Remnant length of heavy cotton upholstery fabric printed in bold geometric design in shades of orange, red, purple and brown. Deposited by Crissie White.
Text by Robin Rennie. Design possibly by Michael Healey (Head of Graphics). Robin Rennie described as 'former Head of Liberal Studies' in this print out.
Poster of a copy of the Declaration of Arbroath. With the compliments of the Foulis Archive Press and the Scottish Design Centre on the occasion of the Exhibition of Scottish Print, Proof '76, Glasgow, Oct 1976.
One of a set of two curtains designed by Sylvia Chalmers made in 'Escape I' the Sun' design which features a man in a red hammock and a woman on a swing.
Printed fabric sample with repeating abstract design in yellow, red, green and white. Has samples of same pattern in 4 other colour combinations sewn to end.
Brown placemat with white fringed edges. Features a geometric design and is labelled "Arabesque; a two coloured placemat in chocolate and biscuit by Sylvia Chalmers"
One of a set of two curtains designed by Sylvia Chalmers made in 'Escape I' the Sun' design which features a man in a red hammock and a woman on a swing.
This poster advertised an exhibition of work by John O'Connor which was held in The Glasgow School Of Art's Mackintosh Museum. O'Connor lectured in the graphic design department at The Glasgow School Of Art briefly between 1978 and 1979. The exhibition included work in a variety of mediums including drawing, painting, wood engraving, graphics and illustration. The poster also details that The National Book League exhibition of Book Design and Production was running concurrently with the O'Connor exhibition in the Mackintosh Library.
Wooden display case showing process of wood and linoleum block printing, featuring ship design. Loose paper GSA label once attached to back of case with writing "Design. B-Block Printing". Due to information in archival documentation, display case can be dated pre-1943. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014 and was conserved in 2018.
Printed fabric sample with design including 2 women holding baskets on their heads and a man wearing a red hat. in black, red, white, and lime green on a dark green background.
Small printed fabric sample with same design as previous in 2 shades of green, white, and red (Attached by staple to *DC 068/8/15 along with hand written label.)
PVC coated printed tote bag in blue, green, and white with design on both sides of Scottish motifs (bagpipes, thistle, trout, grouse, bottle of whisky, shortbread, haggis, and quaich) and celtic knotwork border.
Small PVC coated printed tote bag with design on both sides of a stylised garden with flowers, insects and a fairy. In yellow, orange, pink, blue and green with a blue border and straps.
This Japanese poster advertised a Charles Rennie Mackintosh exhibition. It was designed by graphic designer Ikko Tanaka in 1979 for Gurafiku: Japanese Graphic Design. The poster uses a pink and navy font on a white background, with an image of a Mackintosh chair.
DC 068/7/6/1-2: Set of curtains designed by Sylvia Chalmers done in 'Escape I' the Sun' design which features a man in a red hammock and a woman on a swing.
The poster advertised an exhibition held in the Mackintosh Museum at GSA, showcasing the work of Paul Peter Piech. Piech is known for his work in graphic design and predominantly working with linocut techniques.
This poster was used to advertise an exhibition of work by Glasgow School of Art students held at Glasgow Green as part of the Glasgow Mayfest in 1994. Poster design by Lyn Jarvie. Illustration by Rosalind Venet.
Designs created for Hugh Smith & Co., during a work placement in the summer of 1961. Printed graphic designs for Hugh Smith & Co., 6 designs on 1 page, all back and white. An individual design, pencil on a small separate sheet, also features alongside this piece, possibly for a business card.
This sky blue poster features a Charles Rennie Mackintosh chair and a distinctly dressed female wearing make-up and a blonde wig. Mackintosh's work was heavily influenced by Japanese design and culture. This poster advertises an association with Mackintosh's work and the Japanese Department store chain Daimaru.
This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Aaron McLaughlin has designed a poster for the Roy Andresson film 'You, the Living'. McLaughlin used Typeset printing techniques to create this poster.
