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Mixed correspondence, papers and reports about courses, departments, assessments, visits, and other Art Colleges. Includes: circular letter to Staff about the removal of casts from their correct rooms, 1953; The Silk Centre, 'Second Report of the Education Committee'; correspondence with C d'O Pilkington Jackson, about a visit to the Art School and a 'Proposal for the Reorganisation of the Teaching into a Professional Diploma', 1954; Paper- 'Proposal for the State Patronage of the Visual Arts'; correspondence from LCC Central School of Arts and Crafts outlining entry requirements, courses, fees, etc., paper titled 'Visit to English Schools of Art, 28th April to 8th May [1952]'; correspondence from James Stewart; correspondence from Kathleen Whyte; correspondence from Peter Osborne; correspondence from Mario M Rossi; correspondence from J Smillie; correspondence from Winneba Training College about a proposed Bliss visit; correspondence and suggested syllabus for students at Ross Hall (Interior Design); copies of Reyner Banham's 'The Bauhaus Gospel', Joseph Rykwet's 'The Dark Side of the Bauhaus', and Peter Lloyd-Jones' 'The Fallacy of Basic Design'; correspondence outlining requirements for photographic exhibition of Scottish architecture; note on Architectural Assessors and the difficulty of getting someone to cover all four schools; report on session 1952-53; correspondence detailing problems with kiln and impact on students' work; note on 'Development of the Textile Department'; notes on departments' apparatus and equipment estimates (1953-54); correspondence from Jade Fleming about visits to Art Schools and reports; questionnaire and results for 'Art Schools and the Training of Craftsmen'; memorandum titled 'State of the Crafts in Scotland'; notes on 'Proposals for the Development of the Textile Department'; correspondence from R W Baker (Royal College of Art, School of Ceramics); notes on General Course; Diploma results (1911-1947); Diploma Adjudications: report on Architecture (1952, by Donald E E Gibson); Design & Crafts Adjudications (1952, report by Edward Bawden); Adjudication of Diplomas in Commercial and Graphic Art (1952, report by Cosmo Clark); Diploma Adjudications (1952, report on Design & Crafts by Grace Lovat Fraser); Diploma Adjudications (1952, reports on Drawing & Painting by Henry Lamb); Diploma Adjudications (1952, report on Sculpture by Siegfried Charoux); note on 'A Suggested Scheme for a System of Inter-Cooperation Between the Four Art School Libraries in Scotland'; Diploma Adjudication Reports, 1959 for: Commercial and Graphic Art (Mischa Black), Sculpture (Gilbert Ledward), Drawing and Painting (Ruskin Spear), Design and Crafts (Marianne Straub), Design and Crafts (FHX Henrion).

The newscutting informs of the reception and dance that were held at The Glasgow School of Art on the day it was published. The evening entertainment included the presentation of two plays by Francis H. Newbery. It shows photographs of four principals in the plays: Miss J. Cameron, Mr A. G. Crombie, Mr J. C. M'Fayden, and Mr J. Huck.

Originally located within folder (DC 098/1/4).

The newscutting features a photograph of Dame Laura Knight with some of the principals inspecting diploma work during her visit to The Glasgow School of Art.

The photograph features a senior group of ten men and two women. Archibald Haswell Miller is standing in the back, fourth from the left.

The supporting text reads "Yesterday was "touching-up day" for the R.S.W. Exhibition in the M'Lellan Galleries, Glasgow, where our camera man secured this interesting study. The group includes Robert Eadie, Norah Neilson Gray, R. C. Young, James Kay, Haswell Miller, A. M'Bride, J. W. Wright, A. P. Thomson (sitting), Tom Hunt, Miss Raeburn, Arch. Kay, and D. Fulton."

An annotation on the top right corner of the cardboard shows "1928?".

The photograph features Archibald Haswell Miller and Josephine Haswell Miller alongside a group of males and females.

The supporting text reads "A group at the meeting of the Governors of the Glasgow School of Art this week, when Mr John D. Revel (centre), of Chelsea, was introduced to the board on the occasion of his taking up duty.–"Bulletin" Photo." The newscutting is supported by a handwritten map located below it. It offers the list of names and the location of the subjects in the photograph.

