Kitchen store jar - currants (Version 5)
- NMC/0740A/v5
- Part
- 1957-1963
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Kitchen store jar - currants (Version 5)
Kitchen store jar - currants (Version 4)
Kitchen store jar - currants (Version 3)
Kitchen store jar - currants (Version 2)
Kitchen store jar - currants (Version 1)
This item suffered significant damage in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. It was salvaged and has undergone conservation and consolidation work. Round white storage jar with lid. Tan, green, and black transfer desgin on jar with 'Currants' in black near the centre. Thin gold band on the bottom. Lid is white with a gold band.
Stewart, Robert
Part of Mary Ramsay artworks
A variety of illustrations and designs completed by Mary Ramsay. Most of these items are undated, though one bears a label referring to Ramsay's studies during the 1915-1916 session at The Glasgow School of Art. These items include pencil and paint on paper.
Ramsay, Mary
'Obstruct': 1 of a set of 5 ceramic pots, wheel thrown with hand-built adjustments.
Artist statement: "Hostile architecture is a phenomenon with rase rise significantly throughout urban design this century. A widely recognised example of this type of design is the 'uncomfortable bench'. Interventions of this kind are now familiar, and can even be a cause of comfort to privileged audiences, but it is important to consider their sociological effects. We have replaced human interaction, nuance and empathy with hard, physical and non-negotiable solutions. Identifying five core aspects of hostile urban design - limit, control, obstruct, impede and deter - I have developed a series of ceramic cups which each embody one of these qualities."
Source: https://drive.google.com/file/d/1Pe53s2N6laNXHxxQ-RrjA5cjvuFNeUPC/view
Gray, Arvinda
'Limit': 1 of a set of 5 ceramic pots, wheel thrown with hand-built adjustments.
Artist statement: "Hostile architecture is a phenomenon with rase rise significantly throughout urban design this century. A widely recognised example of this type of design is the 'uncomfortable bench'. Interventions of this kind are now familiar, and can even be a cause of comfort to privileged audiences, but it is important to consider their sociological effects. We have replaced human interaction, nuance and empathy with hard, physical and non-negotiable solutions. Identifying five core aspects of hostile urban design - limit, control, obstruct, impede and deter - I have developed a series of ceramic cups which each embody one of these qualities."
Source: https://drive.google.com/file/d/1Pe53s2N6laNXHxxQ-RrjA5cjvuFNeUPC/view
Gray, Arvinda
'Impede': 1 of a set of 5 ceramic pots, wheel thrown with hand-built adjustments.
Artist statement: "Hostile architecture is a phenomenon with rase rise significantly throughout urban design this century. A widely recognised example of this type of design is the 'uncomfortable bench'. Interventions of this kind are now familiar, and can even be a cause of comfort to privileged audiences, but it is important to consider their sociological effects. We have replaced human interaction, nuance and empathy with hard, physical and non-negotiable solutions. Identifying five core aspects of hostile urban design - limit, control, obstruct, impede and deter - I have developed a series of ceramic cups which each embody one of these qualities."
Source: https://drive.google.com/file/d/1Pe53s2N6laNXHxxQ-RrjA5cjvuFNeUPC/view
Gray, Arvinda
'Deter': 1 of a set of 5 ceramic pots, wheel thrown with hand-built adjustments.
Artist statement: "Hostile architecture is a phenomenon with rase rise significantly throughout urban design this century. A widely recognised example of this type of design is the 'uncomfortable bench'. Interventions of this kind are now familiar, and can even be a cause of comfort to privileged audiences, but it is important to consider their sociological effects. We have replaced human interaction, nuance and empathy with hard, physical and non-negotiable solutions. Identifying five core aspects of hostile urban design - limit, control, obstruct, impede and deter - I have developed a series of ceramic cups which each embody one of these qualities."
Source: https://drive.google.com/file/d/1Pe53s2N6laNXHxxQ-RrjA5cjvuFNeUPC/view
Gray, Arvinda
'Control': 1 of a set of 5 ceramic pots, wheel thrown with hand-built adjustments.
Artist statement: "Hostile architecture is a phenomenon with rase rise significantly throughout urban design this century. A widely recognised example of this type of design is the 'uncomfortable bench'. Interventions of this kind are now familiar, and can even be a cause of comfort to privileged audiences, but it is important to consider their sociological effects. We have replaced human interaction, nuance and empathy with hard, physical and non-negotiable solutions. Identifying five core aspects of hostile urban design - limit, control, obstruct, impede and deter - I have developed a series of ceramic cups which each embody one of these qualities."
Source: https://drive.google.com/file/d/1Pe53s2N6laNXHxxQ-RrjA5cjvuFNeUPC/view
Gray, Arvinda
Hand painted ceramic plate (Version 2)
Hand painted ceramic plate (Version 1)
Colourful hand-painted design of four Pompadour style women and peacocks on ceramic blank. Signed "Masie McKinna 1/6/22" verso. Purchased from eBay in used condition.
McKinna, Masie
Glasgow School of Art commemorative plate (Version 2)
Glasgow School of Art commemorative plate (Version 1)
Glasgow School of Art commemorative plate
Ceramic blank decorated with pink image of north-west façade of The Glasgow School of Art. "Wedgwood of Etruria & Barlaston - A - Made in England" stamped on verso.
*Not available / given
Egg cup with wide base (Version 2)
Egg cup with wide base (Version 1)
Glazed ceramic egg cup with wide base. Turquoise glaze on inside and brown glaze on outside of egg cup. Brown and black glaze on base with band of tan, raised balls of clay. Engraved marking on bottom - "ST" (creator's initials) and another marking of a circle with an X over it (maker's mark).
Thomson, Robert Sinclair
Earthenware salt pot (Version 4)
Earthenware salt pot (Version 3)
Earthenware salt pot (Version 2)
Earthenware salt pot (Version 1)
Polychrome glazed earthernware salt pot, painted with a band of stylised flowers. Initials "JMK", rabbit image, and hatch pattern on the bottom.
King, Jessie Marion
Ceramic grey, round domed pot with a wide hole. "Pickard" handwritten on the bottom.
Pickard, Baajie
Ceramic blank with handpainted gold decorative band. Enamel is wearing off which could be due to poor firing or could have not been fired at all. Signed "June Wilson 161, 1st year, (Patent applied for)" verso.
Wilson, June
Cup from tea service (Version 5)
Cup from tea service (Version 4)
Cup from tea service (Version 3)
Cup from tea service (Version 3)
Cup from tea service (Version 3)
Cup from tea service (Version 2)
Cup from tea service (Version 2)
Cup from tea service (Version 2)
Cup from tea service (Version 1)
Cup from tea service (Version 1)
Cup from tea service (Version 1)
This cup is part of a painted china tea service. Orange lustre-glaze over flower paintings on white china blank.
Macbeth, Ann
This cup is part of a painted china tea service. Orange lustre-glaze over flower paintings on white china blank.
Macbeth, Ann
This cup is part of a painted china tea service. Orange lustre-glaze over flower paintings on white china blank.
Macbeth, Ann