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Three ornamental designs featuring symmetric strapworks in rectangular frames. Includes annotations of student registration no. ("No. 71") and signed "Gerard Murphy."

A collection of graphic design work, product design prototypes, life drawings and graded coursework by Lindsay Wadey (née Winning), completed during her time as a student at The Glasgow School of Art from 1963 to 1967. Includes work carried out as part of courses in the Graphics department and on the Section 5 course under Ted Odling. Material spans the entirety of her student career, including final projects and degree show work.

Work produced during first year of general course.

Work produced during time on the junior non-diploma course.

Folder containing work produced by Dugald Cameron during his time on the Junior Non-diploma course and general years of diploma course at GSA.

Black ink drawing of a figure and sketches. The work is signed 'colin wilson 1.7.72'. Handwriting on the back of the work reads 'No. 192 sixth year studies, Study for "Bone Sentinel" 1.7.1972, Colin Wilson, 14 Princes Sq, Barrhead'.

Pencil drawing of monkey with geometric forms. The work is titled, signed and dated.

Black pen and coloured pencil drawing of spectators at an exhibition at the Royal Scottish Academy.

Black ink drawing of a figure. The work is signed 'colin wilson 29.6.72'. Handwriting on the back of the work reads 'Colin Wilson, 14 Princes Sq, Barrhead, sixth year studies. No. 192. Study for "Sentinel" 29.6.1972'.

Black pen drawing of an open-mouthed figure and a leaping leopard. The work is a copy of a David Hockney work of the same title, and is marked on the front 'Kleinst Kasino. Kleinstrausse 35 Berlin. - gay.' and 'leaping leopard. colin wilson 26.6.1974'. Handwriting on the back of the work reads '"Study for Stillness" 26.6.1974. colin wilson. 14 princes square. barrhead.'

Black pen drawing depicting female figure and palm tree. The work is titled, signed and dated on the front. There is a second black pen drawing fixed to the reverse of the work depicting a nude seated female figure.

A black and white pen drawing of a male subject from a side angle. The work is titled, dated and signed on the reverse and lists Wilson's address and 'Glasgow School of Art'.

Life drawing study of a folio from a Book of Hours. Calligraphic annotation on lower right corner states it is taken from a 14th century Italian manuscript, copied from the original manuscript at the Victoria and Albert Museum.

Located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies

A meticulously observed full-length life study capturing a male figure in a seductive pose, featured white chalk traces. Includes an annotation of student registration no. ("No. 114") and numbered "137."

A watercolour floral study depicting a plant with clusters of white flowers, presumed to be bird-cherry. Includes annotations of student registration no. ("No. 71") and signed "G. Murphy".

A life sketch with slight traces of white chalk, featuring a nude woman seated on a chair. Another sketch of a woman sitting on a box on verso.

A study of a standing male nude, featuring three sketches depicting torsion of the body, and five sketches focusing on feet and arms. Includes annotations of student registration no. ("No. 71") signed "G. Murphy" and dated "28/9/34." Also marked "G.C."

A full-length figure study focusing on the angle of legs. Includes an annotation of student registration no. ("No. 192.")

A drawing of a woman laying down in a twisting pose, while supporting her weight with an elbow and a hand. This work features shading of the entire background using pencil. Not dated.

A drawing of a nude woman lying down, twisting her upper body while supporting her weight with an elbow, with downcast eyes. This work features shading of the entire background using pencil. Undated.

Life drawing study of cloth. Artist monogram on the lower right of image attributes the work to Dorothy Doddrell.

Located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies

Study of a costumed female, seated. This item bears a label for The Glasgow School of Art, listing the 1915-1916 session, and Mr Robinson as the teacher.

Originally located inside portfolio folder (DC 110/1/4).

Study of a costumed female, seated. This item bears a label for The Glasgow School of Art, listing the 1915-1916 session, and Mr Robinson as the teacher.

Originally located inside portfolio folder (DC 110/1/4).

A series of studies of draped fabric. This item bears a label for The Glasgow School of Art, listing the 1915-1916 session, and Mr Robinson as the teacher.

On the reverse of this item is a sketch of a male figure.

Originally located inside portfolio folder (DC 110/1/4).

Study of female nude. This item bears a label for The Glasgow School of Art, listing Mary Ramsay's Register Number as 421 and her teacher as Mr Law. The date is not recorded, but is estimated to be from the 1914-1915 session based on information from the Alphabetical Register of Students 1903-1919 (GSAA/REG/2/3).

Originally located inside portfolio folder (DC 110/1/4).

Study of female, seated. On the reverse of this item is a transfer from another artwork (item DC 110/1/1/35B).

Originally located inside portfolio folder (DC 110/1/4).

Study of female, waist up, from behind.

Originally located inside portfolio folder (DC 110/1/4).

Study of a female nude, seated and leaning over a desk. This item bears a label for The Glasgow School of Art, listing the 1916-1917 session, and D F Wilson as the teacher.

On the reverse of this item is a drawing of a female nude, standing, in pencil - possibly a sketch for DC 110/1/1/5.

Originally located inside portfolio folder (DC 110/1/4).

Study of female. This item bears a label for The Glasgow School of Art, listing the 1914-1915 session, Mr Mainds as the teacher, and Jessie Wilson as the artist.

Originally located inside portfolio folder (DC 110/1/4).

Study of female nude, seated. This item bears a label for The Glasgow School of Art, listing the 1915-1916 session, and Mr Mainds as the teacher.

Originally located inside portfolio folder (DC 110/1/4).

Study and sketch of female nude, seated. This item bears a label for The Glasgow School of Art, listing the 1916-1917 session, and D F Wilson as the teacher.

On the reverse of this item is a sketch of a female nude.

Originally located inside portfolio folder (DC 110/1/4).

Study of a female nude, standing. This item bears a label for The Glasgow School of Art, listing the 1914-1915 session, and Mr Law as the teacher.

Originally located inside portfolio folder (DC 110/1/4).

Study of female nude, standing, from behind. This item bears a label for The Glasgow School of Art, listing the 1917-1918 session, and Professor Greiffenhagen as the teacher.

Originally located inside portfolio folder (DC 110/1/4).

Study of female, upper torso and head.

Originally located inside folder (DC 094/1/2/1).

Study of female nude, from behind. This item bears a label for The Glasgow School of Art, but the date is not recorded.

Originally located inside portfolio folder (DC 110/1/4).

Study of female nude. This item bears a label for The Glasgow School of Art, listing the 1915-1916 Evening session, and Mr Hunter as the teacher.

Originally located inside portfolio folder (DC 110/1/4).

Study of female.
Originally located inside portfolio folder (DC 110/1/4).

Study of seated woman in robes. This item bears a label for The Glasgow School of Art, listing the 1916-1917 session, and Professor Wilson as the teacher.

Originally located inside portfolio folder (DC 110/1/4).

Study of female nude.

Originally located inside portfolio folder (DC 110/1/4).

Study and sketch of female nude, seated. This item bears a label for The Glasgow School of Art, listing the 1915-1916 session, and Mr Ogilvie as the teacher.

Originally located inside portfolio folder (DC 110/1/4).