One print from 'Abstract Language' (The Philadelphia Series) (Version 3)
- NMC/1882C/v3
- Part
- 1977
819 results with digital objects Show results with digital objects
One print from 'Abstract Language' (The Philadelphia Series) (Version 3)
One print from 'Abstract Language' (The Philadelphia Series) (Version 3)
One print from 'Abstract Language' (The Philadelphia Series) (Version 3)
One print from 'Abstract Language' (The Philadelphia Series) (Version 3)
One print from 'Abstract Language' (The Philadelphia Series) (Version 3)
One print from 'Abstract Language' (The Philadelphia Series) (Version 3)
One print from 'Abstract Language' (The Philadelphia Series) (Version 2)
One print from 'Abstract Language' (The Philadelphia Series) (Version 2)
One print from 'Abstract Language' (The Philadelphia Series) (Version 2)
One print from 'Abstract Language' (The Philadelphia Series) (Version 2)
One print from 'Abstract Language' (The Philadelphia Series) (Version 2)
One print from 'Abstract Language' (The Philadelphia Series) (Version 2)
One print from 'Abstract Language' (The Philadelphia Series) (Version 2)
One print from 'Abstract Language' (The Philadelphia Series) (Version 2)
One print from 'Abstract Language' (The Philadelphia Series) (Version 1)
One print from 'Abstract Language' (The Philadelphia Series) (Version 1)
One print from 'Abstract Language' (The Philadelphia Series) (Version 1)
One print from 'Abstract Language' (The Philadelphia Series) (Version 1)
One print from 'Abstract Language' (The Philadelphia Series) (Version 1)
One print from 'Abstract Language' (The Philadelphia Series) (Version 1)
One print from 'Abstract Language' (The Philadelphia Series) (Version 1)
One print from 'Abstract Language' (The Philadelphia Series) (Version 1)
One print from 'Abstract Language' (The Philadelphia Series)
One of eight screenprints in a folder inspired by artists and architects who spent their whole lives thinking about squares, rectangles and straight lines: C R Mackintosh, Malevich, Modrian, Lloyd Wright, Newman, Stella, Martin and Halley.
Print 'B' inspired by Malevich. The screenprints are boxed with an introductory page.
Kilgour, Scott
One print from 'Abstract Language' (The Philadelphia Series)
One of eight screenprints in a folder inspired by artists and architects who spent their whole lives thinking about squares, rectangles and straight lines: C R Mackintosh, Malevich, Modrian, Lloyd Wright, Newman, Stella, Martin and Halley.
Print 'D' inspired by Lloyd Wright. The screenprints are boxed with an introductory page.
Kilgour, Scott
One print from 'Abstract Language' (The Philadelphia Series)
One of eight screenprints in a folder inspired by artists and architects who spent their whole lives thinking about squares, rectangles and straight lines: C R Mackintosh, Malevich, Modrian, Lloyd Wright, Newman, Stella, Martin and Halley.
Print 'E' inspired by Newman. The screenprints are boxed with an introductory page.
Kilgour, Scott
One print from 'Abstract Language' (The Philadelphia Series)
One of eight screenprints in a folder inspired by artists and architects who spent their whole lives thinking about squares, rectangles and straight lines: C R Mackintosh, Malevich, Modrian, Lloyd Wright, Newman, Stella, Martin and Halley.
Print 'A' inspired by C R Mackintosh. The screenprints are boxed with an introductory page.
Kilgour, Scott
One print from 'Abstract Language' (The Philadelphia Series)
One of eight screenprints in a folder inspired by artists and architects who spent their whole lives thinking about squares, rectangles and straight lines: C R Mackintosh, Malevich, Modrian, Lloyd Wright, Newman, Stella, Martin and Halley.
Print 'C' inspired by Modrian. The screenprints are boxed with an introductory page.
Kilgour, Scott
One print from 'Abstract Language' (The Philadelphia Series)
One of eight screenprints in a folder inspired by artists and architects who spent their whole lives thinking about squares, rectangles and straight lines: C R Mackintosh, Malevich, Modrian, Lloyd Wright, Newman, Stella, Martin and Halley.
Print 'G' inspired by Martin. The screenprints are boxed with an introductory page.
Kilgour, Scott
One print from 'Abstract Language' (The Philadelphia Series)
One of eight screenprints in a folder inspired by artists and architects who spent their whole lives thinking about squares, rectangles and straight lines: C R Mackintosh, Malevich, Modrian, Lloyd Wright, Newman, Stella, Martin and Halley.
Print 'F' inspired by Stella. The screenprints are boxed with an introductory page.
Kilgour, Scott
One print from 'Abstract Language' (The Philadelphia Series)
One of eight screenprints in a folder inspired by artists and architects who spent their whole lives thinking about squares, rectangles and straight lines: C R Mackintosh, Malevich, Modrian, Lloyd Wright, Newman, Stella, Martin and Halley.
Print 'H' inspired by Halley. The screenprints are boxed with an introductory page.
Kilgour, Scott
Oil painting of Lithuanian landscape
Oil painting on MDF board, Lithuanian landscape.
Morkunaite, Sigita
Reeds and stones.
Palmer, Joan
Part of Material relating to Gerard V Murphy, former GSA student
A multi-coloured oblique pattern design with fruits and trees repeatedly intersected. Includes annotations of student registration no. ("No. 71") and signed "Gerard Murphy."
Murphy, Gerard V
Oast houses, with pond in foreground
"Headley Surrey 13 Sept 42" (in pen), bottom left.
Miller, Josephine Haswell
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Study of a female nude, with wrap and headscarf.
Greiffenhagen, Maurice
Part of Papers of James Cosgrove
Sketches, drawings, paintings, collage, poems and notes. Includes entries relating to visit to Rijksmuesum, Amsterdam.
Cosgrove, James
"A E Haswell Miller 1923" (in pen), bottom left.
Miller, Archibald E Haswell
Abstract watercolour with layered collage. One of seven works presented to GSA by the Scottish Arts Council, as a result of the Council's collection being broken up and dispersed across Scotland.
Reeves, Philip
Study of three cottages. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
"Norham Castle. Northumberland Aug 1924" (in pen), bottom right.
Miller, Archibald E Haswell
Llanilted Vale, North Wales. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
'Night Ride to Alston, Hairpin at Cupola'
Abstract landscape in shades of blue, grey, brown and beige - fading distant light suggested. Possibly bleach treated.
Manning, Mick
Abstract landscape.
Robertson, James Downie
Study of river valley. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
"AE Haswell Miller, 1922" (in pencil), bottom left.
Miller, Archibald E Haswell
Museum, The Glasgow School of Art
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This painting of the first-floor museum, looking East, is one of the very earliest artistic depictions of the building's celebrated interior.
Anderson, Elizabeth
Mural design for Decorative Arts Building
Annotated by artist.
Miller, Archibald E Haswell
"AEH Miller, Munchen 1908".
Miller, Archibald E Haswell
"AEH Miller, Munchen 09".
Miller, Archibald E Haswell