This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Jess Copsey has designed a poster for the Sergei Parajanov film 'The Colour of Pomegranates'. The poster has been created using screen printing techniques.
This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Eleanor Hodeson has designed a poster for the Jean Cocteau's film 'Orphee'. The poster itself has been created using screen print techniques.
Poster for 'Royal Glasgow Institute of the Fine Art Arts 127th Annual Exhibition', McLellan Galleries, Glasgow, 09 Oct 1988-06 Nov 1988. Artwork featured is 'Still Life' by James D. Robertson, poster design by Michael Healey.
This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Luo Tao has created a poster for Werner Herzog's film Nosferatu, using two etching plates in black and red inks, created in an edition of five.
This item was damaged in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. It was assessed by a conservator but no conservation work was deemed possible. Small white spice jar with red and black transfer design. Two relief bands of circles around the body. Gold lid.
This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Annie Ricard Strauss has designed a poster advertisting a screening of avant-garde films, the poster has been created using screen printing techniques.
This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Aileen Crossley has designed a poster for the Virrorio Di Sica film 'Umburto D'. Crossley has created the poster using lithography techniques.
This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Emily Harding has designed a poster for the John Schlesinger film 'Billy Liar'. Harding has created the poster using screen printing techniques.
This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Oona Brown has designed a poster for the Wim Wender's film 'Alice in the Cities'. Brown has used screen printing techniques to create the poster.
This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Kate Costigan has designed a poster for the Robert Day film 'The Rebel'. To create this poster Costigan used screenprinting techniques.
This poster advertised the work of graduating embroidered and woven textiles students which was showcased in The Glasgow School Of Art degree show from the 14th to the 19th of June 1985. It was held in the Newbery Tower which housed the design departments within The Glasgow School Of Art before it was later replaced by the Reid Building.
This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Robert Heatherington has designed a poster for the Carl Dreygar film 'The Passion of Joan of Arc'. Heatherington has created the poster using screen print techniques.
This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Essi Kimpanyaki has designed a poster for the film 'Kapurush'. To create the poster Kimpanyaki has used screen printmaking techniques.
This poster advertised a farewell dinner for staff member Lennox Patterson. Patterson is known for his illustrative work done in linocut and scraperboard and was a student at The Glasgow School Of Art before becoming a lecturer in graphic design as well as Deputy Director of the school. The dinner was held in the Bourdon Hall in the Bourdon building on the 20th of December 1979.
The poster advertised an exhibition of work by Charles Rennie Mackintosh that was held in the McLellan Galleries on Sauchiehall Street in Glasgow. The show itself was sponsored by the Whyte and Mackay Group and ran from the 25th of May to 30th of September 1996. Admission to the exhibition was priced at £4 for adults and £2 for concessionary rate. The poster has a geometric square design.
Mackintosh's textile design: flower bulbs 1915-23 (2 of 3).
Fabric from the Mackintosh Re-Interpreted Exhibition, Hunterian Museum & Art Gallery, 2008, with digital recreations of Mackintosh original designs and new designs by Vicky Begg, J.R.Campbell and Alan Shaw.
Mackintosh's textile design: flower bulbs 1915-23 (3 of 3).
Fabric from the Mackintosh Re-Interpreted Exhibition, Hunterian Museum & Art Gallery, 2008, with digital recreations of Mackintosh original designs and new designs by Vicky Begg, J.R.Campbell and Alan Shaw.
Display of block printing process in wooden display case, featuring toucan design. Back of case has GSA label with writing "Block Printing C". Due to information in archival documentation, display case can be dated pre-1943.
This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example student Li Lui has designed a poster for the Japanese film 'Tampopo', using collograph printmaking techniques.
This poster advertised a Glasgow School Of Art fashion show that ran from the 24th to the 29th April 1978. Tickets for this event were priced at £1 and could be purchased from the registrar's office at The Glasgow School Of Art as well as The Design Centre on St Vincent Street. This particular print is number five of ten editions.
