The Glasgow School of Art: Mackintosh Building - First Floor Mezzanine (RL)
- NMC/1724H
- Item
- 1992
Architectural drawing of the GSA Mackintosh Building. Scale 1:100.
Clarke, Paul
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The Glasgow School of Art: Mackintosh Building - First Floor Mezzanine (RL)
Architectural drawing of the GSA Mackintosh Building. Scale 1:100.
Clarke, Paul
The Glasgow School of Art: Mackintosh Building - East Stair - vertical section
Architectural drawing of the GSA Mackintosh Building. Scale 1:20.
Clarke, Paul
The Glasgow School of Art: Mackintosh Building - East Stair - plan and elevation
Architectural drawing of the GSA Mackintosh Building. Scale 1:20.
Clarke, Paul
The Glasgow School of Art: Mackintosh Building - Context and City Plan
Architectural drawing of the GSA Mackintosh Building. Scale 1:1250/NTS.
Clarke, Paul
The Glasgow School of Art: Mackintosh Building - Basement Plan
Architectural drawing of the GSA Mackintosh Building. Scale 1:100.
Clarke, Paul
The Glasgow School of Art: Mackintosh Building - Basement Mezzanine
Architectural drawing of the GSA Mackintosh Building. Scale 1:100.
Clarke, Paul
'As in 'The Village' there are no figures in this view of the Dorset countryside. This absolute lack of human activity gives Mackintosh's pictures an air of eerie, even surreal, desertion. They are formal landscapes... the most dominant feature in this work is the tall telegraph pole, a formal and unnatural element in this gentle Dorset landscape.' (Roger Billcliffe).
Mackintosh, Charles Rennie
Appears in The Magazine, April 1894. 'The central figure is based upon that used in the 1893 design for a diploma for the GSA and like that in 'The Harvest Moon', has wings like an angel. Here, however, she appears naked and her outstretched arms and hair merge and are transformed into barren tree-like forms. These descend to the horizon behind which the sun is gradually disappearing under the feet of the winged figure. From the bottom of the picture, and directly beneath the sun, rises a flight of menacing birds. They are presumably nocturnal birds of prey and they seem to be flying directly towards the viewers. This is one of Mackintosh's earliest uses of this strange bird, which was to become more stylised and to appear in many different forms, in several media in his oeuvre.' (Roger Billcliffe).
Mackintosh, Charles Rennie
The Building Committee of the Board of Governors of The Glasgow School of Art
Portrait group. Inscribed on frame: "Mr. Charles. R. Mackintosh FRIBA The Architect/Col. R.J.Bennett V.D./Mr. David Barclay FRIBA/Sir Francis Powell, LLD, PRSW/Mr. John Munro FRIBA/Mr. Patrick S. Dunn - Convener/Councillor J. Mollison, MINA/ Mr. Hugh Reid DL/ Sir Wm Bilsland, Bart. LLD, DL/Sir John J. Burnet, RSA, FRIBA, LLD/Mr. John Henderson MA/Sir James Fleming - Chairman of Governors/Mr. John M. Groundwater - secretary/ Mr. Francis H. Newbery CAV OFF, INT, SBC, ARCA - Director, pinxit". When Newbery exhibited this group at the Glasgow Institute of the Fine Arts in 1913 it did not include the figure of Mackintosh. In 1914 he painted his large portrait of Mackintosh (collection: Scottish National Portrait Gallery) and his Building Committee portrait group was offered to the Board and accepted. When it was unveiled in 1914 it was seen that he had added Mackintosh's figure, a smaller version of his individual portrait, to the left of the group, and redated the whole canvas 1914. Painting cleaned and relined in 1963 by Mr Harry McLean who discovered the late addition of the figure of Mackintosh.
Newbery, Francis Henry
The Architectural Competition (Part 7)
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Mackintosh, Charles Rennie
The Architectural Competition (Part 5)
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Mackintosh, Charles Rennie
The Architectural Competition (Part 3)
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Mackintosh, Charles Rennie
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Includes:
Mackintosh, Charles Rennie
Textile related to the Mackintosh Interpreted exhibition
'Stylised Daisies Deco'.
