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Outgoing letters, D-G: Instructions to Mr. Dunlop about the Evening School (Oct); Editor of the Daily News re: the role of the machine in arts and crafts, refers to William Morris, Walter Crane, Mackintosh, Voysey, etc. (Oct); James Dron re: Artist Teachers' Exhibition Society & lecture from E.A. Walton (Oct-Dec); Norah Neilson Gray re: organisation of classes (Oct); John R. Findlay re: suggested British Industries Fair in Glasgow (Dec).

Outgoing letters, S-Z: F. Stockdale re: the Bourdon memorial (Dec); John S Samuel, City Chambers, Glasgow re: a proposal for the Incorporated Soldiers & Sailors Help Society to make some "souvenirs" (Sep-Dec); Thomas Train, British Expeditionary Force re: reference for a commission, Newbery's reaction to war and its effect on GSA (Nov); C.F.A. Voysey re: designs for stained glass and cretonne (Oct); E.A. Walton re: his lecture at GSA and the choice of paintings required (Octec); Harry Wilson re: Proposed Arts & Crafts exhibition (Nov-Dec).

Letterbook of outgoing correspondence, pages 1-500 - including letters to Scottish Education Department; to Muthesius; to Professor Behrens of Düsseldorf, re: a visit to German Art Schools (232); award of the Haldane Traveling Scholarship to D. Forrester Wilson; Adolphe Giraldon re: the Design Section (116, 197 & 207); Eugene Bourdon re: the teaching in the School of Architecture (115); the Masque of the City Arms (133); Delville re: models required for the Life Classes (143); Professor Geddes re: directing the Masque and personal news (146); James Dunlop re: work by Design students (201); woman designers in Glasgow (249); the Bram Stoker Medal (311); Professor Baltus re: lectures to be given at GSA (343 & 350); Lavery re: the International Society (365); replacement for Delville (403-404); absenteeism among architectural students (434); general School administration.

Outgoing letters, T-Y: Lawrence Weaver, London re: National Art Survey (Jun).

Outgoing letters, C-F: James Dron re: Artist Teachers' Exhibition Society (Mar-Jan); Patrick S. Dunn re: staff salaries, particularly Professor Baltus' & his Tempera Class (Mar); Mr Ewen, re: art education (May); Sir George Frampton re: visit to GSA (Jan); Sir James Fleming re: the development of the Ceramics class (May).

Sundries: Programme of work for the Modelling & Sculpture Section; draft of a lecture given by Newbery on 20 Dec 1913 - "The Four Corners of a Picture"; draft of manifesto for the Artist Teacher's Exhibition Society, prepared by Mr Dron (Mar); notes on the proposed work on artistic anatomy by Miss Parkes (Dec); draft of rules for Essay Competition; [also ref. for Miss Keppie, dated 1910].

Outgoing letters, Mc-P: Ann Macbeth re: her decision to leave GSA, the "irritant character" between GSA and the Technical College (Mar-Jul); C. R. Mackintosh re: drawings & estimates for window & door from Dalhousie St. into the Animal Room (Feb); D. MacLeod, Glasgow Provincial Committee re: Summer Vacation Courses Art: 55 (Mar); A. McGlashan re: travelling student scholarship (Jan-Mar); Ruby Pickering re: loans of casts, etc. for school in Johannesburg (Mar); George Pirie re: arrangement & payment for visits to Animal Class (May).

Outgoing letters, Q-S: Mr Ramsay re: scholarship travel in Europe (Jan-Mar); Sir Isidore Spielmann, Board of Trade re: Exhibition of Decorative Arts, Paris & work presented by GSA staff and students (Apr-Jul); Dr Baird Smith, Franco-Scottish Society re: Bursary for architecture student to travel abroad (May); Sir John Struthers, Scottish Education Department re: the unveiling of the Building Committee painting, refs. to Sir James Fleming's illness (May); Olive Carleton Smyth re: more permanent position on school staff (Jun).

