Design for a stable block (Ferme des Ecuries)
- NMC/0375.089
- Item
- 1890-1896
Detail of ironwork.
Bourdon, Eugene
1572 results with digital objects Show results with digital objects
Design for a stable block (Ferme des Ecuries)
Detail of ironwork.
Bourdon, Eugene
Design for a stable block (Ferme des Ecuries)
Facade and sections of building.
Bourdon, Eugene
Design for a stable block (Ferme des Ecuries)
Longitudinal section of building.
Bourdon, Eugene
Design for a stable block (Ferme des Ecuries)
Classical facade with arched doorway.
Bourdon, Eugene
Design for a stable block (Ferme des Ecuries)
Back elevation/cross-section of building.
Bourdon, Eugene
Design for a stable block (Ferme des Ecuries)
Technical drawing.
Bourdon, Eugene
Design for a stained glass window
Window set into church nave. Design inscribed: "Gloire aux Arts 1895".
Bourdon, Eugene
Section through cupola; four decorative columns.
Bourdon, Eugene
Sketch plan and elevation of building.
Bourdon, Eugene
Principal facade; section through cupola.
Bourdon, Eugene
Elevation and plan of building.
Bourdon, Eugene
Section and plan of building.
Bourdon, Eugene
Ceiling detail.
Bourdon, Eugene
Back/side elevation of building.
Bourdon, Eugene
Cross-section of building.
Bourdon, Eugene
Section of building.
Bourdon, Eugene
Elevation of building. Inscribed: "Study for Prix de Rome".
Bourdon, Eugene
Sketch plan and elevation of building.
Bourdon, Eugene
Elevation, showing back-drop to stage.
Bourdon, Eugene
Front elevation of building.
Bourdon, Eugene
Section and detail of roof trusses.
Bourdon, Eugene
Villa in a garden setting - plan and elevation.
Bourdon, Eugene
Plan, elevation and sections of warehouse.
Mackie, Thomas Callendar Campbell
Perspective drawing for Albert Memorial. Prince Albert died in Dec 1861 and designs were invited for a memorial hall and monument. It is not clear whether this perspective represents one of these or a combination of both. The base is an immense podium with battered sides, on it another podium with couchant lions at each corner, above this rises a single-story block with battered walls, each side pierced with a bank of linked windows, the tower culminating in a ribbed dome. The immense size of the battered doorways and the low relief on the walls recalls Egyptian temples. The competition was won by Sir Gilbert Scott.
Thomson, Alexander
Part of Mary Ramsay artworks
Architectural design for an altarpiece. This item bears a label for The Glasgow School of Art, listing the 1915-1916 session, and Professor McGibbon as the teacher.
Originally located inside portfolio folder (DC 110/1/4).
Ramsay, Mary
Design for an academic building with auditoria
Double plan of building.
Bourdon, Eugene
Design for an Artist's Town House and Studio: east elevation
Proposed east elevation of building.
Mackintosh, Charles Rennie
Design for an Artist's Town House and Studio: south elevation
Proposed south elevation of building.
Mackintosh, Charles Rennie
Design for an Artist's Town House and Studio: south elevation and plans
Proposed plans for building.
Mackintosh, Charles Rennie
Elevation, plan and perspective of building interior.
Bourdon, Eugene
Plan of building. Inscribed as: '24 hour project'.
Bourdon, Eugene
Design for an Italian Gothic facade
Study of window tracery on Venetian building.
Mackie, Thomas Callendar Campbell
Design for an open market and town hall
Plans, elevations and sections.
Revel, John D
Plan and elevation of domed building.
Bourdon, Eugene
Design for colonial parliament house
Detail of principal facade.
Scott, Alexander Thomson
Design for east end of a Gothic church
Design showing plan, section and elevations.
Mackie, Thomas Callendar Campbell
Details of columns and arches.
Revel, John D
Design for entrance to a city university
Colonnaded elevation and plan.
Wilson, William Gilmour
Design for Glasgow School of Art: additions to South-East wing - lower centre
Architectural drawing showing various additions to building. The handwriting suggests that this sketch plan was not drawn by Mackintosh himself, but probably by a draughtsman in his office.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: additions to South-East wing - lower left
Architectural drawing showing various additions to building. The handwriting suggests that this sketch plan was not drawn by Mackintosh himself, but probably by a draughtsman in his office.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: back elevation
Architectural drawing showing back elevation.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: back elevation
Architectural drawing showing back elevation. On the left is the tower block of the Library. The little walkway at the top of the building (the 'Hen Run') links the new West wing with the earlier East wing, separated by the already built Director's Studio. The greenhouse cantilevered out from a studio on the top floor provided models for still life painting. The superimposed alterations show changes made to the first building, and those in pencil others thought of between 1907 and 1910.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: east/west elevations
Architectural drawing showing east elevation, west elevation and section through library. The East elevation was little changed in the process of building, but by the time the West elevation came to be executed 1906-09, Mackintosh's ideas had altered radically.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: elevation and plan
Architectural drawing showing elevation and plan of building.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: elevation of Scott Street and Dalhousie Street
Architectural drawing showing east/west elevations of building.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: elevation to Renfrew Street
Architectural drawing showing north elevation of building.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: elevation to Renfrew Street
Architectural drawing showing north elevation. The main difference between the completed North elevation and that shown in the 1896-97 design is the addition of an attic storey, but by setting back the upper row of windows Mackintosh made them quite invisible from Renfrew Street.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: elevation to Scott Street/elevation to Dalhousie Street
Architectural drawing showing east/west elevations. 'The East elevation is as built... the West elevation has been completely redesigned. In 1897 the roof line falls with the steep slop of Scott Street: in 1907 the lower part of the site provides a base for a soaring tower block containing the Library which, if it has affinities with the spirit of the traditional Scottish tower house, is completely twentieth century in all its detailing... Other changes were made in the course of construction,... the ashlar of the blank wall on the left was replaced by undressed stone and... the normal sized doorway grew to colossal proportions, extending well above the line of the windows (Mackintosh's pencilled alterations are just visible on the drawing).' (McLaren Young).
Mackintosh, Charles Rennie
Design for Glasgow School of Art: elevation to Scott Street/elevation to Dalhousie Street
Architectural drawing showing east/west elevations.
Mackintosh, Charles Rennie