Fabric from the Mackintosh Re-Interpreted Exhibition, Hunterian Museum & Art Gallery, 2008, with digital recreations of Mackintosh original designs and new designs by Vicky Begg, J.R.Campbell and Alan Shaw.
Begg, Vicky
Textile related to the Mackintosh Interpreted exhibition
'Wave Check'.
Fabric from the Mackintosh Re-Interpreted Exhibition, Hunterian Museum & Art Gallery, 2008, with digital recreations of Mackintosh original designs and new designs by Vicky Begg, J.R.Campbell and Alan Shaw.
Begg, Vicky
Textile related to the Mackintosh Interpreted exhibition
'Dried Dahlias' by J.R.Campbell.
Fabric from the Mackintosh Re-Interpreted Exhibition, Hunterian Museum & Art Gallery, 2008, with digital recreations of Mackintosh original designs and new designs by Vicky Begg, J.R.Campbell and Alan Shaw.
Centre for Advanced Textiles
Textile related to the Mackintosh Interpreted exhibition
Mackintosh's textile design: flower bulbs 1915-23 (2 of 3).
Fabric from the Mackintosh Re-Interpreted Exhibition, Hunterian Museum & Art Gallery, 2008, with digital recreations of Mackintosh original designs and new designs by Vicky Begg, J.R.Campbell and Alan Shaw.
Centre for Advanced Textiles
Textile related to the Mackintosh Interpreted exhibition
Mackintosh's textile design: flower bulbs 1915-23 (3 of 3).
Fabric from the Mackintosh Re-Interpreted Exhibition, Hunterian Museum & Art Gallery, 2008, with digital recreations of Mackintosh original designs and new designs by Vicky Begg, J.R.Campbell and Alan Shaw.
Centre for Advanced Textiles
Textile related to the Mackintosh Interpreted exhibition
'Gothic Bulbs'.
Fabric from the Mackintosh Re-Interpreted Exhibition, Hunterian Museum & Art Gallery, 2008, with digital recreations of Mackintosh original designs and new designs by Vicky Begg, J.R.Campbell and Alan Shaw.
Begg, Vicky
Textile related to the Mackintosh Interpreted exhibition
Mackintosh's textile design: flower bulbs 1915-23 copied from watercolour in the Hunterian Collection, cat:GLAHA41999 (1 of 3).
Fabric from the Mackintosh Re-Interpreted Exhibition, Hunterian Museum & Art Gallery, 2008, with digital recreations of Mackintosh original designs and new designs by Vicky Begg, J.R.Campbell and Alan Shaw.
Centre for Advanced Textiles
Abstract design for fabric.
Mackintosh, Charles Rennie
Tea spoon from Ingram Street Tea Rooms (Version 3)
Designed for Miss Cranston's Ingram Street Tea rooms, Glasgow. The Ingram Street Tea Rooms were purchased by Glasgow Corporation in 1951 for £25,000 and were then rented out as various shops and warehouses.
Mackintosh, Charles Rennie
Tea spoon from Ingram Street Tea Rooms (Version 2)
Designed for Miss Cranston's Ingram Street Tea rooms, Glasgow. The Ingram Street Tea Rooms were purchased by Glasgow Corporation in 1951 for £25,000 and were then rented out as various shops and warehouses.
Mackintosh, Charles Rennie
Tea spoon from Ingram Street Tea Rooms (Version 1)
Designed for Miss Cranston's Ingram Street Tea rooms, Glasgow. The Ingram Street Tea Rooms were purchased by Glasgow Corporation in 1951 for £25,000 and were then rented out as various shops and warehouses.
Mackintosh, Charles Rennie
Tea spoon from Ingram Street Tea Rooms
Designed for Miss Cranston's Ingram Street Tea rooms, Glasgow. The Ingram Street Tea Rooms were purchased by Glasgow Corporation in 1951 for £25,000 and were then rented out as various shops and warehouses.