Outgoing letters, A-C: W.E. Bates, Bridport Boy's School re: Newbery Prizes for Drawing (Sep-Oct); Mme. Baltus re: leaving Glasgow with her daughter (Oct); Sir James Bell re: lecture by E.A. Walton (Dec); J. Brown, Muirhead Trust re: assistance to furnish a rest room for women in 166-172 Renfrew St., also refers to women's war work and the role of the woman artist in war (Jun-Nov); to Mme. Bourdon re: a commemorative plaque for Eugene Bourdon (Nov); D.Y. Cameron re: the effects of WWI -musing on art during war (Oct). [Also some letters from 1915, incl. list of Haldane Bursary winners].

Outgoing letters, H-M: F. Harcourt Kitchin re: portrait of a Devonshire woman that Newbery is presenting to City of Exeter Museum (Sep); Rev Langdon, Membury re: commemorative panel in church (Sep-Oct); Allan D. Mainds re: entertainment for "Jock's Box for limbless Soldiers & Sailors" (Dec).

A variety of life drawings and portraits completed by Mary Ramsay. Some of these items are dated to her time as a student at The Glasgow School of Art. Most items are pencil on paper, with a few further studies in paint.

This series includes one item by Jessie Wilson, another student of The Glasgow School of Art, with whom Mary Ramsay and Margaret Macdonald started a pottery decorating business at The Studio, Strathyre, in 1926.

One of three ceiling light clusters designed for the new Board Room at Glasgow School of Art. Each fitting consists of nine lampshades suspended from a decorative iron frame.

One of three ceiling light clusters designed for the new Board Room at Glasgow School of Art. Each fitting consists of nine lampshades suspended from a decorative iron frame.

One of three ceiling light clusters designed for the new Board Room at Glasgow School of Art. Each fitting consists of nine lampshades suspended from a decorative iron frame.

This stamp was commissioned and paid for by GSA so that any of the Mackintosh Library Lights made post 2014 that contained one or more newly crafted piece would be stamped with the L&D stamp, to indicate its whole or partial newness.

In the event:
• 27 Library lights are made wholly from original parts (and not therefore stamped)
• 11 are made from some original and some new parts (therefore stamped)
• 15 are made entirely from new parts (therefore stamped)

A series of 6 facsimile armchairs were commissioned by GSA in 2003 to replace the original armchairs (from 1904) that remained in situ and in daily use within the Director's Room of Glasgow School of Art.

A series of 6 facsimile armchairs were commissioned by GSA in 2003 to replace the original armchairs (from 1904) that remained in situ and in daily use within the Director's Room of Glasgow School of Art.

A series of 6 facsimile armchairs were commissioned by GSA in 2003 to replace the original armchairs (from 1904) that remained in situ and in daily use within the Director's Room of Glasgow School of Art.

A series of 6 facsimile armchairs were commissioned by GSA in 2003 to replace the original armchairs (from 1904) that remained in situ and in daily use within the Director's Room of Glasgow School of Art.

A series of 6 facsimile armchairs were commissioned by GSA in 2003 to replace the orginal armchairs (from 1904) that remained in situ and in daily use within the Director's Room of Glasgow School of Art.

A series of 6 facsimile armchairs were commissioned by GSA in 2003 to replace the original armchairs (from 1904) that remained in situ and in daily use within the Director's Room of Glasgow School of Art.

This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Designed for the (new) Board Room, Glasgow School of Art. A more elaborate version of the chairs designed for the original Board Room in 1899 (MC/F/18).

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Designed for the (new) Board Room, Glasgow School of Art. A more elaborate version of the chairs designed for the original Board Room in 1899 (MC/F/18).

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Designed for the (new) Board Room, Glasgow School of Art. A more elaborate version of the chairs designed for the original Board Room in 1899 (MC/F/18).

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Designed for the (new) Board Room, Glasgow School of Art. A more elaborate version of the chairs designed for the original Board Room in 1899 (MC/F/18).

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Designed for the (new) Board Room, Glasgow School of Art. A more elaborate version of the chairs designed for the original Board Room in 1899 (MC/F/18).

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Designed for the (new) Board Room, Glasgow School of Art. A more elaborate version of the chairs designed for the original Board Room in 1899 (MC/F/18).

This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Designed for the (new) Board Room, Glasgow School of Art. A more elaborate version of the chairs designed for the original Board Room in 1899 (MC/F/18).