Panel for the Rose Boudoir, Turin
- MC/F/101A
- Item
- 1902
One of a set of four panels shown at the Exhibition of Modern Decorative Art in Turin in 1902.
Mackintosh, Charles Rennie
Panel for the Rose Boudoir, Turin
One of a set of four panels shown at the Exhibition of Modern Decorative Art in Turin in 1902.
Mackintosh, Charles Rennie
Panel for the Rose Boudoir, Turin
One of a set of four panels shown at the Exhibition of Modern Decorative Art in Turin in 1902.
Mackintosh, Charles Rennie
Panel for the Rose Boudoir, Turin
One of a set of four panels shown at the Exhibition of Modern Decorative Art in Turin in 1902.
Mackintosh, Charles Rennie
Panel for the Rose Boudoir, Turin
One of a set of four panels shown at the Exhibition of Modern Decorative Art in Turin in 1902.
Mackintosh, Charles Rennie
Stained glass panel. Inscribed above: "Glasgow School of Art"; below: "Isolde Mark's wife who gave the love potion to Tristan". It was one of Fra Newbery's considerable achievements to see the need for training students in industrial art and design and persuade the governors to establish a decorative arts department. His annual report of 1893 announces 'This room has been specially fitted up and artist craftsmen have been engaged to give instruction in such subjects as glass staining, pottery, repousse and metalwork, wood carving and book binding, beside Artistic Needlecraft taught by a Lady.' Early teachers of stained glass at the GSA included Norman Macdougall, Harry Roe and William Stewart. Among the students were Jessie Rowat, Emily Hutcheson, Herbert MacNair, Stephen Adam Jr, W.G Morton and Dorothy Carleton Smyth.
Smyth, Dorothy Carleton