Mackintosh, Charles Rennie
Tea knife from Ingram Street Tea Rooms (Version 3)
Designed for Miss Cranston's Ingram Street Tea rooms, Glasgow. The Ingram Street Tea Rooms were purchased by Glasgow Corporation in 1951 for £25,000 and were then rented out as various shops and warehouses.
Tea knife from Ingram Street Tea Rooms (Version 2)
Designed for Miss Cranston's Ingram Street Tea rooms, Glasgow. The Ingram Street Tea Rooms were purchased by Glasgow Corporation in 1951 for £25,000 and were then rented out as various shops and warehouses.
Tea knife from Ingram Street Tea Rooms (Version 1)
Designed for Miss Cranston's Ingram Street Tea rooms, Glasgow. The Ingram Street Tea Rooms were purchased by Glasgow Corporation in 1951 for £25,000 and were then rented out as various shops and warehouses.
Tea knife from Ingram Street Tea Rooms
Designed for Miss Cranston's Ingram Street Tea rooms, Glasgow. The Ingram Street Tea Rooms were purchased by Glasgow Corporation in 1951 for £25,000 and were then rented out as various shops and warehouses.
Mackintosh, Charles Rennie
Tea fork from Ingram Street Tea Rooms (Version 3)
Designed for Miss Cranston's Ingram Street Tea rooms, Glasgow. The Ingram Street Tea Rooms were purchased by Glasgow Corporation in 1951 for £25,000 and were then rented out as various shops and warehouses.
Mackintosh, Charles Rennie
Tea fork from Ingram Street Tea Rooms (Version 2)
Designed for Miss Cranston's Ingram Street Tea rooms, Glasgow. The Ingram Street Tea Rooms were purchased by Glasgow Corporation in 1951 for £25,000 and were then rented out as various shops and warehouses.
Mackintosh, Charles Rennie
Tea fork from Ingram Street Tea Rooms (Version 1)
Designed for Miss Cranston's Ingram Street Tea rooms, Glasgow. The Ingram Street Tea Rooms were purchased by Glasgow Corporation in 1951 for £25,000 and were then rented out as various shops and warehouses.
Mackintosh, Charles Rennie
Tea fork from Ingram Street Tea Rooms
Designed for Miss Cranston's Ingram Street Tea rooms, Glasgow. The Ingram Street Tea Rooms were purchased by Glasgow Corporation in 1951 for £25,000 and were then rented out as various shops and warehouses.
Mackintosh, Charles Rennie
Bedford Lemere & Co
Table for the Library, Glasgow School of Art
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
One of nine readers' tables for the Library at Glasgow School of Art. Like the vertical stretchers on the periodical desk, MC/F/73, none of the patterns on the legs (variations on these themes of the gallery pendants) are repeated.
Mackintosh, Charles Rennie
Table for the Library, Glasgow School of Art
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). One of nine readers' tables for the Library at Glasgow School of Art. Like the vertical stretchers on the periodical desk, MC/F/73, none of the patterns on the legs (variations on these themes of the gallery pendants) are repeated.
Mackintosh, Charles Rennie
Table for the Library, Glasgow School of Art
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). One of nine readers' tables for the Library at Glasgow School of Art. Like the vertical stretchers on the periodical desk, MC/F/73, none of the patterns on the legs (variations on these themes of the gallery pendants) are repeated.
Mackintosh, Charles Rennie
Table for the Library, Glasgow School of Art
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
One of nine readers' tables for the Library at Glasgow School of Art. Like the vertical stretchers on the periodical desk, MC/F/73, none of the patterns on the legs (variations on these themes of the gallery pendants) are repeated.
Mackintosh, Charles Rennie
Table for the Library, Glasgow School of Art
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
One of nine readers' tables for the Library at Glasgow School of Art. Like the vertical stretchers on the periodical desk, MC/F/73, none of the patterns on the legs (variations on these themes of the gallery pendants) are repeated.