The cardboard also displays additional annotations by Haswell Miller: "We accepted him with all kindness and welcome. After a few weeks he called the staff together and practically told us he was going to sack the lot! I anticipated this by accepting the keepership of the National Galleries. Edinburgh. (Not very well qualified but standard were low in 1930)".

An annotation on the top right corner of the cardboard shows "c1928". Additional annotations below the photograph identify the people featured in it.

The photograph features a group of six men looking at a set of paintings hung on the wall.

The newscutting is titled "At a Scottish Art Club's Show". The supporting text reads "A group of artists and members of the Hanging Committee at the annual exhibition of work by members of the Glasgow Art Club, which is being held in the club's premises just now.–"Bulletin" Photograph."

An annotation on the top right corner of the cardboard shows "1926?".

The collection includes:

• Photographs, essays and notes made and taken by Holmes Gray while at the Glasgow School of Art, including correspondence between the GSA and Gray, 1949-1956
• Notes given to designers for technical guidance from Johnson, Matthey & Co. Ltd, 1954
• Recollections of Glasgow School of Art by Holmes Gray, 1996
• Photographs of pieces designed by Gray post-GSA for Spode, Royal Worcester and others; c1949-1996
• Correspondence with Stoke-on-Trent College, 1964-1986
• Correspondence re: training as a part-time teacher, 1977-1986
• Letter informing Holmes Gray of election as Fellow of the Royal Society for the Encouragement of Arts, Manufacturers & Commerce [copy], 1987
• Letter from Commemorative Collector's Society re: address by Holmes Gray, 1997

This material may contain sensitive information about individuals that is protected by the Data Protection Act. Until this material has been checked for sensitive information, it will not be available for researchers. Once this Data Protection work is complete the collection will be open for access, however any sensitive information will be closed and inaccessible for 75 years from the date of creation.

A variety of loose artworks, cover designs, correspondence, ephemera, and photographs completed by and belonging to Archibald Haswell Miller. The collections includes proofs for book covers and pamphlets, personal correspondence relating to his studies and subsequent career, different ephemera relating to Haswell Miller's student days and photographs of artworks and students and staff members of The Glasgow School of Art.

This collection also includes material relating to Georges-Marie Baltus (DC 098/2) , including photographs of his artworks and his Italian and European trips, and Francis H. Newbery (DC 098/3).

A collection of work by Dorothy C Smith including Glasgow School of Art student material and teacher training college material.

Includes:
GSA student notebooks

• teacher training notebooks from her time at Jordanhill teacher training college
• essays
• architectural drawings
• figure drawings
• printed designs
• paper-cut work
• leaf prints
• designs for repeat prints
• embroidery designs
• hadow work designs
• designs for embroidered textiles
• embroidery samplers
• embroidery samples
• a wooden stool with embroidered top
• a poster
• material relating to the proposed publication "Designing for Embroidery"
• material relating to the "Unbroken Thread" exhibition
• publications related to the Needlework Development Scheme

3 x 2nd year GSA student notebooks belonging to Isobel Alison Mitchell Shearer:

• History of Architecture
• History of Styles
• Dyed and printed fabric

A collection of Kath Whyte's personal papers which comprises:

• Family papers, press cuttings and photographs, c1909-1981
• School certificates, c1922
• Correspondence, 1927-1996
• Early sketches and drawings, 1920s
• ketchbooks, notebooks, photographs and correspondence from Gray's School of Art, c1922-1947
• Personal correspondence, 1922-1996
• National Identification Card, 1943
• Travel diary, c1940s
• Lecture notes, sketchbooks and notebooks, 1948-1974
• Assorted textile samples, sketch books and notebooks, 1950s-1970s
• Examples of weaving by Kath Whyte and her pupils, c1950s-1970s
• Diaries 1974-1988 and miscellaneous books owned by Kath Whyte
• Photographs (professional and personal), 1909-1996
• MBE medal and associated correspondence and photograph
• Extensive collection of undated slides
• Exhibition catalogues
• Textile and design pieces, c1930s-1970s

This material may contain sensitive information about individuals that is protected by the Data Protection Act. Until this material has been checked for sensitive information, it will not be available for researchers. Once this Data Protection work is complete the collection will be open for access, however any sensitive information will be closed and inaccessible for 75 years from the date of creation.

