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Silk and linen scarf

Long silk and linen woven scarf with fringed ends. It has geometric designs and subtle colour changes and blends, achieved through dip dyed warp. Scarf is in shades of purple, red and pink and has a maker's tag with the name Sarah Sumsion.

Sumsion, Sarah

Silk and linen scarf

Long silk and linen woven scarf with fringed ends. It has geometric designs and subtle colour changes and blends, achieved through dip dyed warp. Scarf is in shades of green, grey, orange and brown.

Sumsion, Sarah

Side table

White plywood triangular table, part of set of two chairs and table. Made by the artist whilst in the Interior Design Department in 1965/66.

Longmuir, James

Shallow bowl with small handles

Ceramic bowl with small handles. Dark brown glaze on the outside and turquoise glaze on the inside with a circular pattern. Engraved marking on bottom - "ST" (creator's initials) and another marking of a circle with an X over it (maker's mark).

Thomson, Robert Sinclair

Shallow bowl

Shallow bowl with green/yellow lustre glaze. Hand-painted band of green leaves and blue buds around the mouth. 'Macintyre & Burslem England' stamp on bottom.

Macbeth, Ann

Settle for the Willow Tea Rooms

Designed as the order desk, at the Willow Tea Rooms, Glasgow. 'One of the most impressive and novel of Mackintosh's chairs, it stood in the centre of the ground floor saloons, isolated and defining the point at which the white Front Saloon became the dark Back Saloon. Designed six months before the curved screen at Hous'hill, it plays the same role in acting as a transparent division between two spaces which are actually part of the same room... The front of the seat also serves as a small locker or chest... The chest was provided for the supervisor who took orders from the waitresses and passed them to the kitchen by dropping coloured balls, coded to each dish on the menu, down a tube to the kitchen below.' (Roger Billcliffe). Reupholstered in brown horsehair 1984 (the settle was originally upholstered in a green and gold striped horsehair, matching the Willow armchairs).
This item was assessed for conversation in 2010 as part of the Mackintosh Conservation and Access project (2006-2010), and then again in 2018 following the fire in the Mackintosh Building in June 2018.

Mackintosh, Charles Rennie

Settle for The Dug-Out, Willow Tea Rooms

Designed for The Dug-Out, Willow Tea Rooms, Glasgow. Mackintosh's watercolour designs for the Dug-Out show a very similar settle (painted yellow) in the staircase vestibule and presumably this is where the piece was originally placed. It is a smaller variant of the Derngate hall settle. Whilst the property of the Grosvenor Restaurant, it was probably painted black, but when it was returned from exhibition in Helsinki (early in 1983) damage to the surface revealed yellow paint-work underneath. When the black paint was stripped it was clear that the entire settle had been painted yellow, and on the lower surfaces the original paint-work was intact, allowing accurate colour matching for repainting. In the winter of 1983-84 the settle was repainted and reupholstered to match the original design. This item was assessed for conversation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010), and then again in 2018 following the fire in the Mackintosh Building in June 2018.

Mackintosh, Charles Rennie

Settle for Glasgow School of Art

Designed for the board room, Glasgow School of Art. Basically, a compilation of three examples of MC/F/18 with the pierced motif repeated three times on each back rest. Reupholstered in brown horsehair 1984. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).

Mackintosh, Charles Rennie

Settee for Argyle Street Tea Rooms

Designed for Argyle Street Tea Rooms, Glasgow. At least two examples of this settee appear in contemporary photographs, used along the walls in the Smoking and Billiards Rooms. 'A sturdy and quite heavy piece of furniture with slab like sides, upholstered in horsehair which became a favorite material with Mackintosh and used on several designs about this time.' (Roger Billcliffe). Reupholstered in brown horsehair 1984. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).

Mackintosh, Charles Rennie

Section of a poster advertising a series of film screenings at The Glasgow School Of Art

One third section of a poster advertising a series of films that were shown in The Mackintosh Lecture Theatre at The Glasgow School Of Art. Screening were documentaries about artists including Mackintosh, Rousseau, Klee, McLaren, Giacometti, Hamilton, Paolozzi, Jones, Kitaj, Bosch and Spencer as well as a film entitled 'A Short Vision'. This section screenprinted in CMYK inks using both drawn elements and half dot images.

*Not available / given

Section of a poster advertising a series of film screenings at The Glasgow School Of Art

One third section of a poster advertising a series of films that were shown in The Mackintosh Lecture Theatre at The Glasgow School Of Art. Screening were documentaries about artists including Mackintosh, Rousseau, Klee, McLaren, Giacometti, Hamilton, Paolozzi, Jones, Kitaj, Bosch and Spencer as well as a film entitled 'A Short Vision'. This section screenprinted using four layers of CMYK inks.

*Not available / given

Section of a poster advertising a series of film screenings at The Glasgow School Of Art

One third section of a poster advertising a series of films that were shown in The Mackintosh Lecture Theatre at The Glasgow School Of Art. Screening were documentaries about artists including Mackintosh, Rousseau, Klee, McLaren, Giacometti, Hamilton, Paolozzi, Jones, Kitaj, Bosch and Spencer as well as a film entitled 'A Short Vision'.

*Not available / given

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