Mackintosh, Charles Rennie
Table for the Library, Glasgow School of Art
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). One of nine readers' tables for the Library at Glasgow School of Art. Like the vertical stretchers on the periodical desk, MC/F/73, none of the patterns on the legs (variations on these themes of the gallery pendants) are repeated.
Mackintosh, Charles Rennie
Table for the Library, Glasgow School of Art
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). One of nine readers' tables for the Library at Glasgow School of Art. Like the vertical stretchers on the periodical desk, MC/F/73, none of the patterns on the legs (variations on these themes of the gallery pendants) are repeated.
Mackintosh, Charles Rennie
Table for the Library, Glasgow School of Art
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
One of nine readers' tables for the Library at Glasgow School of Art. Like the vertical stretchers on the periodical desk, MC/F/73, none of the patterns on the legs (variations on these themes of the gallery pendants) are repeated.
Mackintosh, Charles Rennie
Table for the Library, Glasgow School of Art
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
One of nine readers' tables for the Library at Glasgow School of Art. Like the vertical stretchers on the periodical desk, MC/F/73, none of the patterns on the legs (variations on these themes of the gallery pendants) are repeated.
Mackintosh, Charles Rennie
Table for the Director's Room, Glasgow School of Art
Designed for Director's Room, Glasgow School of Art. 'This large table may well have been designed for meetings of the Board of Governors, who rarely used the original Board Room which was eventually taken over as a studio. It was designed with two high backed armchairs and twelve low backed armchairs and was photographed in 1910 in the new Board Room which Mackintosh had provided for the Governors, and not in the Director's Room for which it was designed. The square is again the dominant motif in this group of designs. The table legs are square, but they are hollow, and square cut outs in them indicate the construction.' (Roger Billcliffe). This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Mackintosh, Charles Rennie
Table for Room de Luxe, Willow Tea Rooms
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Designed for the Room de Luxe, Willow Tea Rooms, Glasgow. Contemporary photos of the Willow Tea Rooms do not show where these tables would have been placed, the edge of one seems to be visible between the bow windows, but the legs are identical to those on the square or oblong tables for the Room de Luxe. Probably while the tables belonged to the Grosvenor Restaurant, they were over-painted black (like the yellow couch from the Dug-Out, MC/F/84). In 1986 the black paint was removed and the tables repainted silver with an aluminium paint similar to the original (paint sample analysed by Kelvingrove conservators). At the same time missing glass insets were replaced. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Mackintosh, Charles Rennie
Table for Room de Luxe, Willow Tea Rooms
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Designed for the Room de Luxe, Willow Tea Rooms, Glasgow. Contemporary photos of the Willow Tea Rooms do not show where these tables would have been placed, the edge of one seems to be visible between the bow windows, but the legs are identical to those on the square or oblong tables for the Room de Luxe. Probably while the tables belonged to the Grosvenor Restaurant, they were over-painted black (like the yellow couch from the Dug-Out, MC/F/84). In 1986 the black paint was removed and the tables repainted silver with an aluminium paint similar to the original (paint sample analysed by Kelvingrove conservators). At the same time missing glass insets were replaced. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Mackintosh, Charles Rennie
Designed for use in Mackintosh's own flat in Mains Street, Glasgow.