This collection includes a bound volume of student architectural notes, a student thesis, and a residential house brochure by Lanarkshire Builders Limited, plus some photocopies of correspondence.

Papers relating to the student work of C A Wallace, including materials relating to his education at The Glasgow School of Art.

The photograph features a close-up shot of a woman wearing a light-coloured hat and outfit.

The photograph features Archibald Haswell Miller dressed as a medieval King. The annotations show the text "Glasgow 1910 / I stood in [...] A. L. Jackson (a handsome fellow student or staff [...]) as a King in a [...] which in retrospect was quite a fine production at the School of Art. (I [...] the [...] grown beard did it for me!)".

An annotation on the top right corner shows "1909-10".

The photograph features Archibald Haswell Miller dressed as a medieval King.

The photograph features Archibald Haswell Miller holding a palette and portraying a female figure.

The photograph features Archibald Haswell Miller holding a palette and portraying a female figure.

The cardboard shows the text "H.M. at Glasgow School of Art c1907 (under Maurice Greiffenhagen)".

An annotation on the top right corner shows "1907".

The photograph features Archibald Haswell Miller holding a palette.

The photograph features a close-up shot of Josephine Haswell Miller.

The reverse shows the text "Jessie Thomson 319 Sauchiehall St" stamped on the cardboard.

The photograph features a close-up shot of Josephine Haswell Miller.

The photograph features a male and a female dressed with period clothing.

The photograph features two students portraying two female subjects in class. Two men can be spotted in the background.

The reverse of the photograph shows the text "Mr. Miller – [...] 1927. June" and "2/53".

The photograph features fourteen women representing a scene. One of the women is on her knees, head bowed. There is a sign with the words 'A daft lot'.

The reverse of the photograph shows a text addressed to Archibald Haswell Miller.

The photograph features eleven female students wearing a variety of outfits. The photograph shows five female names on the reverse.

The Glasgow School of Art photographic collection consists of

• images taken by GSA to record the activities of the School
• images taken for publicity purposes
• images donated by former staff and students illustrating their time at the School
• and images used as teaching aids at GSA.

Some of this material is currently uncatalogued and therefore not accessible for researchers.

The photographic collections consist of loose photographs, bound albums of photographs and a large collection of lantern slides and glass plate negatives.

The photographs record events at The Glasgow School of Art, its students and their work and act as an important historical source. A large part of the collection consists of the plate glass negatives which were used from the 19th century onwards as a teaching aid and consist of photographic plates of international artworks and architectural examples.

We have identified people depicted in these photographs where possible. Please get in touch if you spot any inconsistencies, omissions or errors, and we will edit descriptions accordingly.

A variety of photographs featuring loose photographs of artworks and GSA students and staff.

A variety of photographs of different artworks completed by Georges-Marie Baltus. Some of these items are dated to his time as a lecturer in Belgium, several years after he left Glasgow.

A variety of photographs showing students and staff of The Glasgow School of Art, many of which feature Archibald Haswell Miller during his time as a student and staff at the institution.

This poster advertised the Interior Design course offered at The Glasgow School Of Art. The poster details the structure of the course and the vocational opportunities that could be gained with a degree in Interior Design. The poster also stipulates the entry requirements for the course. These were a minimum of 5 SCE passes or 3 at Higher grade, or 5 GCE passes, 2 at A level. It was mandatory that two of the subjects passed were Art and English.

Poster for Sculpture and Environmental Art exhibition, 2013

Students named in poster are Brigid Daly, Hugh Pottiger, Dorothy Cairns, Ruaridh Macpherson, Todd Braylor Pleasants, Grace Anne Johnston, Sarah Garcia, Luca George, Sharon McBrearty, Krysia Kordeki, Caroline Gooch, Louis Shekal, Christopher A W Milligan, Rachel Levine, Amy Pickles, Gordon Andrew McKerrow, James MacEachran, Jamie Kane, Gordon Douglas, Muyan Gao, Chris Silver, Delphine Dallison, Jen Martin, Rosie Sillitoe, Justyna Ataman, Aleksandra Roch, Patrick Queen, Dawn Mackinnon, Julia Wylie and Holly Goldsworthy.