Part of Kenilworth Castle with sheep grazing to foreground. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Portrait of artist's mother and father at the piano.
A variety of illustrations and designs completed by Mary Ramsay. Most of these items are undated, though one bears a label referring to Ramsay's studies during the 1915-1916 session at The Glasgow School of Art. These items include pencil and paint on paper.
Illustration featuring members of the Incorporation of Bakers being granted land in 1538 by the Regent of Moray for providing bread to troops during the Battle of Langside.
Illustration featuring members of the Incorporation of Bakers being granted land in 1538 by the Regent of Moray for providing bread to troops during the Battle of Langside, with a fuller explanation included.
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Self portrait. Two of Hugh Adam Crawford's self portraits were exhibited at the Royal Scottish Academy in 1951 and 1960. Another earlier self portrait is also owned by the Scottish National Portrait Gallery.
Fishermen and labourers with wagons. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Studies of various Hastings fishing boats. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Two studies of farm workers at harvest time. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
