto. Gold hand-painted patterns with figure on verso. Possibly small handwritten letters on an edge.
*Not available / given
Rim fragment from dish or plate. Cream glaze with yellow/gold hand-painted pattern with crown on recto. Small area of cream glaze and red/brown section of hand-painted band on verso.
*Not available / given
Triangular shaped ceramic fragment with cream glaze with yellow/gold hand-painted design on recto.
One of thirty-one different pottery fragments from Persia/Egypt/Syria. Likely brought to the Glasgow School of Art to be used as teaching aids.
*Not available / given
Fragment from what might be a tile. Hand-painted flower and petal shapes in blue, black, yellow, and turquoise paint. '85' and 'SHAH ISF' handwritten on verso. Shah (Persian) is a title given to the emperors/kings and lords of Iran.
*Not available / given
Turquoise glaze and hand-painted black band with white Arabic inscription.
*Not available / given
Rim fragment with cream, blue, and black paint with hand-painted band on recto. Hand-painted blue and black bands on verso with metallic/mineral shine.
*Not available / given
Fragment with aqua green glaze over embossed pattern on recto. '24' handwritten on verso.
*Not available / given
Small fragment with cream glaze and yellow/gold, blue, and red hand-painted designs with gold leaf on recto.
*Not available / given
Fragment of dish or plate. Cream glaze with dark blue, turquoise, black, red, hand-painted figures and animal on recto with some gold leaf. Cream glaze with turquoise, blue, and red hand-painted figures on verso with some gold leaf. One large crack down the centre.
*Not available / given
Slightly curved fragment with pastel blue glaze on recto and verso.
*Not available / given
Rim fragment with green/brown glaze with dark blue hand-painted desgin on recto. Dark blue glaze on verso.
*Not available / given
Rim fragment with cream glaze and blue and black hand-painted band on recto. Cream glaze with hand-painted black band with what might be Arabic writing on verso.
One of thirty-one different pottery fragments from Persia/Egypt/Syria. Likely brought to the Glasgow School of Art to be used as teaching aids.
*Not available / given
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Includes flower prints, animal prints, architectural prints, and a print of a painting of a rhinoceros.
*Not available / given
Records and textiles of the Needlework Development Scheme
The collection consists of the surviving papers of the Needlework Development Scheme and over 100 examples of needlework. Of these examples, 28 are from Great Britain and 54 are examples of non-British work including examples from Greece, India, Norway, Sweden, Italy, Switzerland, Turkey and Bosnia. Items include ecclesiatical, domestic, costume, clothing and modern embroideries, tea cosies, funeral pall, clothing, lace work, wall hangings, samplers, linen work and cushion covers.
The surviving papers include a complete inventory of 1012 items that were part of the Needlework Development Scheme prior to its dispersal in 1961. This provides information on the original numbering scheme used for the needlework examples and also provides information on the provenance of each item, although this is not necessarily the creator of the item but the person from whom the item was received, as well as a description of the item itself. There is an inventory of the parts of the collection received by the Glasgow School of Art, insurance details concerning the collection and the correspondence of the Needlework Development Scheme, 1931-1941.
This material may contain sensitive information about individuals that is protected by the Data Protection Act. Until this material has been checked for sensitive information, it will not be available for researchers. Once this Data Protection work is complete the collection will be open for access, however any sensitive information will be closed and inaccessible for 75 years from the date of creation.
The Needlework Development Scheme
Records relating to Ted Odling
This material mainly relates to Ted Odling's time teaching at The Glasgow School of Art from the 1950s to the early 1980s. It contains the following items:
Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers.
Odling, Ted
Ship block printing display case
Wooden display case showing process of wood and linoleum block printing, featuring ship design. Loose paper GSA label once attached to back of case with writing "Design. B-Block Printing". Due to information in archival documentation, display case can be dated pre-1943. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014 and was conserved in 2018.
*Not available / given
The Duncan Brown Photographic Collection
The collection consists of 305 photographs taken between 1853 and 1896. Sitters included local dignitaries, friends and family including John Brown, Queen Victoria's Ghillie. The collection also includes landscapes and the streets of Glasgow, particularly around the Pollokshields area on the south side of the city. Other subjects include ships, ship yards and stately houses.
Brown, Duncan
The Giusti Plaster Cast Collection
Collection of items related to the Glasgow based firm J. Giusti & Co. which specialized in the production of plaster figures, mould making, statuary repair, and other plaster work. The collection is primarily composed of plaster busts and portraits, six moulds, and two medals. The casts and moulds are formed after a range of sculptural styles including ancient Greek and Roman, French Gothic, Italian Renaissance, and 19th century anatomical studies.
The Giusti Plaster Cast Collection highlights mould making and casting processes that were used to produce objects for retail and to repair existing plaster casts. Records from The Glasgow School of Art document purchases and repairs from J. Giusti & Co. from as early as 1890, and casts related to those in the collection were widely used as teaching and learning tools at the GSA through at least mid-20th century.
As most of the items in the collection were used in commercial casting processes, very few items have a plain white, white washed, or decoratively painted surface that are often observed in plaster cast collections. Many of the plaster casts and all of the plaster moulds are widely covered with uneven layers of shellac that appear yellow, red, or brown. Shellac was applied as a sealant and resist agent to prevent existing plaster elements from sticking to fresh plaster elements during the casting process.
In addition to the plaster casts and plaster moulds, several items provide further insights into the material processes employed by J. Giusti & Co. Two medals (likely bronze) showcase the company's involvement with mould making for metal casting, and a gelatine mould is a surviving example of a traditional process used to produce detailed casts in small quantities.
Proudfoot, Alexander
The Glasgow School of Art still life object, candle holder
Heavy, machined brass candle holder. Threaded bore in base suggests that there may have been other parts to this originally, possibly the base for a candelabra. Part of the School handling collection, marked 'sch 40' in red paint on base.
*Not available / given
The Glasgow School of Art still life object, candlestick
Simple metal candleholder on circular tray base with row of piercings on base. Part of the GSA handling collection, 'GSA 49' in red paint on base.
*Not available / given
The Glasgow School of Art still life object, candlestick
Metal trefoil style candle holder on flat tray base,for thick candle, possibly ecclesiastical. Used for school handling collection, marked 'sch 66' in red paint on the base.
*Not available / given
The Glasgow School of Art still life object, candlestick
Metal, possibly brass, simple inverse funnel shape candlestick from the GSA handling collection with 'GSA 927' marked in red on the base.
*Not available / given
The Glasgow School of Art still life object, coffee pot
Metal, possibly tin, coffee pot with repair to handle using a more elaborate metal handle from another vessel to replace damaged section. Part of the GSA handling collection, marked 'sch 19' in red paint on base.
*Not available / given
Toucan block printing display case
Display of block printing process in wooden display case, featuring toucan design. Back of case has GSA label with writing "Block Printing C". Due to information in archival documentation, display case can be dated pre-1943.
*Not available / given