This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Mackintosh, Charles Rennie
Subscriptions and the School Extension Building Fund
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Papers relating to subscriptions, funds and donations to the School Extension Building Fund. GOV/5/10/4/1: Papers used in planning the Extension Building Fund (a) Bundle of papers about the moneys raised for the Mackintosh Building in 1894 and 1907 (4 items) (b) Glasgow School of Art Building Fund Appeal booklet produced to raise funds for the completion of the Mackintosh Building, c1907 (5 copies) (c) Programme for the official opening of the Glasgow School of Art Mackintosh Building, 1909 (d) Bundle labelled 'Lists of Names' including lists of subscribers to other charitable funds such as the Carnegie Trust, Paisley Art Institute, the Memorial to David Livingstone, Glasgow Dental Hospital, and The Scottish National Commercial College. Also includes draft letters to the Carnegie Trust from Glasgow School of Art requesting them to renew their grant for equipment of the School, 1920-1926 (11 items) GOV/5/10/4/2: Copy letters, papers and correspondence with the Scottish Education Department regarding funds and Capital Grants for the extension, 1926-1932 (48 items) GOV/5/10/4/3: Appeals for donations to the Extension Building Fund (a) Printed pamphlet: 'The Glasgow School of Art Appeal for £35,000 for School Extension', providing information about the School Extension scheme. Includes a description of the planned extension by architects Messrs John Keppie & Henderson. (b) Bundle of papers labelled 'Donations, Letters sent out'. Copy and draft letters sent out to individuals such as Sir John R. Findlay, James Robb, The Duchess of Atholl, Messrs James Templeton & Co, Robert Rule, Sir Robert Wilson, Sir John Stirling Maxwell, and Sir John J Burnet to request donations to the Extension Fund. File also includes some copies of acknowledgements and thanks for donations, 1926-1927 (37 items) GOV/5/10/4/4: Letters, and copy letters, offering subscriptions to the Glasgow School of Art Extension Fund and notes of individual donations received, 1926-1931 (200 items) GOV/5/10/4/5: Bundle of letters labelled 'Refusals to Subscribe', 1926-1928 (18 items) GOV/5/10/4/6: Bundle of draft and copy letters to subscribers acknowleding and thanking them for their donations. Includes a blank template acknowledgement letter (10 copies), 1926-1927 (25 items) GOV/5/10/4/7: Lists of Donations and Donors (a) Small booklet labelled 'List of Probable Subscribers 1926' including names and addresses of potential donors, 1926 (b) Small booklet labelled 'Building Fund 1926-1927 Donations' including Building Fund list of donations alphabetically arranged, 1926-1927 (c) Bundle of papers labelled 'Building Fund Cash Statements', including various lists of donations and donors to the Extension Fund, 1926-1927 (17 items) (d) Loose pages of Annual Report, pp19-22. Includes 'Appendix VI, The Glasgow School of Art Donations to Extension Fund, to 31 Aug 1929' (e) Printed page pasted onto paper 'Appendix VI, The Glasgow School of Art Donations to Extension Fund, to 31 Aug 1929' (f) Copy of Glasgow School of Art Annual Report 1928-1929 with annotations on pages 20-21, the list of donations to the Extension Fund. (g) Typed sheet: 'Appendix VI, Donations to Extension Fund to Aug 1931'
*Not available / given
Subscriptions and the Building Fund
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Letters relating to acquisition of site 1894-1896, records relating to fundraising 1899-1910. GOV/5/3/1: Correspondence with the Bellahouston Bequest Fund re: the site on Renfrew Street and funding, Oct 1894-Jun 1896 GOV/5/3/2: List of subscriptions to the Building Fund, not dated GOV/5/3/3: Letters from subscribers, incl. Bellahouston Fund, SED & J. Keppie, 1901 GOV/5/3/4: Subscriptions received to Building Fund Bundle of letters, nos. 1-45, 1906-1907 GOV/5/3/5: as above., nos. 46-68, 1906-1907 GOV/5/3/6: as above., nos. 69-94, 1906-1907 GOV/5/3/7: Building Fund Bank receipts [bundle] 1899, 1907-1910 GOV/5/3/8: List of subscriptions for the first portion of the building [2 copies], not dated GOV/5/3/9: List of subscriptions for the completion of the building [2 copies], Jun 1907 GOV/5/3/10: Letters refusing subscription [5 items], Jan-Apr 1907 GOV/5/3/11: Notebook - School Extension Fund - lists of subscriptions received and list of deposit receipts, 1906-1910 GOV/5/3/12: Receipts of Deposit and Notices of Loans for money placed in the Glasgow Corporation Loans Fund [14 items], 1907-1909 GOV/5/3/13: Fund-raising Pamphlet for the completion of the School building [4 copies], not dated [c1907] GOV/5/3/14: Miscellaneous papers re: fund-raising [3 items], not dated
*Not available / given
Bound in volume, The Magazine, November 1894.
Mackintosh, Charles Rennie